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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #53578C it is the complementary color #ACA873. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #53578C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #53578C: #585787, #69699A, #7A7BAD, #8B8DC0 and #9C9FD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #53578C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #53578C: #53578C, #424579, #313366, #202153 and #0F0F40

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 38 / 0 / 45

HEX #53578C

RGB 83 87 140

HSL 235.79, 0.26%, 0.44%

LAB 38.81, 12.54, -29.94

 

Complementary color

CMYK 0 / 2 / 33 / 33

HEX #ACA873

RGB 172 168 115

HSL 55.79, 0.26%, 0.56%

LAB 68.03, -6.88, 27.95

 

CMYK 35 / 36 / 0 / 47

HEX #585787

RGB 88 87 135

HSL 241.25, 0.22%, 0.44%

LAB 38.97, 12.54, -26.63

 

CMYK 32 / 32 / 0 / 40

HEX #69699A

RGB 105 105 154

HSL 240, 0.2%, 0.51%

LAB 46.23, 11.87, -26.6

 

CMYK 29 / 29 / 0 / 32

HEX #7A7BAD

RGB 122 123 173

HSL 238.82, 0.24%, 0.58%

LAB 53.3, 11.3, -26.63

 

CMYK 28 / 27 / 0 / 25

HEX #8B8DC0

RGB 139 141 192

HSL 237.74, 0.3%, 0.65%

LAB 60.2, 10.8, -26.71

 

CMYK 26 / 25 / 0 / 17

HEX #9C9FD3

RGB 156 159 211

HSL 236.73, 0.38%, 0.72%

LAB 66.95, 10.36, -26.83

 

CMYK 41 / 38 / 0 / 45

HEX #53578C

RGB 83 87 140

HSL 235.79, 0.26%, 0.44%

LAB 38.81, 12.54, -29.94

 

CMYK 45 / 43 / 0 / 53

HEX #424579

RGB 66 69 121

HSL 236.73, 0.29%, 0.37%

LAB 31.34, 13.49, -30.13

 

CMYK 52 / 50 / 0 / 60

HEX #313366

RGB 49 51 102

HSL 237.74, 0.35%, 0.3%

LAB 23.6, 14.73, -30.41

 

CMYK 61 / 60 / 0 / 67

HEX #202153

RGB 32 33 83

HSL 238.82, 0.44%, 0.23%

LAB 15.59, 16.42, -30.78

 

CMYK 77 / 77 / 0 / 75

HEX #0F0F40

RGB 15 15 64

HSL 240, 0.62%, 0.15%

LAB 7.35, 18.73, -31.08

 

CMYK 41 / 38 / 0 / 45

HEX #53578C

RGB 83 87 140

HSL 235.79, 0.26%, 0.44%

LAB 38.81, 12.54, -29.94

 

CMYK 38 / 41 / 0 / 45

HEX #57538D

RGB 87 83 141

HSL 244.14, 0.26%, 0.44%

LAB 38.09, 16.53, -31.67

 

CMYK 31 / 41 / 0 / 45

HEX #61538D

RGB 97 83 141

HSL 254.48, 0.26%, 0.44%

LAB 38.99, 19.48, -30.19

 

CMYK 24 / 41 / 0 / 45

HEX #6B538D

RGB 107 83 141

HSL 264.83, 0.26%, 0.44%

LAB 39.97, 22.57, -28.57

 

CMYK 17 / 41 / 0 / 45

HEX #75538D

RGB 117 83 141

HSL 275.17, 0.26%, 0.44%

LAB 41.04, 25.74, -26.82

 

CMYK 41 / 38 / 0 / 45

HEX #53578C

RGB 83 87 140

HSL 235.79, 0.26%, 0.44%

LAB 38.81, 12.54, -29.94

 

CMYK 41 / 38 / 0 / 25

HEX #7177BF

RGB 113 119 191

HSL 235.38, 0.38%, 0.6%

LAB 52.36, 16.07, -38.51

 

CMYK 41 / 38 / 0 / 5

HEX #8F96F2

RGB 143 150 242

HSL 235.76, 0.79%, 0.75%

LAB 65.01, 19.99, -47.02

 

CMYK 39 / 37 / 0 / 85

HEX #171826

RGB 23 24 38

HSL 236, 0.25%, 0.12%

LAB 8.78, 3.81, -9.75

 

CMYK 40 / 38 / 0 / 65

HEX #353759

RGB 53 55 89

HSL 236.67, 0.25%, 0.28%

LAB 24.36, 8.76, -20.72

 

CMYK 41 / 38 / 0 / 45

HEX #53578C

RGB 83 87 140

HSL 235.79, 0.26%, 0.44%

LAB 38.81, 12.54, -29.94

 

CMYK 0 / 41 / 5 / 45

HEX #8D5386

RGB 141 83 134

HSL 307.24, 0.26%, 0.44%

LAB 43.61, 32.2, -18.38

 

CMYK 21 / 0 / 41 / 45

HEX #6F8D53

RGB 111 141 83

HSL 91.03, 0.26%, 0.44%

LAB 55.13, -21.37, 27.54

 

CMYK 41 / 38 / 0 / 45

HEX #53578C

RGB 83 87 140

HSL 235.79, 0.26%, 0.44%

LAB 38.81, 12.54, -29.94

 

CMYK 0 / 41 / 38 / 45

HEX #8D5357

RGB 141 83 87

HSL 355.86, 0.26%, 0.44%

LAB 42.06, 24.66, 8.08

 

CMYK 38 / 0 / 41 / 45

HEX #578D53

RGB 87 141 83

HSL 115.86, 0.26%, 0.44%

LAB 53.71, -30.16, 25.43

 

CMYK 41 / 38 / 0 / 45

HEX #53578C

RGB 83 87 140

HSL 235.79, 0.26%, 0.44%

LAB 38.81, 12.54, -29.94

 

CMYK 0 / 41 / 5 / 45

HEX #8D5386

RGB 141 83 134

HSL 307.24, 0.26%, 0.44%

LAB 43.61, 32.2, -18.38

 

CMYK 0 / 4 / 41 / 45

HEX #8D8853

RGB 141 136 83

HSL 54.83, 0.26%, 0.44%

LAB 55.98, -6.33, 29.1

 

CMYK 41 / 0 / 37 / 45

HEX #538D59

RGB 83 141 89

HSL 126.21, 0.26%, 0.44%

LAB 53.61, -30.47, 21.95

 

CMYK 41 / 38 / 0 / 45

HEX #53578C

RGB 83 87 140

HSL 235.79, 0.26%, 0.44%

LAB 38.81, 12.54, -29.94

 

CMYK 0 / 41 / 17 / 45

HEX #8D5375

RGB 141 83 117

HSL 324.83, 0.26%, 0.44%

LAB 42.96, 29.14, -9.02

 

CMYK 0 / 4 / 41 / 45

HEX #8D8853

RGB 141 136 83

HSL 54.83, 0.26%, 0.44%

LAB 55.98, -6.33, 29.1

 

CMYK 41 / 0 / 24 / 45

HEX #538D6B

RGB 83 141 107

HSL 144.83, 0.26%, 0.44%

LAB 53.97, -27, 12.29

 

Description

Color code: HEX #53578C | qconv.com Color code: HEX #53578C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 87 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 87 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 38 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 38% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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