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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #52D94D it is the complementary color #AD26B2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #52D94D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #52D94D: #57D948, #68EB5B, #79FD6E, #8AFF81 and #9BFF94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #52D94D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #52D94D: #52D94D, #41C73A, #30B527, #1FA314 and #0E9101

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 65 / 15

HEX #52D94D

RGB 82 217 77

HSL 117.86, 0.65%, 0.58%

LAB 77.25, -62.92, 56.38

 

Complementary color

CMYK 3 / 79 / 0 / 30

HEX #AD26B2

RGB 173 38 178

HSL 297.86, 0.65%, 0.42%

LAB 43.48, 68.02, -44.58

 

CMYK 60 / 0 / 67 / 15

HEX #57D948

RGB 87 217 72

HSL 113.79, 0.66%, 0.57%

LAB 77.35, -62.28, 58.55

 

CMYK 56 / 0 / 61 / 8

HEX #68EB5B

RGB 104 235 91

HSL 114.58, 0.78%, 0.64%

LAB 83.5, -62.81, 57.65

 

CMYK 52 / 0 / 57 / 1

HEX #79FD6E

RGB 121 253 110

HSL 115.38, 0.97%, 0.71%

LAB 89.6, -63.1, 56.58

 

CMYK 46 / 0 / 49 / 0

HEX #8AFF81

RGB 138 255 129

HSL 115.71, 1%, 0.75%

LAB 91.01, -57.08, 49.79

 

CMYK 39 / 0 / 42 / 0

HEX #9BFF94

RGB 155 255 148

HSL 116.07, 1%, 0.79%

LAB 91.97, -49.67, 42.08

 

CMYK 62 / 0 / 65 / 15

HEX #52D94D

RGB 82 217 77

HSL 117.86, 0.65%, 0.58%

LAB 77.25, -62.92, 56.38

 

CMYK 67 / 0 / 71 / 22

HEX #41C73A

RGB 65 199 58

HSL 117.02, 0.56%, 0.5%

LAB 71.06, -62.04, 57.15

 

CMYK 73 / 0 / 78 / 29

HEX #30B527

RGB 48 181 39

HSL 116.2, 0.65%, 0.43%

LAB 64.82, -60.66, 57.39

 

CMYK 81 / 0 / 88 / 36

HEX #1FA314

RGB 31 163 20

HSL 115.38, 0.78%, 0.36%

LAB 58.54, -58.58, 56.63

 

CMYK 90 / 0 / 99 / 43

HEX #0E9101

RGB 14 145 1

HSL 114.58, 0.99%, 0.29%

LAB 52.23, -55.61, 54.58

 

CMYK 62 / 0 / 65 / 15

HEX #52D94D

RGB 82 217 77

HSL 117.86, 0.65%, 0.58%

LAB 77.25, -62.92, 56.38

 

CMYK 64 / 0 / 57 / 15

HEX #4ED95E

RGB 78 217 94

HSL 126.91, 0.65%, 0.58%

LAB 77.31, -61.87, 49.01

 

CMYK 64 / 0 / 46 / 15

HEX #4ED975

RGB 78 217 117

HSL 136.83, 0.65%, 0.58%

LAB 77.6, -58.65, 38.37

 

CMYK 64 / 0 / 35 / 15

HEX #4ED98C

RGB 78 217 140

HSL 146.76, 0.65%, 0.58%

LAB 77.96, -54.67, 27.19

 

CMYK 64 / 0 / 24 / 15

HEX #4ED9A4

RGB 78 217 164

HSL 157.12, 0.65%, 0.58%

LAB 78.42, -49.77, 15.26

 

CMYK 62 / 0 / 65 / 15

HEX #52D94D

RGB 82 217 77

HSL 117.86, 0.65%, 0.58%

LAB 77.25, -62.92, 56.38

 

CMYK 62 / 0 / 62 / 95

HEX #050D05

RGB 5 13 5

HSL 120, 0.44%, 0.04%

LAB 2.99, -3.31, 2.36

 

CMYK 63 / 0 / 64 / 75

HEX #184017

RGB 24 64 23

HSL 118.54, 0.47%, 0.17%

LAB 23.41, -23.93, 20.63

 

CMYK 63 / 0 / 64 / 55

HEX #2B7329

RGB 43 115 41

HSL 118.38, 0.47%, 0.31%

LAB 42.67, -38.15, 33.58

 

CMYK 62 / 0 / 64 / 35

HEX #3FA63B

RGB 63 166 59

HSL 117.76, 0.48%, 0.44%

LAB 60.47, -50.81, 45.37

 

CMYK 62 / 0 / 65 / 15

HEX #52D94D

RGB 82 217 77

HSL 117.86, 0.65%, 0.58%

LAB 77.25, -62.92, 56.38

 

CMYK 64 / 10 / 0 / 15

HEX #4EC4D9

RGB 78 196 217

HSL 189.06, 0.65%, 0.58%

LAB 73.62, -26.51, -20.28

 

CMYK 0 / 64 / 35 / 15

HEX #D94E8C

RGB 217 78 140

HSL 333.24, 0.65%, 0.58%

LAB 54.13, 59.74, -5.01

 

CMYK 62 / 0 / 65 / 15

HEX #52D94D

RGB 82 217 77

HSL 117.86, 0.65%, 0.58%

LAB 77.25, -62.92, 56.38

 

CMYK 64 / 61 / 0 / 15

HEX #4E55D9

RGB 78 85 217

HSL 236.98, 0.65%, 0.58%

LAB 42.95, 37.81, -68.62

 

CMYK 0 / 64 / 61 / 15

HEX #D94E55

RGB 217 78 85

HSL 356.98, 0.65%, 0.58%

LAB 52.79, 54.83, 25.79

 

CMYK 62 / 0 / 65 / 15

HEX #52D94D

RGB 82 217 77

HSL 117.86, 0.65%, 0.58%

LAB 77.25, -62.92, 56.38

 

CMYK 64 / 10 / 0 / 15

HEX #4EC4D9

RGB 78 196 217

HSL 189.06, 0.65%, 0.58%

LAB 73.62, -26.51, -20.28

 

CMYK 3 / 64 / 0 / 15

HEX #D24ED9

RGB 210 78 217

HSL 296.98, 0.65%, 0.58%

LAB 56.25, 68.9, -46.48

 

CMYK 0 / 54 / 64 / 15

HEX #D9634E

RGB 217 99 78

HSL 9.06, 0.65%, 0.58%

LAB 56.31, 44.81, 34.24

 

CMYK 62 / 0 / 65 / 15

HEX #52D94D

RGB 82 217 77

HSL 117.86, 0.65%, 0.58%

LAB 77.25, -62.92, 56.38

 

CMYK 64 / 29 / 0 / 15

HEX #4E9AD9

RGB 78 154 217

HSL 207.19, 0.65%, 0.58%

LAB 61.43, -4.17, -39.07

 

CMYK 3 / 64 / 0 / 15

HEX #D24ED9

RGB 210 78 217

HSL 296.98, 0.65%, 0.58%

LAB 56.25, 68.9, -46.48

 

CMYK 0 / 35 / 64 / 15

HEX #D98C4E

RGB 217 140 78

HSL 26.76, 0.65%, 0.58%

LAB 65.01, 23.54, 44.57

 

Description

Color code: HEX #52D94D | qconv.com Color code: HEX #52D94D | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 217 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 217 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 65 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 65% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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