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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #53FE0D it is the complementary color #AC01F2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #53FE0D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #53FE0D shade: #58FE08, #69FF1B, #7AFF2E, #8BFF41 and #9CFF54

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #53FE0D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #53FE0D shade: #53FE0D, #42EC00, #31DA00, #20C800 and #0FB600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #53FE0D shade: #52FE0B, #93FE0B, #D5FE0B, #FEE60B and #FEA40B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #53FE0D shade: #52FE0B, #10FE0B, #0BFE48, #0BFE89 and #0BFECA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #53FE0D shade matches the following richer shades: #52FE0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #53FE0D shade: #52FE0B, #5AEA1F, #62D633, #6BC247 and #73AF5B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #53FE0D shade: #D5FE0B, #95FE0B, #54FE0B, #14FE0B and #0BFE44

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #53FE0D shade: #35B601, #42DF01, #52FE0B, #6FFE34 and #8CFE5E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #53FE0D shade: #53FE0D, #0BFEE6 and #FE0BB5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #53FE0D shade: #53FE0D, #0B54FE and #FE0B54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #53FE0D shade: #53FE0D, #0BFEE6, #B50BFE and #FE0B24

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #53FE0D shade: #53FE0D, #0BCDFE, #B50BFE and #FE3C0B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 95 / 0

HEX #53FE0D

RGB 83 254 13

HSL 102.57, 0.99%, 0.52%

LAB 88.33, -77.89, 83.03

 

Complementary color

CMYK 29 / 100 / 0 / 5

HEX #AC01F2

RGB 172 1 242

HSL 282.57, 0.99%, 0.48%

LAB 45.91, 84.74, -77.55

 

CMYK 65 / 0 / 97 / 0

HEX #58FE08

RGB 88 254 8

HSL 100.49, 0.99%, 0.51%

LAB 88.44, -77, 83.56

 

CMYK 59 / 0 / 89 / 0

HEX #69FF1B

RGB 105 255 27

HSL 99.47, 1%, 0.55%

LAB 89.21, -73.29, 82.32

 

CMYK 52 / 0 / 82 / 0

HEX #7AFF2E

RGB 122 255 46

HSL 98.18, 1%, 0.59%

LAB 89.79, -68.39, 79.35

 

CMYK 45 / 0 / 75 / 0

HEX #8BFF41

RGB 139 255 65

HSL 96.63, 1%, 0.63%

LAB 90.5, -62.66, 75

 

CMYK 39 / 0 / 67 / 0

HEX #9CFF54

RGB 156 255 84

HSL 94.74, 1%, 0.66%

LAB 91.34, -56.17, 69.53

 

CMYK 67 / 0 / 95 / 0

HEX #53FE0D

RGB 83 254 13

HSL 102.57, 0.99%, 0.52%

LAB 88.33, -77.89, 83.03

 

CMYK 72 / 0 / 100 / 7

HEX #42EC00

RGB 66 236 0

HSL 103.22, 1%, 0.46%

LAB 82.46, -75.68, 79.21

 

CMYK 78 / 0 / 100 / 15

HEX #31DA00

RGB 49 218 0

HSL 106.51, 1%, 0.43%

LAB 76.56, -72.97, 74.38

 

CMYK 84 / 0 / 100 / 22

HEX #20C800

RGB 32 200 0

HSL 110.4, 1%, 0.39%

LAB 70.61, -69.83, 69.53

 

CMYK 92 / 0 / 100 / 29

HEX #0FB600

RGB 15 182 0

HSL 115.05, 1%, 0.36%

LAB 64.61, -66.16, 64.67

 

CMYK 68 / 0 / 96 / 0

HEX #52FE0B

RGB 82 254 11

HSL 102.47, 0.99%, 0.52%

LAB 88.31, -78.1, 83.17

 

CMYK 42 / 0 / 96 / 0

HEX #93FE0B

RGB 147 254 11

HSL 86.42, 0.99%, 0.52%

LAB 90.37, -61.62, 85.69

 

