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Color name
HEX #5AEA1F

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5AEA1F it is the complementary color #A515E0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5AEA1F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5AEA1F shade: #5FEA1A, #70FC2D, #81FF40, #92FF53 and #A3FF66

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5AEA1F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5AEA1F shade: #5AEA1F, #49D80C, #38C600, #27B400 and #16A200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5AEA1F shade: #5AEA1F, #91EA1F, #C8EA1F, #EAD61F and #EA9F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5AEA1F shade: #5AEA1F, #23EA1F, #1FEA52, #1FEA88 and #1FEABF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5AEA1F shade matches the following richer shades: #5AEA1F and #52FE0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5AEA1F shade: #5AEA1F, #62D633, #6BC347, #73AF5A and #7B9B6E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5AEA1F shade: #C8EA1F, #92EA1F, #5CEA1F, #26EA1F and #1FEA4E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5AEA1F shade: #3CA710, #49CD13, #5AEA1F, #76EE45 and #92F16B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5AEA1F shade: #5AEA1F, #1FEAD6 and #EA1FAD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5AEA1F shade: #5AEA1F, #1F5CEA and #EA1F5C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5AEA1F shade: #5AEA1F, #1FEAD6, #AD1FEA and #EA1F33

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5AEA1F shade: #5AEA1F, #1FC2EA, #AD1FEA and #EA481F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 87 / 8

HEX #5AEA1F

RGB 90 234 31

HSL 102.56, 0.83%, 0.52%

LAB 82.44, -69.78, 75.72

 

Complementary color

CMYK 26 / 91 / 0 / 12

HEX #A515E0

RGB 165 21 224

HSL 282.56, 0.83%, 0.48%

LAB 44.11, 78.42, -70.33

 

CMYK 59 / 0 / 89 / 8

HEX #5FEA1A

RGB 95 234 26

HSL 100.1, 0.83%, 0.51%

LAB 82.57, -68.79, 76.77

 

CMYK 56 / 0 / 82 / 1

HEX #70FC2D

RGB 112 252 45

HSL 100.58, 0.97%, 0.58%

LAB 88.57, -69.99, 78.37

 

CMYK 49 / 0 / 75 / 0

HEX #81FF40

RGB 129 255 64

HSL 99.58, 1%, 0.63%

LAB 90.12, -65.58, 74.81

 

CMYK 43 / 0 / 67 / 0

HEX #92FF53

RGB 146 255 83

HSL 98.02, 1%, 0.66%

LAB 90.9, -59.36, 69.31

 

CMYK 36 / 0 / 60 / 0

HEX #A3FF66

RGB 163 255 102

HSL 96.08, 1%, 0.7%

LAB 91.8, -52.45, 62.98

 

CMYK 62 / 0 / 87 / 8

HEX #5AEA1F

RGB 90 234 31

HSL 102.56, 0.83%, 0.52%

LAB 82.44, -69.78, 75.72

 

CMYK 66 / 0 / 94 / 15

HEX #49D80C

RGB 73 216 12

HSL 102.06, 0.89%, 0.45%

LAB 76.41, -68.13, 73.3

 

CMYK 72 / 0 / 100 / 22

HEX #38C600

RGB 56 198 0

HSL 103.03, 1%, 0.39%

LAB 70.34, -65.96, 69.48

 

CMYK 78 / 0 / 100 / 29

HEX #27B400

RGB 39 180 0

HSL 107, 1%, 0.35%

LAB 64.22, -63.2, 64.47

 

CMYK 86 / 0 / 100 / 36

HEX #16A200

RGB 22 162 0

HSL 111.85, 1%, 0.32%

LAB 58.05, -59.91, 59.44

 

CMYK 62 / 0 / 87 / 8

HEX #5AEA1F

RGB 90 234 31

HSL 102.56, 0.83%, 0.52%

LAB 82.44, -69.78, 75.72

 

CMYK 38 / 0 / 87 / 8

HEX #91EA1F

RGB 145 234 31

HSL 86.31, 0.83%, 0.52%

LAB 84.47, -54.19, 78.25

 

