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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #527C31 it is the complementary color #AD83CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #527C31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #527C31 shade: #577C2C, #688E3F, #79A052, #8AB265 and #9BC478

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #527C31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #527C31 shade: #527C31, #416A1E, #30580B, #1F4600 and #0E3400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #527C31 shade: #527C31, #667C31, #7A7C31, #7C6931 and #7C5531

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #527C31 shade: #527C31, #3E7C31, #317C39, #317C4D and #317C61

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #527C31 shade matches the following richer shades: #527C31, #518A23, #4F9815 and #4DA607

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #527C31 shade: #527C31, #546E3F, #56604D, #57525C and #59446A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #527C31 shade: #7B7C31, #677C31, #537C31, #3F7C31 and #317C38

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #527C31 shade: #2B411A, #3F5E26, #527C31, #66993D and #79B749

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #527C31 shade: #527C31, #317C69 and #7C3171

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #527C31 shade: #527C31, #31537C and #7C3153

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #527C31 shade: #527C31, #317C69, #5A317C and #7C3144

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #527C31 shade: #527C31, #31787C, #5A317C and #7C3531

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 60 / 51

HEX #527C31

RGB 82 124 49

HSL 93.6, 0.43%, 0.34%

LAB 47.53, -28.42, 35.68

 

Complementary color

CMYK 16 / 36 / 0 / 19

HEX #AD83CE

RGB 173 131 206

HSL 273.6, 0.43%, 0.66%

LAB 61.28, 30.28, -32.68

 

CMYK 30 / 0 / 65 / 51

HEX #577C2C

RGB 87 124 44

HSL 87.75, 0.48%, 0.33%

LAB 47.78, -26.96, 38.44

 

CMYK 27 / 0 / 56 / 44

HEX #688E3F

RGB 104 142 63

HSL 88.86, 0.39%, 0.4%

LAB 54.71, -27.1, 37.4

 

CMYK 24 / 0 / 49 / 37

HEX #79A052

RGB 121 160 82

HSL 90, 0.32%, 0.47%

LAB 61.49, -27.13, 36.2

 

CMYK 22 / 0 / 43 / 30

HEX #8AB265

RGB 138 178 101

HSL 91.17, 0.33%, 0.55%

LAB 68.16, -27.1, 34.99

 

CMYK 21 / 0 / 39 / 23

HEX #9BC478

RGB 155 196 120

HSL 92.37, 0.39%, 0.62%

LAB 74.7, -27.03, 33.81

 

CMYK 34 / 0 / 60 / 51

HEX #527C31

RGB 82 124 49

HSL 93.6, 0.43%, 0.34%

LAB 47.53, -28.42, 35.68

 

CMYK 39 / 0 / 72 / 58

HEX #416A1E

RGB 65 106 30

HSL 92.37, 0.56%, 0.27%

LAB 40.45, -28.22, 36.56

 

CMYK 45 / 0 / 88 / 65

HEX #30580B

RGB 48 88 11

HSL 91.17, 0.78%, 0.19%

LAB 33.2, -27.67, 36.49

 

CMYK 56 / 0 / 100 / 73

HEX #1F4600

RGB 31 70 0

HSL 93.43, 1%, 0.14%

LAB 25.78, -26.48, 33.62

 

CMYK 73 / 0 / 100 / 80

HEX #0E3400

RGB 14 52 0

HSL 103.85, 1%, 0.1%

LAB 18.14, -24.33, 25.3

 

CMYK 34 / 0 / 60 / 51

HEX #527C31

RGB 82 124 49

HSL 93.6, 0.43%, 0.34%

LAB 47.53, -28.42, 35.68

 

CMYK 18 / 0 / 60 / 51

HEX #667C31

RGB 102 124 49

HSL 77.6, 0.43%, 0.34%

LAB 48.84, -20.27, 37.51

 

CMYK 2 / 0 / 60 / 51

HEX #7A7C31

RGB 122 124 49

HSL 61.6, 0.43%, 0.34%

LAB 50.42, -11.45, 39.72

 

CMYK 0 / 15 / 60 / 51

HEX #7C6931

RGB 124 105 49

HSL 44.8, 0.43%, 0.34%

LAB 45.1, 0.2, 33.75

 

CMYK 0 / 31 / 60 / 51

HEX #7C5531

RGB 124 85 49

HSL 28.8, 0.43%, 0.34%

LAB 39.59, 12.03, 27.25

 

CMYK 34 / 0 / 60 / 51

HEX #527C31

RGB 82 124 49

HSL 93.6, 0.43%, 0.34%

LAB 47.53, -28.42, 35.68

 

CMYK 50 / 0 / 60 / 51

HEX #3E7C31

RGB 62 124 49

HSL 109.6, 0.43%, 0.34%

LAB 46.53, -35.46, 34.26

 

CMYK 60 / 0 / 54 / 51

HEX #317C39

RGB 49 124 57

HSL 126.4, 0.43%, 0.34%

LAB 46.13, -38.12, 29.56

 

CMYK 60 / 0 / 38 / 51

HEX #317C4D

RGB 49 124 77

HSL 142.4, 0.43%, 0.34%

LAB 46.45, -34.62, 18.92

 