CMYK 16 / 0 / 96 / 0

HEX #D5FE0B

RGB 213 254 11

HSL 70.12, 0.99%, 0.52%

LAB 93.91, -37.92, 89.97

 

CMYK 0 / 9 / 96 / 0

HEX #FEE60B

RGB 254 230 11

HSL 54.07, 0.99%, 0.52%

LAB 90.64, -9.77, 88.87

 

CMYK 0 / 35 / 96 / 0

HEX #FEA40B

RGB 254 164 11

HSL 37.78, 0.99%, 0.52%

LAB 74.6, 24.13, 77.42

 

CMYK 68 / 0 / 96 / 0

HEX #52FE0B

RGB 82 254 11

HSL 102.47, 0.99%, 0.52%

LAB 88.31, -78.1, 83.17

 

CMYK 94 / 0 / 96 / 0

HEX #10FE0B

RGB 16 254 11

HSL 118.77, 0.99%, 0.52%

LAB 87.49, -85.28, 82.17

 

CMYK 96 / 0 / 72 / 0

HEX #0BFE48

RGB 11 254 72

HSL 135.06, 0.99%, 0.52%

LAB 87.69, -82.68, 69.05

 

CMYK 96 / 0 / 46 / 0

HEX #0BFE89

RGB 11 254 137

HSL 151.11, 0.99%, 0.52%

LAB 88.33, -74.72, 42.11

 

CMYK 96 / 0 / 20 / 0

HEX #0BFECA

RGB 11 254 202

HSL 167.16, 0.99%, 0.52%

LAB 89.5, -61.48, 10.97

 

CMYK 68 / 0 / 96 / 0

HEX #52FE0B

RGB 82 254 11

HSL 102.47, 0.99%, 0.52%

LAB 88.31, -78.1, 83.17

 

CMYK 68 / 0 / 96 / 0

HEX #52FE0B

RGB 82 254 11

HSL 102.47, 0.99%, 0.52%

LAB 88.31, -78.1, 83.17

 

CMYK 62 / 0 / 87 / 8

HEX #5AEA1F

RGB 90 234 31

HSL 102.56, 0.83%, 0.52%

LAB 82.44, -69.78, 75.72

 

CMYK 54 / 0 / 76 / 16

HEX #62D633

RGB 98 214 51

HSL 102.7, 0.67%, 0.52%

LAB 76.64, -60.07, 65.46

 

CMYK 45 / 0 / 63 / 24

HEX #6BC247

RGB 107 194 71

HSL 102.44, 0.5%, 0.52%

LAB 70.98, -48.32, 52.24

 

CMYK 34 / 0 / 48 / 31

HEX #73AF5B

RGB 115 175 91

HSL 102.86, 0.34%, 0.52%

LAB 65.8, -35.28, 36.86

 

CMYK 16 / 0 / 96 / 0

HEX #D5FE0B

RGB 213 254 11

HSL 70.12, 0.99%, 0.52%

LAB 93.91, -37.92, 89.97

 

CMYK 41 / 0 / 96 / 0

HEX #95FE0B

RGB 149 254 11

HSL 85.93, 0.99%, 0.52%

LAB 90.46, -60.99, 85.8

 

CMYK 67 / 0 / 96 / 0

HEX #54FE0B

RGB 84 254 11

HSL 101.98, 0.99%, 0.52%

LAB 88.35, -77.73, 83.22

 

CMYK 92 / 0 / 96 / 0

HEX #14FE0B

RGB 20 254 11

HSL 117.78, 0.99%, 0.52%

LAB 87.51, -85.11, 82.19

 

CMYK 96 / 0 / 73 / 0

HEX #0BFE44

RGB 11 254 68

HSL 134.07, 0.99%, 0.52%

LAB 87.67, -82.99, 70.38

 

