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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 21 / 43 / 0 / 31 it is the complementary color CMYK 25 / 0 / 49 / 39. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 21 / 43 / 0 / 31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 21 / 43 / 0 / 31: CMYK 16 / 42 / 0 / 33, CMYK 15 / 38 / 0 / 25, CMYK 15 / 35 / 0 / 18, CMYK 14 / 32 / 0 / 11 and CMYK 14 / 30 / 0 / 3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 21 / 43 / 0 / 31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 21 / 43 / 0 / 31: CMYK 21 / 43 / 0 / 31, CMYK 22 / 48 / 0 / 38, CMYK 24 / 54 / 0 / 46, CMYK 26 / 61 / 0 / 53 and CMYK 29 / 72 / 0 / 61

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 43 / 0 / 31

HEX #8B64B0

RGB 139 100 176

HSL 270.79, 0.32%, 0.54%

LAB 49.18, 30.83, -34.68

 

Complementary color

CMYK 25 / 0 / 49 / 39

HEX #749B4F

RGB 116 155 79

HSL 90.79, 0.32%, 0.46%

LAB 59.64, -26.97, 35.39

 

CMYK 16 / 42 / 0 / 33

HEX #9064AB

RGB 144 100 171

HSL 277.18, 0.3%, 0.53%

LAB 49.48, 31.19, -31.26

 

CMYK 15 / 38 / 0 / 25

HEX #A176BE

RGB 161 118 190

HSL 275.83, 0.36%, 0.6%

LAB 56.34, 30.4, -31.4

 

CMYK 15 / 35 / 0 / 18

HEX #B288D1

RGB 178 136 209

HSL 274.52, 0.44%, 0.68%

LAB 63.07, 29.66, -31.54

 

CMYK 14 / 32 / 0 / 11

HEX #C39AE4

RGB 195 154 228

HSL 273.24, 0.58%, 0.75%

LAB 69.69, 28.98, -31.7

 

CMYK 14 / 30 / 0 / 3

HEX #D4ACF7

RGB 212 172 247

HSL 272, 0.82%, 0.82%

LAB 76.2, 28.35, -31.87

 

CMYK 21 / 43 / 0 / 31

HEX #8B64B0

RGB 139 100 176

HSL 270.79, 0.32%, 0.54%

LAB 49.18, 30.83, -34.68

 

CMYK 22 / 48 / 0 / 38

HEX #7A529D

RGB 122 82 157

HSL 272, 0.31%, 0.47%

LAB 42.16, 31.72, -34.64

 

CMYK 24 / 54 / 0 / 46

HEX #69408A

RGB 105 64 138

HSL 273.24, 0.37%, 0.4%

LAB 35.01, 32.65, -34.58

 

CMYK 26 / 61 / 0 / 53

HEX #582E77

RGB 88 46 119

HSL 274.52, 0.44%, 0.32%

LAB 27.74, 33.58, -34.45

 

CMYK 29 / 72 / 0 / 61

HEX #471C64

RGB 71 28 100

HSL 275.83, 0.56%, 0.25%

LAB 20.4, 34.29, -34.11

 

CMYK 21 / 43 / 0 / 31

HEX #8B64B0

RGB 139 100 176

HSL 270.79, 0.32%, 0.54%

LAB 49.18, 30.83, -34.68

 

CMYK 14 / 43 / 0 / 31

HEX #9664AF

RGB 150 100 175

HSL 280, 0.32%, 0.54%

LAB 50.33, 33.92, -32.21

 

CMYK 7 / 43 / 0 / 31

HEX #A264AF

RGB 162 100 175

HSL 289.6, 0.32%, 0.54%

LAB 51.71, 37.61, -29.95

 

CMYK 0 / 43 / 0 / 31

HEX #AF64AF

RGB 175 100 175

HSL 300, 0.32%, 0.54%

LAB 53.3, 41.62, -27.36

 

CMYK 0 / 43 / 7 / 31

HEX #AF64A2

RGB 175 100 162

HSL 310.4, 0.32%, 0.54%

LAB 52.77, 39.24, -20.6

 

