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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5329F7 it is the complementary color #ACD608. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5329F7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #5329F7: #5829F2, #693BFF, #7A4DFF, #8B5FFF and #9C71FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5329F7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #5329F7: #5329F7, #4217E4, #3105D1, #2000BE and #0F00AB

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 83 / 0 / 3

HEX #5329F7

RGB 83 41 247

HSL 252.23, 0.93%, 0.56%

LAB 38.09, 69.82, -93.62

 

Complementary color

CMYK 20 / 0 / 96 / 16

HEX #ACD608

RGB 172 214 8

HSL 72.23, 0.93%, 0.44%

LAB 80.11, -36.17, 78.45

 

CMYK 64 / 83 / 0 / 5

HEX #5829F2

RGB 88 41 242

HSL 254.03, 0.89%, 0.55%

LAB 37.97, 68.89, -90.99

 

CMYK 59 / 77 / 0 / 0

HEX #693BFF

RGB 105 59 255

HSL 254.08, 1%, 0.62%

LAB 43.29, 66.68, -89.45

 

CMYK 52 / 70 / 0 / 0

HEX #7A4DFF

RGB 122 77 255

HSL 255.17, 1%, 0.65%

LAB 47.84, 60.41, -81.92

 

CMYK 45 / 63 / 0 / 0

HEX #8B5FFF

RGB 139 95 255

HSL 256.5, 1%, 0.69%

LAB 52.83, 53.98, -73.71

 

CMYK 39 / 56 / 0 / 0

HEX #9C71FF

RGB 156 113 255

HSL 258.17, 1%, 0.72%

LAB 58.13, 47.73, -65.07

 

CMYK 66 / 83 / 0 / 3

HEX #5329F7

RGB 83 41 247

HSL 252.23, 0.93%, 0.56%

LAB 38.09, 69.82, -93.62

 

CMYK 71 / 90 / 0 / 11

HEX #4217E4

RGB 66 23 228

HSL 252.59, 0.82%, 0.49%

LAB 32.64, 69.59, -91.94

 

CMYK 77 / 98 / 0 / 18

HEX #3105D1

RGB 49 5 209

HSL 252.94, 0.95%, 0.42%

LAB 27.75, 67.91, -89.16

 

CMYK 83 / 100 / 0 / 25

HEX #2000BE

RGB 32 0 190

HSL 250.11, 1%, 0.37%

LAB 23.75, 63.82, -84.69

 

CMYK 91 / 100 / 0 / 33

HEX #0F00AB

RGB 15 0 171

HSL 245.26, 1%, 0.34%

LAB 20.21, 58.83, -79.26

 

CMYK 66 / 83 / 0 / 3

HEX #5329F7

RGB 83 41 247

HSL 252.23, 0.93%, 0.56%

LAB 38.09, 69.82, -93.62

 

CMYK 54 / 85 / 0 / 3

HEX #7226F7

RGB 114 38 247

HSL 261.82, 0.93%, 0.56%

LAB 40.7, 73.46, -89.21

 

CMYK 40 / 85 / 0 / 3

HEX #9526F7

RGB 149 38 247

HSL 271.87, 0.93%, 0.56%

LAB 44.93, 77.34, -82.1

 

CMYK 26 / 85 / 0 / 3

HEX #B826F7

RGB 184 38 247

HSL 281.91, 0.93%, 0.56%

LAB 49.85, 82.07, -73.86

 

CMYK 11 / 85 / 0 / 3

HEX #DB26F7

RGB 219 38 247

HSL 291.96, 0.93%, 0.56%

LAB 55.24, 87.47, -64.88

 

CMYK 66 / 83 / 0 / 3

HEX #5329F7

RGB 83 41 247

HSL 252.23, 0.93%, 0.56%

LAB 38.09, 69.82, -93.62

 

CMYK 67 / 84 / 0 / 83

HEX #0E072B

RGB 14 7 43

HSL 251.67, 0.72%, 0.1%

LAB 3.79, 12.05, -21.4

 

CMYK 66 / 83 / 0 / 63

HEX #20105E

RGB 32 16 94

HSL 252.31, 0.71%, 0.22%

LAB 12.52, 31.53, -43.21

 

CMYK 66 / 83 / 0 / 43

HEX #311891

RGB 49 24 145

HSL 252.4, 0.72%, 0.33%

LAB 21.4, 45.4, -61.3

 

CMYK 66 / 83 / 0 / 23

HEX #4221C4

RGB 66 33 196

HSL 252.15, 0.71%, 0.45%

LAB 29.99, 57.75, -77.79

 

CMYK 66 / 83 / 0 / 3

HEX #5329F7

RGB 83 41 247

HSL 252.23, 0.93%, 0.56%

LAB 38.09, 69.82, -93.62

 

CMYK 0 / 85 / 34 / 3

HEX #F726A3

RGB 247 38 163

HSL 324.11, 0.93%, 0.56%

LAB 55.89, 81.72, -15.41

 

CMYK 68 / 0 / 85 / 3

HEX #50F726

RGB 80 247 38

HSL 107.94, 0.93%, 0.56%

LAB 86.19, -75.66, 77.5

 

CMYK 66 / 83 / 0 / 3

HEX #5329F7

RGB 83 41 247

HSL 252.23, 0.93%, 0.56%

LAB 38.09, 69.82, -93.62

 

CMYK 0 / 68 / 85 / 3

HEX #F75026

RGB 247 80 38

HSL 12.06, 0.93%, 0.56%

LAB 57.7, 61.86, 57.45

 

CMYK 85 / 0 / 68 / 3

HEX #26F750

RGB 38 247 80

HSL 132.06, 0.93%, 0.56%

LAB 85.76, -78.52, 64.18

 

CMYK 66 / 83 / 0 / 3

HEX #5329F7

RGB 83 41 247

HSL 252.23, 0.93%, 0.56%

LAB 38.09, 69.82, -93.62

 

CMYK 0 / 85 / 34 / 3

HEX #F726A3

RGB 247 38 163

HSL 324.11, 0.93%, 0.56%

LAB 55.89, 81.72, -15.41

 

CMYK 17 / 0 / 85 / 3

HEX #CDF726

RGB 205 247 38

HSL 72.06, 0.93%, 0.56%

LAB 91.52, -37.45, 84.18

 

CMYK 85 / 0 / 51 / 3

HEX #26F779

RGB 38 247 121

HSL 143.83, 0.93%, 0.56%

LAB 86.16, -73.6, 47.02

 

CMYK 66 / 83 / 0 / 3

HEX #5329F7

RGB 83 41 247

HSL 252.23, 0.93%, 0.56%

LAB 38.09, 69.82, -93.62

 

CMYK 0 / 85 / 59 / 3

HEX #F72665

RGB 247 38 101

HSL 341.91, 0.93%, 0.56%

LAB 54.13, 76.72, 19.03

 

CMYK 17 / 0 / 85 / 3

HEX #CDF726

RGB 205 247 38

HSL 72.06, 0.93%, 0.56%

LAB 91.52, -37.45, 84.18

 

CMYK 85 / 0 / 26 / 3

HEX #26F7B8

RGB 38 247 184

HSL 161.91, 0.93%, 0.56%

LAB 87.19, -61.81, 17.02

 

Description

Color code: HEX #5329F7 | qconv.com Color code: HEX #5329F7 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 41 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 41 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 83 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 83% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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