CMYK 71 / 0 / 99 / 29

HEX #35B601

RGB 53 182 1

HSL 102.76, 0.99%, 0.36%

LAB 65.13, -61.51, 65.18

 

CMYK 70 / 0 / 100 / 13

HEX #42DF01

RGB 66 223 1

HSL 102.43, 0.99%, 0.44%

LAB 78.42, -71.79, 75.91

 

CMYK 68 / 0 / 96 / 0

HEX #52FE0B

RGB 82 254 11

HSL 102.47, 0.99%, 0.52%

LAB 88.31, -78.1, 83.17

 

CMYK 56 / 0 / 80 / 0

HEX #6FFE34

RGB 111 254 52

HSL 102.48, 0.99%, 0.6%

LAB 89.16, -70.6, 77.15

 

CMYK 45 / 0 / 63 / 0

HEX #8CFE5E

RGB 140 254 94

HSL 102.75, 0.99%, 0.68%

LAB 90.44, -59.87, 64.48

 

CMYK 67 / 0 / 95 / 0

HEX #53FE0D

RGB 83 254 13

HSL 102.57, 0.99%, 0.52%

LAB 88.33, -77.89, 83.03

 

CMYK 96 / 0 / 9 / 0

HEX #0BFEE6

RGB 11 254 230

HSL 174.07, 0.99%, 0.52%

LAB 90.17, -54.37, -2.56

 

CMYK 0 / 96 / 29 / 0

HEX #FE0BB5

RGB 254 11 181

HSL 318.02, 0.99%, 0.52%

LAB 56.73, 88.34, -24.54

 

CMYK 67 / 0 / 95 / 0

HEX #53FE0D

RGB 83 254 13

HSL 102.57, 0.99%, 0.52%

LAB 88.33, -77.89, 83.03

 

CMYK 96 / 67 / 0 / 0

HEX #0B54FE

RGB 11 84 254

HSL 221.98, 0.99%, 0.52%

LAB 43.61, 46.29, -88.52

 

CMYK 0 / 96 / 67 / 0

HEX #FE0B54

RGB 254 11 84

HSL 341.98, 0.99%, 0.52%

LAB 53.97, 81.01, 29.28

 

CMYK 67 / 0 / 95 / 0

HEX #53FE0D

RGB 83 254 13

HSL 102.57, 0.99%, 0.52%

LAB 88.33, -77.89, 83.03

 

CMYK 96 / 0 / 9 / 0

HEX #0BFEE6

RGB 11 254 230

HSL 174.07, 0.99%, 0.52%

LAB 90.17, -54.37, -2.56

 

CMYK 29 / 96 / 0 / 0

HEX #B50BFE

RGB 181 11 254

HSL 281.98, 0.99%, 0.52%

LAB 48.53, 87.13, -79.94

 

CMYK 0 / 96 / 86 / 0

HEX #FE0B24

RGB 254 11 36

HSL 353.83, 0.99%, 0.52%

LAB 53.43, 79.5, 55.33

 

CMYK 67 / 0 / 95 / 0

HEX #53FE0D

RGB 83 254 13

HSL 102.57, 0.99%, 0.52%

LAB 88.33, -77.89, 83.03

 

CMYK 96 / 19 / 0 / 0

HEX #0BCDFE

RGB 11 205 254

HSL 192.1, 0.99%, 0.52%

LAB 76.61, -24.94, -35.69

 

CMYK 29 / 96 / 0 / 0

HEX #B50BFE

RGB 181 11 254

HSL 281.98, 0.99%, 0.52%

LAB 48.53, 87.13, -79.94

 

CMYK 0 / 76 / 96 / 0

HEX #FE3C0B

RGB 254 60 11

HSL 12.1, 0.99%, 0.52%

LAB 56.41, 70.36, 66.03

 

Description

Color code: HEX #53FE0D | qconv.com Color code: HEX #53FE0D | qconv.com - big

Green clearly dominates: the green value is higher than red and blue.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 254 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 254 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 95 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 95% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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