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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #532E7B it is the complementary color #ACD184. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #532E7B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #532E7B shade: #582E76, #694089, #7A529C, #8B64AF and #9C76C2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #532E7B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #532E7B shade: #532E7B, #421C68, #310A55, #200042 and #0F002F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #532E7B shade: #532D7B, #682D7B, #7B2D79, #7B2D64 and #7B2D50

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #532E7B shade: #532D7B, #3E2D7B and #2D2D7B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #532E7B shade matches the following richer shades: #532D7B, #522088, #521296 and #5105A4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #532E7B shade: #532D7B, #533B6D, #544960, #545652 and #556444

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #532E7B shade: #2D337B, #3D2D7B, #522D7B, #662D7B and #7B2D7B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #532E7B shade: #2A173F, #3E225D, #532D7B, #673999 and #7B44B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #532E7B shade: #532E7B, #7B2D47 and #2D7B33

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #532E7B shade: #532E7B, #7B522D and #2D7B52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #532E7B shade: #532E7B, #7B2D47, #577B2D and #2D7B61

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #532E7B shade: #532E7B, #7B2D30, #577B2D and #2D7B78

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 63 / 0 / 52

HEX #532E7B

RGB 83 46 123

HSL 268.83, 0.46%, 0.33%

LAB 27.36, 33.31, -37.62

 

Complementary color

CMYK 18 / 0 / 37 / 18

HEX #ACD184

RGB 172 209 132

HSL 88.83, 0.46%, 0.67%

LAB 79.64, -25.49, 34.27

 

CMYK 25 / 61 / 0 / 54

HEX #582E76

RGB 88 46 118

HSL 275, 0.44%, 0.32%

LAB 27.67, 33.33, -33.92

 

CMYK 23 / 53 / 0 / 46

HEX #694089

RGB 105 64 137

HSL 273.7, 0.36%, 0.39%

LAB 34.96, 32.41, -34.06

 

CMYK 22 / 47 / 0 / 39

HEX #7A529C

RGB 122 82 156

HSL 272.43, 0.31%, 0.47%

LAB 42.11, 31.47, -34.12

 

CMYK 21 / 43 / 0 / 31

HEX #8B64AF

RGB 139 100 175

HSL 271.2, 0.32%, 0.54%

LAB 49.13, 30.59, -34.18

 

CMYK 20 / 39 / 0 / 24

HEX #9C76C2

RGB 156 118 194

HSL 270, 0.38%, 0.61%

LAB 56.01, 29.78, -34.24

 

CMYK 33 / 63 / 0 / 52

HEX #532E7B

RGB 83 46 123

HSL 268.83, 0.46%, 0.33%

LAB 27.36, 33.31, -37.62

 

CMYK 37 / 73 / 0 / 59

HEX #421C68

RGB 66 28 104

HSL 270, 0.58%, 0.26%

LAB 20, 34.18, -37.42

 

CMYK 42 / 88 / 0 / 67

HEX #310A55

RGB 49 10 85

HSL 271.2, 0.79%, 0.19%

LAB 12.77, 34.26, -36.63

 

CMYK 52 / 100 / 0 / 74

HEX #200042

RGB 32 0 66

HSL 269.09, 1%, 0.13%

LAB 6.33, 31.34, -34.1

 

CMYK 68 / 100 / 0 / 82

HEX #0F002F

RGB 15 0 47

HSL 259.15, 1%, 0.09%

LAB 2.77, 17.14, -26.04

 

CMYK 33 / 63 / 0 / 52

HEX #532D7B

RGB 83 45 123

HSL 269.23, 0.46%, 0.33%

LAB 27.15, 33.88, -37.97

 

CMYK 15 / 63 / 0 / 52

HEX #682D7B

RGB 104 45 123

HSL 285.38, 0.46%, 0.33%

LAB 30.03, 39.36, -33.18

 