CMYK 21 / 43 / 0 / 31

HEX #8B64B0

RGB 139 100 176

HSL 270.79, 0.32%, 0.54%

LAB 49.18, 30.83, -34.68

 

CMYK 21 / 43 / 0 / 11

HEX #B381E3

RGB 179 129 227

HSL 270.61, 0.64%, 0.7%

LAB 62.36, 37.87, -42.69

 

CMYK 22 / 43 / 0 / 91

HEX #120D17

RGB 18 13 23

HSL 270, 0.28%, 0.07%

LAB 4.32, 3.83, -5.05

 

CMYK 22 / 43 / 0 / 71

HEX #3A2A4A

RGB 58 42 74

HSL 270, 0.28%, 0.23%

LAB 20.24, 14.89, -17.12

 

CMYK 21 / 43 / 0 / 51

HEX #63477D

RGB 99 71 125

HSL 271.11, 0.28%, 0.38%

LAB 35.28, 23.36, -26.18

 

CMYK 21 / 43 / 0 / 31

HEX #8B64B0

RGB 139 100 176

HSL 270.79, 0.32%, 0.54%

LAB 49.18, 30.83, -34.68

 

CMYK 0 / 43 / 30 / 31

HEX #AF647A

RGB 175 100 122

HSL 342.4, 0.32%, 0.54%

LAB 51.42, 32.92, 0.97

 

CMYK 43 / 0 / 39 / 31

HEX #64AF6B

RGB 100 175 107

HSL 125.6, 0.32%, 0.54%

LAB 65.3, -37.79, 27.77

 

CMYK 21 / 43 / 0 / 31

HEX #8B64B0

RGB 139 100 176

HSL 270.79, 0.32%, 0.54%

LAB 49.18, 30.83, -34.68

 

CMYK 0 / 22 / 43 / 31

HEX #AF8964

RGB 175 137 100

HSL 29.6, 0.32%, 0.54%

LAB 59.82, 9.5, 25.36

 

CMYK 43 / 0 / 22 / 31

HEX #64AF89

RGB 100 175 137

HSL 149.6, 0.32%, 0.54%

LAB 65.89, -32.16, 12.3

 

CMYK 21 / 43 / 0 / 31

HEX #8B64B0

RGB 139 100 176

HSL 270.79, 0.32%, 0.54%

LAB 49.18, 30.83, -34.68

 

CMYK 0 / 43 / 30 / 31

HEX #AF647A

RGB 175 100 122

HSL 342.4, 0.32%, 0.54%

LAB 51.42, 32.92, 0.97

 

CMYK 22 / 0 / 43 / 31

HEX #89AF64

RGB 137 175 100

HSL 90.4, 0.32%, 0.54%

LAB 67.2, -26.14, 34.29

 

CMYK 43 / 0 / 13 / 31

HEX #64AF98

RGB 100 175 152

HSL 161.6, 0.32%, 0.54%

LAB 66.24, -28.86, 4.53

 

CMYK 21 / 43 / 0 / 31

HEX #8B64B0

RGB 139 100 176

HSL 270.79, 0.32%, 0.54%

LAB 49.18, 30.83, -34.68

 

CMYK 0 / 43 / 43 / 31

HEX #AF6464

RGB 175 100 100

HSL 0, 0.32%, 0.54%

LAB 50.86, 30.18, 13.24

 

CMYK 22 / 0 / 43 / 31

HEX #89AF64

RGB 137 175 100

HSL 90.4, 0.32%, 0.54%

LAB 67.2, -26.14, 34.29

 

CMYK 43 / 0 / 0 / 31

HEX #64AFAF

RGB 100 175 175

HSL 180, 0.32%, 0.54%

LAB 66.87, -23.24, -7.3

 

Description

Color code: CMYK 21 / 43 / 0 / 31 | qconv.com Color code: CMYK 21 / 43 / 0 / 31 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 100 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 100 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 43 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 43% 0% 31% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

24% - レンタルサーバーなら お名前.com レ...
Link: http://www.jkc.co.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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