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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #52BB60 it is the complementary color #AD449F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #52BB60. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #52BB60: #57BB5B, #68CD6E, #79DF81, #8AF194 and #9BFFA7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #52BB60. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #52BB60: #52BB60, #41A94D, #30973A, #1F8527 and #0E7314

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 49 / 27

HEX #52BB60

RGB 82 187 96

HSL 128, 0.44%, 0.53%

LAB 68.15, -49.52, 36.97

 

Complementary color

CMYK 0 / 61 / 8 / 32

HEX #AD449F

RGB 173 68 159

HSL 308, 0.44%, 0.47%

LAB 46.34, 54.02, -28.8

 

CMYK 53 / 0 / 51 / 27

HEX #57BB5B

RGB 87 187 91

HSL 122.4, 0.42%, 0.54%

LAB 68.26, -48.96, 39.62

 

CMYK 49 / 0 / 46 / 20

HEX #68CD6E

RGB 104 205 110

HSL 123.56, 0.5%, 0.61%

LAB 74.66, -48.99, 38.3

 

CMYK 46 / 0 / 42 / 13

HEX #79DF81

RGB 121 223 129

HSL 124.71, 0.61%, 0.67%

LAB 80.97, -48.89, 37.01

 

CMYK 43 / 0 / 39 / 5

HEX #8AF194

RGB 138 241 148

HSL 125.83, 0.79%, 0.74%

LAB 87.22, -48.73, 35.78

 

CMYK 39 / 0 / 35 / 0

HEX #9BFFA7

RGB 155 255 167

HSL 127.2, 1%, 0.8%

LAB 92.26, -46.82, 33.09

 

CMYK 56 / 0 / 49 / 27

HEX #52BB60

RGB 82 187 96

HSL 128, 0.44%, 0.53%

LAB 68.15, -49.52, 36.97

 

CMYK 62 / 0 / 54 / 34

HEX #41A94D

RGB 65 169 77

HSL 126.92, 0.44%, 0.46%

LAB 61.68, -49.28, 38.36

 

CMYK 68 / 0 / 62 / 41

HEX #30973A

RGB 48 151 58

HSL 125.83, 0.52%, 0.39%

LAB 55.14, -48.7, 39.71

 

CMYK 77 / 0 / 71 / 48

HEX #1F8527

RGB 31 133 39

HSL 124.71, 0.62%, 0.32%

LAB 48.53, -47.58, 40.84

 

CMYK 88 / 0 / 83 / 55

HEX #0E7314

RGB 14 115 20

HSL 123.56, 0.78%, 0.25%

LAB 41.85, -45.55, 41.3

 

CMYK 56 / 0 / 49 / 27

HEX #52BB60

RGB 82 187 96

HSL 128, 0.44%, 0.53%

LAB 68.15, -49.52, 36.97

 

CMYK 56 / 0 / 39 / 27

HEX #52BB72

RGB 82 187 114

HSL 138.29, 0.44%, 0.53%

LAB 68.42, -46.61, 28.06

 

CMYK 56 / 0 / 30 / 27

HEX #52BB83

RGB 82 187 131

HSL 148, 0.44%, 0.53%

LAB 68.73, -43.39, 19.42

 

CMYK 56 / 0 / 20 / 27

HEX #52BB95

RGB 82 187 149

HSL 158.29, 0.44%, 0.53%

LAB 69.12, -39.52, 10.2

 

CMYK 56 / 0 / 11 / 27

HEX #52BBA6

RGB 82 187 166

HSL 168, 0.44%, 0.53%

LAB 69.53, -35.45, 1.5

 

CMYK 56 / 0 / 49 / 27

HEX #52BB60

RGB 82 187 96

HSL 128, 0.44%, 0.53%

LAB 68.15, -49.52, 36.97

 

CMYK 56 / 0 / 49 / 7

HEX #68EE7A

RGB 104 238 122

HSL 128.06, 0.8%, 0.67%

LAB 84.74, -60.16, 45.07

 

CMYK 56 / 0 / 50 / 87

HEX #0F2211

RGB 15 34 17

HSL 126.32, 0.39%, 0.1%

LAB 11.18, -12.55, 8.79

 

CMYK 56 / 0 / 48 / 67

HEX #25552C

RGB 37 85 44

HSL 128.75, 0.39%, 0.24%

LAB 31.97, -26.34, 19.04

 

CMYK 56 / 0 / 49 / 47

HEX #3C8846

RGB 60 136 70

HSL 127.89, 0.39%, 0.38%

LAB 50.7, -38.26, 28.39

 

CMYK 56 / 0 / 49 / 27

HEX #52BB60

RGB 82 187 96

HSL 128, 0.44%, 0.53%

LAB 68.15, -49.52, 36.97

 

CMYK 56 / 19 / 0 / 27

HEX #5298BB

RGB 82 152 187

HSL 200, 0.44%, 0.53%

LAB 59.74, -11.87, -24.87

 

CMYK 0 / 56 / 41 / 27

HEX #BB526E

RGB 187 82 110

HSL 344, 0.44%, 0.53%

LAB 49.16, 45.06, 5.11

 

CMYK 56 / 0 / 49 / 27

HEX #52BB60

RGB 82 187 96

HSL 128, 0.44%, 0.53%

LAB 68.15, -49.52, 36.97

 

CMYK 49 / 56 / 0 / 27

HEX #6052BB

RGB 96 82 187

HSL 248, 0.44%, 0.53%

LAB 41.39, 33.3, -53.76

 

CMYK 0 / 49 / 56 / 27

HEX #BB6052

RGB 187 96 82

HSL 8, 0.44%, 0.53%

LAB 51.31, 35.26, 24.71

 

CMYK 56 / 0 / 49 / 27

HEX #52BB60

RGB 82 187 96

HSL 128, 0.44%, 0.53%

LAB 68.15, -49.52, 36.97

 

CMYK 56 / 19 / 0 / 27

HEX #5298BB

RGB 82 152 187

HSL 200, 0.44%, 0.53%

LAB 59.74, -11.87, -24.87

 

CMYK 0 / 56 / 7 / 27

HEX #BB52AD

RGB 187 82 173

HSL 308, 0.44%, 0.53%

LAB 51.4, 53.85, -29.01

 

CMYK 0 / 37 / 56 / 27

HEX #BB7552

RGB 187 117 82

HSL 20, 0.44%, 0.53%

LAB 55.98, 23.91, 30.68

 

CMYK 56 / 0 / 49 / 27

HEX #52BB60

RGB 82 187 96

HSL 128, 0.44%, 0.53%

LAB 68.15, -49.52, 36.97

 

CMYK 56 / 35 / 0 / 27

HEX #5279BB

RGB 82 121 187

HSL 217.71, 0.44%, 0.53%

LAB 50.75, 6.09, -38.87

 

CMYK 0 / 56 / 7 / 27

HEX #BB52AD

RGB 187 82 173

HSL 308, 0.44%, 0.53%

LAB 51.4, 53.85, -29.01

 

CMYK 0 / 20 / 56 / 27

HEX #BB9552

RGB 187 149 82

HSL 38.29, 0.44%, 0.53%

LAB 63.89, 6.22, 40.38

 

Description

Color code: HEX #52BB60 | qconv.com Color code: HEX #52BB60 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 187 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 187 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 49 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 49% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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