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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #53B9B3 it is the complementary color #AC464C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #53B9B3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #53B9B3: #58B9AE, #69CBC1, #7ADDD4, #8BEFE7 and #9CFFFA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #53B9B3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #53B9B3: #53B9B3, #42A7A0, #31958D, #20837A and #0F7167

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 3 / 27

HEX #53B9B3

RGB 83 185 179

HSL 176.47, 0.42%, 0.53%

LAB 69.32, -30.95, -5.95

 

Complementary color

CMYK 0 / 59 / 56 / 33

HEX #AC464C

RGB 172 70 76

HSL 356.47, 0.42%, 0.47%

LAB 43.76, 42.31, 17.91

 

CMYK 52 / 0 / 6 / 27

HEX #58B9AE

RGB 88 185 174

HSL 173.2, 0.41%, 0.54%

LAB 69.35, -31.22, -3.14

 

CMYK 48 / 0 / 5 / 20

HEX #69CBC1

RGB 105 203 193

HSL 173.88, 0.49%, 0.6%

LAB 75.8, -31.25, -3.92

 

CMYK 45 / 0 / 4 / 13

HEX #7ADDD4

RGB 122 221 212

HSL 174.55, 0.59%, 0.67%

LAB 82.17, -31.23, -4.65

 

CMYK 42 / 0 / 3 / 6

HEX #8BEFE7

RGB 139 239 231

HSL 175.2, 0.76%, 0.74%

LAB 88.44, -31.18, -5.33

 

CMYK 39 / 0 / 2 / 0

HEX #9CFFFA

RGB 156 255 250

HSL 176.97, 1%, 0.81%

LAB 94.09, -30.16, -6.78

 

CMYK 55 / 0 / 3 / 27

HEX #53B9B3

RGB 83 185 179

HSL 176.47, 0.42%, 0.53%

LAB 69.32, -30.95, -5.95

 

CMYK 60 / 0 / 4 / 35

HEX #42A7A0

RGB 66 167 160

HSL 175.84, 0.43%, 0.46%

LAB 62.79, -30.71, -5.12

 

CMYK 67 / 0 / 5 / 42

HEX #31958D

RGB 49 149 141

HSL 175.2, 0.51%, 0.39%

LAB 56.16, -30.3, -4.21

 

CMYK 76 / 0 / 7 / 49

HEX #20837A

RGB 32 131 122

HSL 174.55, 0.61%, 0.32%

LAB 49.43, -29.63, -3.17

 

CMYK 87 / 0 / 9 / 56

HEX #0F7167

RGB 15 113 103

HSL 173.88, 0.77%, 0.25%

LAB 42.6, -28.54, -1.96

 

CMYK 55 / 0 / 3 / 27

HEX #53B9B3

RGB 83 185 179

HSL 176.47, 0.42%, 0.53%

LAB 69.32, -30.95, -5.95

 

CMYK 55 / 5 / 0 / 27

HEX #54AFB9

RGB 84 175 185

HSL 185.94, 0.42%, 0.53%

LAB 66.56, -24.17, -13.38

 

CMYK 55 / 15 / 0 / 27

HEX #549EB9

RGB 84 158 185

HSL 196.04, 0.42%, 0.53%

LAB 61.52, -15.31, -21.02

 

CMYK 55 / 24 / 0 / 27

HEX #548DB9

RGB 84 141 185

HSL 206.14, 0.42%, 0.53%

LAB 56.52, -5.89, -28.7

 

CMYK 55 / 32 / 0 / 27

HEX #547DB9

RGB 84 125 185

HSL 215.64, 0.42%, 0.53%

LAB 51.9, 3.47, -35.91

 

CMYK 55 / 0 / 3 / 27

HEX #53B9B3

RGB 83 185 179

HSL 176.47, 0.42%, 0.53%

LAB 69.32, -30.95, -5.95

 

CMYK 55 / 0 / 3 / 7

HEX #6AECE4

RGB 106 236 228

HSL 176.31, 0.77%, 0.67%

LAB 86.33, -37.62, -7.01

 

CMYK 56 / 0 / 3 / 87

HEX #0E201F

RGB 14 32 31

HSL 176.67, 0.39%, 0.09%

LAB 10.74, -7.76, -1.65

 

CMYK 55 / 0 / 4 / 67

HEX #255350

RGB 37 83 80

HSL 176.09, 0.38%, 0.24%

LAB 32.17, -16.54, -3.07

 

CMYK 55 / 0 / 3 / 47

HEX #3C8682

RGB 60 134 130

HSL 176.76, 0.38%, 0.38%

LAB 51.41, -23.89, -4.84

 

CMYK 55 / 0 / 3 / 27

HEX #53B9B3

RGB 83 185 179

HSL 176.47, 0.42%, 0.53%

LAB 69.32, -30.95, -5.95

 

CMYK 47 / 55 / 0 / 27

HEX #6254B9

RGB 98 84 185

HSL 248.32, 0.42%, 0.53%

LAB 41.91, 31.92, -51.74

 

CMYK 0 / 25 / 55 / 27

HEX #B98A54

RGB 185 138 84

HSL 32.08, 0.42%, 0.53%

LAB 60.9, 11.59, 35.66

 

CMYK 55 / 0 / 3 / 27

HEX #53B9B3

RGB 83 185 179

HSL 176.47, 0.42%, 0.53%

LAB 69.32, -30.95, -5.95

 

CMYK 4 / 55 / 0 / 27

HEX #B254B9

RGB 178 84 185

HSL 295.84, 0.42%, 0.53%

LAB 51.05, 52.52, -36.65

 

CMYK 0 / 4 / 55 / 27

HEX #B9B254

RGB 185 178 84

HSL 55.84, 0.42%, 0.53%

LAB 71.42, -9.98, 48.19

 

CMYK 55 / 0 / 3 / 27

HEX #53B9B3

RGB 83 185 179

HSL 176.47, 0.42%, 0.53%

LAB 69.32, -30.95, -5.95

 

CMYK 47 / 55 / 0 / 27

HEX #6254B9

RGB 98 84 185

HSL 248.32, 0.42%, 0.53%

LAB 41.91, 31.92, -51.74

 

CMYK 0 / 55 / 51 / 27

HEX #B9545B

RGB 185 84 91

HSL 355.84, 0.42%, 0.53%

LAB 48.77, 41.45, 15.96

 

CMYK 7 / 0 / 55 / 27

HEX #ACB954

RGB 172 185 84

HSL 67.72, 0.42%, 0.53%

LAB 72.3, -18.97, 48.94

 

CMYK 55 / 0 / 3 / 27

HEX #53B9B3

RGB 83 185 179

HSL 176.47, 0.42%, 0.53%

LAB 69.32, -30.95, -5.95

 

CMYK 31 / 55 / 0 / 27

HEX #8054B9

RGB 128 84 185

HSL 266.14, 0.42%, 0.53%

LAB 44.85, 39.18, -46.87

 

CMYK 0 / 55 / 51 / 27

HEX #B9545B

RGB 185 84 91

HSL 355.84, 0.42%, 0.53%

LAB 48.77, 41.45, 15.96

 

CMYK 24 / 0 / 55 / 27

HEX #8DB954

RGB 141 185 84

HSL 86.14, 0.42%, 0.53%

LAB 70.18, -31.27, 45.92

 

Description

Color code: HEX #53B9B3 | qconv.com Color code: HEX #53B9B3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 185 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 185 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 3 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 3% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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