CMYK 15 / 0 / 87 / 8

HEX #C8EA1F

RGB 200 234 31

HSL 70.05, 0.83%, 0.52%

LAB 87.59, -33.72, 82.13

 

CMYK 0 / 9 / 87 / 8

HEX #EAD61F

RGB 234 214 31

HSL 54.09, 0.83%, 0.52%

LAB 84.84, -9.99, 80.97

 

CMYK 0 / 32 / 87 / 8

HEX #EA9F1F

RGB 234 159 31

HSL 37.83, 0.83%, 0.52%

LAB 71.14, 18.61, 70.03

 

CMYK 62 / 0 / 87 / 8

HEX #5AEA1F

RGB 90 234 31

HSL 102.56, 0.83%, 0.52%

LAB 82.44, -69.78, 75.72

 

CMYK 85 / 0 / 87 / 8

HEX #23EA1F

RGB 35 234 31

HSL 118.82, 0.83%, 0.52%

LAB 81.46, -78.27, 74.48

 

CMYK 87 / 0 / 65 / 8

HEX #1FEA52

RGB 31 234 82

HSL 135.07, 0.83%, 0.52%

LAB 81.7, -75.07, 58.98

 

CMYK 87 / 0 / 42 / 8

HEX #1FEA88

RGB 31 234 136

HSL 151.03, 0.83%, 0.52%

LAB 82.33, -67.42, 34.88

 

CMYK 87 / 0 / 18 / 8

HEX #1FEABF

RGB 31 234 191

HSL 167.29, 0.83%, 0.52%

LAB 83.39, -55.61, 7.98

 

CMYK 62 / 0 / 87 / 8

HEX #5AEA1F

RGB 90 234 31

HSL 102.56, 0.83%, 0.52%

LAB 82.44, -69.78, 75.72

 

CMYK 68 / 0 / 96 / 0

HEX #52FE0B

RGB 82 254 11

HSL 102.47, 0.99%, 0.52%

LAB 88.31, -78.1, 83.17

 

CMYK 62 / 0 / 87 / 8

HEX #5AEA1F

RGB 90 234 31

HSL 102.56, 0.83%, 0.52%

LAB 82.44, -69.78, 75.72

 

CMYK 54 / 0 / 76 / 16

HEX #62D633

RGB 98 214 51

HSL 102.7, 0.67%, 0.52%

LAB 76.64, -60.07, 65.46

 

CMYK 45 / 0 / 64 / 24

HEX #6BC347

RGB 107 195 71

HSL 102.58, 0.51%, 0.52%

LAB 71.29, -48.72, 52.58

 

CMYK 34 / 0 / 49 / 31

HEX #73AF5A

RGB 115 175 90

HSL 102.35, 0.35%, 0.52%

LAB 65.78, -35.4, 37.35

 

CMYK 21 / 0 / 29 / 39

HEX #7B9B6E

RGB 123 155 110

HSL 102.67, 0.18%, 0.52%

LAB 60.59, -19.88, 20.07

 

CMYK 15 / 0 / 87 / 8

HEX #C8EA1F

RGB 200 234 31

HSL 70.05, 0.83%, 0.52%

LAB 87.59, -33.72, 82.13

 

CMYK 38 / 0 / 87 / 8

HEX #92EA1F

RGB 146 234 31

HSL 86.01, 0.83%, 0.52%

LAB 84.51, -53.85, 78.31

 

CMYK 61 / 0 / 87 / 8

HEX #5CEA1F

RGB 92 234 31

HSL 101.97, 0.83%, 0.52%

LAB 82.5, -69.33, 75.79

 

CMYK 84 / 0 / 87 / 8

HEX #26EA1F

RGB 38 234 31

HSL 117.93, 0.83%, 0.52%

LAB 81.49, -78, 74.52

 

CMYK 87 / 0 / 67 / 8

HEX #1FEA4E

RGB 31 234 78

HSL 133.89, 0.83%, 0.52%

LAB 81.67, -75.47, 60.54

 