CMYK 0 / 63 / 2 / 52

HEX #7B2D79

RGB 123 45 121

HSL 301.54, 0.46%, 0.33%

LAB 32.85, 44.1, -27.28

 

CMYK 0 / 63 / 19 / 52

HEX #7B2D64

RGB 123 45 100

HSL 317.69, 0.46%, 0.33%

LAB 31.82, 40.49, -15.54

 

CMYK 0 / 63 / 35 / 52

HEX #7B2D50

RGB 123 45 80

HSL 333.08, 0.46%, 0.33%

LAB 31.04, 37.59, -3.77

 

CMYK 33 / 63 / 0 / 52

HEX #532D7B

RGB 83 45 123

HSL 269.23, 0.46%, 0.33%

LAB 27.15, 33.88, -37.97

 

CMYK 50 / 63 / 0 / 52

HEX #3E2D7B

RGB 62 45 123

HSL 253.08, 0.46%, 0.33%

LAB 24.74, 28.88, -41.98

 

CMYK 63 / 63 / 0 / 52

HEX #2D2D7B

RGB 45 45 123

HSL 240, 0.46%, 0.33%

LAB 23.22, 25.46, -44.51

 

CMYK 33 / 63 / 0 / 52

HEX #532D7B

RGB 83 45 123

HSL 269.23, 0.46%, 0.33%

LAB 27.15, 33.88, -37.97

 

CMYK 40 / 76 / 0 / 47

HEX #522088

RGB 82 32 136

HSL 268.85, 0.62%, 0.33%

LAB 25.58, 43.86, -48.69

 

CMYK 45 / 88 / 0 / 41

HEX #521296

RGB 82 18 150

HSL 269.09, 0.79%, 0.33%

LAB 25.04, 52.68, -58.25

 

CMYK 51 / 97 / 0 / 36

HEX #5105A4

RGB 81 5 164

HSL 268.68, 0.94%, 0.33%

LAB 25.38, 58.86, -66.27

 

CMYK 33 / 63 / 0 / 52

HEX #532D7B

RGB 83 45 123

HSL 269.23, 0.46%, 0.33%

LAB 27.15, 33.88, -37.97

 

CMYK 24 / 46 / 0 / 57

HEX #533B6D

RGB 83 59 109

HSL 268.8, 0.3%, 0.33%

LAB 29.59, 21.61, -25.2

 

CMYK 13 / 24 / 0 / 62

HEX #544960

RGB 84 73 96

HSL 268.7, 0.14%, 0.33%

LAB 32.91, 9.68, -11.79

 

CMYK 2 / 0 / 5 / 66

HEX #545652

RGB 84 86 82

HSL 90, 0.02%, 0.33%

LAB 36.27, -1.65, 2.04

 

CMYK 15 / 0 / 32 / 61

HEX #556444

RGB 85 100 68

HSL 88.13, 0.19%, 0.33%

LAB 40.35, -12.1, 16.32

 

CMYK 63 / 59 / 0 / 52

HEX #2D337B

RGB 45 51 123

HSL 235.38, 0.46%, 0.33%

LAB 24.81, 21.39, -41.92

 

CMYK 50 / 63 / 0 / 52

HEX #3D2D7B

RGB 61 45 123

HSL 252.31, 0.46%, 0.33%

LAB 24.64, 28.66, -42.15

 

CMYK 33 / 63 / 0 / 52

HEX #522D7B

RGB 82 45 123

HSL 268.46, 0.46%, 0.33%

LAB 27.02, 33.63, -38.18

 

CMYK 17 / 63 / 0 / 52

HEX #662D7B

RGB 102 45 123

HSL 283.85, 0.46%, 0.33%

LAB 29.74, 38.82, -33.67

 

CMYK 0 / 63 / 0 / 52

HEX #7B2D7B

RGB 123 45 123

HSL 300, 0.46%, 0.33%

LAB 32.96, 44.47, -28.37

 