CMYK 64 / 0 / 90 / 35

HEX #3CA710

RGB 60 167 16

HSL 102.52, 0.83%, 0.36%

LAB 60.46, -54.78, 59.33

 

CMYK 64 / 0 / 91 / 20

HEX #49CD13

RGB 73 205 19

HSL 102.58, 0.83%, 0.44%

LAB 72.97, -64.45, 69.55

 

CMYK 62 / 0 / 87 / 8

HEX #5AEA1F

RGB 90 234 31

HSL 102.56, 0.83%, 0.52%

LAB 82.44, -69.78, 75.72

 

CMYK 50 / 0 / 71 / 7

HEX #76EE45

RGB 118 238 69

HSL 102.6, 0.83%, 0.6%

LAB 84.7, -62.15, 67.66

 

CMYK 39 / 0 / 56 / 5

HEX #92F16B

RGB 146 241 107

HSL 102.54, 0.83%, 0.68%

LAB 87.04, -51.67, 55.16

 

CMYK 62 / 0 / 87 / 8

HEX #5AEA1F

RGB 90 234 31

HSL 102.56, 0.83%, 0.52%

LAB 82.44, -69.78, 75.72

 

CMYK 87 / 0 / 9 / 8

HEX #1FEAD6

RGB 31 234 214

HSL 174.09, 0.83%, 0.52%

LAB 83.96, -49.65, -3.3

 

CMYK 0 / 87 / 26 / 8

HEX #EA1FAD

RGB 234 31 173

HSL 318.03, 0.83%, 0.52%

LAB 53.48, 81.24, -25.18

 

CMYK 62 / 0 / 87 / 8

HEX #5AEA1F

RGB 90 234 31

HSL 102.56, 0.83%, 0.52%

LAB 82.44, -69.78, 75.72

 

CMYK 87 / 61 / 0 / 8

HEX #1F5CEA

RGB 31 92 234

HSL 221.97, 0.83%, 0.52%

LAB 44.07, 34.68, -76.53

 

CMYK 0 / 87 / 61 / 8

HEX #EA1F5C

RGB 234 31 92

HSL 341.97, 0.83%, 0.52%

LAB 50.97, 74.27, 19.78

 

CMYK 62 / 0 / 87 / 8

HEX #5AEA1F

RGB 90 234 31

HSL 102.56, 0.83%, 0.52%

LAB 82.44, -69.78, 75.72

 

CMYK 87 / 0 / 9 / 8

HEX #1FEAD6

RGB 31 234 214

HSL 174.09, 0.83%, 0.52%

LAB 83.96, -49.65, -3.3

 

CMYK 26 / 87 / 0 / 8

HEX #AD1FEA

RGB 173 31 234

HSL 281.97, 0.83%, 0.52%

LAB 46.72, 79.57, -71.72

 

CMYK 0 / 87 / 78 / 8

HEX #EA1F33

RGB 234 31 51

HSL 354.09, 0.83%, 0.52%

LAB 50.35, 72.47, 43.26

 

CMYK 62 / 0 / 87 / 8

HEX #5AEA1F

RGB 90 234 31

HSL 102.56, 0.83%, 0.52%

LAB 82.44, -69.78, 75.72

 

CMYK 87 / 17 / 0 / 8

HEX #1FC2EA

RGB 31 194 234

HSL 191.82, 0.83%, 0.52%

LAB 72.77, -25.25, -30.86

 

CMYK 26 / 87 / 0 / 8

HEX #AD1FEA

RGB 173 31 234

HSL 281.97, 0.83%, 0.52%

LAB 46.72, 79.57, -71.72

 

CMYK 0 / 69 / 87 / 8

HEX #EA481F

RGB 234 72 31

HSL 12.12, 0.83%, 0.52%

LAB 54.27, 60.55, 56.59

 

Description

Color code: HEX #5AEA1F | qconv.com Color code: HEX #5AEA1F | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 234 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 234 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 87 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 87% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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