CMYK 33 / 63 / 0 / 75

HEX #2A173F

RGB 42 23 63

HSL 268.5, 0.47%, 0.17%

LAB 12.38, 19.28, -22.08

 

CMYK 33 / 63 / 0 / 64

HEX #3E225D

RGB 62 34 93

HSL 268.47, 0.46%, 0.25%

LAB 19.88, 26.7, -30.4

 

CMYK 33 / 63 / 0 / 52

HEX #532D7B

RGB 83 45 123

HSL 269.23, 0.46%, 0.33%

LAB 27.15, 33.88, -37.97

 

CMYK 33 / 63 / 0 / 40

HEX #673999

RGB 103 57 153

HSL 268.75, 0.46%, 0.41%

LAB 34.21, 39.91, -45.04

 

CMYK 33 / 63 / 0 / 28

HEX #7B44B7

RGB 123 68 183

HSL 268.7, 0.46%, 0.49%

LAB 40.84, 46.24, -52.16

 

CMYK 33 / 63 / 0 / 52

HEX #532E7B

RGB 83 46 123

HSL 268.83, 0.46%, 0.33%

LAB 27.36, 33.31, -37.62

 

CMYK 0 / 63 / 42 / 52

HEX #7B2D47

RGB 123 45 71

HSL 340, 0.46%, 0.33%

LAB 30.74, 36.47, 1.69

 

CMYK 63 / 0 / 59 / 52

HEX #2D7B33

RGB 45 123 51

HSL 124.62, 0.46%, 0.33%

LAB 45.58, -39.57, 31.99

 

CMYK 33 / 63 / 0 / 52

HEX #532E7B

RGB 83 46 123

HSL 268.83, 0.46%, 0.33%

LAB 27.36, 33.31, -37.62

 

CMYK 0 / 33 / 63 / 52

HEX #7B522D

RGB 123 82 45

HSL 28.46, 0.46%, 0.33%

LAB 38.61, 13.04, 28.33

 

CMYK 63 / 0 / 33 / 52

HEX #2D7B52

RGB 45 123 82

HSL 148.46, 0.46%, 0.33%

LAB 46.09, -34.05, 15.53

 

CMYK 33 / 63 / 0 / 52

HEX #532E7B

RGB 83 46 123

HSL 268.83, 0.46%, 0.33%

LAB 27.36, 33.31, -37.62

 

CMYK 0 / 63 / 42 / 52

HEX #7B2D47

RGB 123 45 71

HSL 340, 0.46%, 0.33%

LAB 30.74, 36.47, 1.69

 

CMYK 29 / 0 / 63 / 52

HEX #577B2D

RGB 87 123 45

HSL 87.69, 0.46%, 0.33%

LAB 47.47, -26.38, 37.63

 

CMYK 63 / 0 / 21 / 52

HEX #2D7B61

RGB 45 123 97

HSL 160, 0.46%, 0.33%

LAB 46.43, -30.53, 7.24

 

CMYK 33 / 63 / 0 / 52

HEX #532E7B

RGB 83 46 123

HSL 268.83, 0.46%, 0.33%

LAB 27.36, 33.31, -37.62

 

CMYK 0 / 63 / 61 / 52

HEX #7B2D30

RGB 123 45 48

HSL 357.69, 0.46%, 0.33%

LAB 30.16, 34.21, 15.97

 

CMYK 29 / 0 / 63 / 52

HEX #577B2D

RGB 87 123 45

HSL 87.69, 0.46%, 0.33%

LAB 47.47, -26.38, 37.63

 

CMYK 63 / 0 / 2 / 52

HEX #2D7B78

RGB 45 123 120

HSL 177.69, 0.46%, 0.33%

LAB 47.08, -24.2, -5.43

 

Description

Color code: HEX #532E7B | qconv.com Color code: HEX #532E7B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 46 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 46 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 63 magenta, none yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 63% 0% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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