CMYK 60 / 0 / 22 / 51

HEX #317C61

RGB 49 124 97

HSL 158.4, 0.43%, 0.34%

LAB 46.88, -30.14, 7.9

 

CMYK 34 / 0 / 60 / 51

HEX #527C31

RGB 82 124 49

HSL 93.6, 0.43%, 0.34%

LAB 47.53, -28.42, 35.68

 

CMYK 41 / 0 / 75 / 46

HEX #518A23

RGB 81 138 35

HSL 93.2, 0.6%, 0.34%

LAB 51.89, -36.45, 46.47

 

CMYK 48 / 0 / 86 / 40

HEX #4F9815

RGB 79 152 21

HSL 93.44, 0.76%, 0.34%

LAB 56.26, -43.76, 54.9

 

CMYK 54 / 0 / 96 / 35

HEX #4DA607

RGB 77 166 7

HSL 93.58, 0.92%, 0.34%

LAB 60.66, -50.2, 61.08

 

CMYK 34 / 0 / 60 / 51

HEX #527C31

RGB 82 124 49

HSL 93.6, 0.43%, 0.34%

LAB 47.53, -28.42, 35.68

 

CMYK 24 / 0 / 43 / 57

HEX #546E3F

RGB 84 110 63

HSL 93.19, 0.27%, 0.34%

LAB 43.35, -18.78, 23.16

 

CMYK 10 / 0 / 20 / 62

HEX #56604D

RGB 86 96 77

HSL 91.58, 0.11%, 0.34%

LAB 39.38, -7.8, 9.58

 

CMYK 5 / 11 / 0 / 64

HEX #57525C

RGB 87 82 92

HSL 270, 0.06%, 0.34%

LAB 35.66, 4.2, -5.09

 

CMYK 16 / 36 / 0 / 58

HEX #59446A

RGB 89 68 106

HSL 273.16, 0.22%, 0.34%

LAB 32.48, 17.14, -18.74

 

CMYK 1 / 0 / 60 / 51

HEX #7B7C31

RGB 123 124 49

HSL 60.8, 0.43%, 0.34%

LAB 50.51, -11, 39.84

 

CMYK 17 / 0 / 60 / 51

HEX #677C31

RGB 103 124 49

HSL 76.8, 0.43%, 0.34%

LAB 48.91, -19.84, 37.61

 

CMYK 33 / 0 / 60 / 51

HEX #537C31

RGB 83 124 49

HSL 92.8, 0.43%, 0.34%

LAB 47.59, -28.04, 35.76

 

CMYK 49 / 0 / 60 / 51

HEX #3F7C31

RGB 63 124 49

HSL 108.8, 0.43%, 0.34%

LAB 46.57, -35.15, 34.32

 

CMYK 60 / 0 / 55 / 51

HEX #317C38

RGB 49 124 56

HSL 125.6, 0.43%, 0.34%

LAB 46.12, -38.26, 30.07

 

CMYK 34 / 0 / 60 / 75

HEX #2B411A

RGB 43 65 26

HSL 93.85, 0.43%, 0.18%

LAB 24.85, -16.81, 20.86

 

CMYK 33 / 0 / 60 / 63

HEX #3F5E26

RGB 63 94 38

HSL 93.21, 0.42%, 0.26%

LAB 36.37, -22.29, 28.11

 

CMYK 34 / 0 / 60 / 51

HEX #527C31

RGB 82 124 49

HSL 93.6, 0.43%, 0.34%

LAB 47.53, -28.42, 35.68

 

CMYK 33 / 0 / 60 / 40

HEX #66993D

RGB 102 153 61

HSL 93.26, 0.43%, 0.42%

LAB 57.98, -33.3, 42.12

 

CMYK 34 / 0 / 60 / 28

HEX #79B749

RGB 121 183 73

HSL 93.82, 0.43%, 0.5%

LAB 68.32, -38.8, 48.58

 

CMYK 34 / 0 / 60 / 51

HEX #527C31

RGB 82 124 49

HSL 93.6, 0.43%, 0.34%

LAB 47.53, -28.42, 35.68

 

CMYK 60 / 0 / 15 / 51

HEX #317C69

RGB 49 124 105

HSL 164.8, 0.43%, 0.34%

LAB 47.09, -28.1, 3.48

 

CMYK 0 / 60 / 9 / 51

HEX #7C3171

RGB 124 49 113

HSL 308.8, 0.43%, 0.34%

LAB 33.29, 41.05, -21.53

 

CMYK 34 / 0 / 60 / 51

HEX #527C31

RGB 82 124 49

HSL 93.6, 0.43%, 0.34%

LAB 47.53, -28.42, 35.68

 

CMYK 60 / 33 / 0 / 51

HEX #31537C

RGB 49 83 124

HSL 212.8, 0.43%, 0.34%

LAB 34.59, 1.05, -26.94

 

CMYK 0 / 60 / 33 / 51

HEX #7C3153

RGB 124 49 83

HSL 332.8, 0.43%, 0.34%

LAB 32.05, 36.35, -4.21

 

CMYK 34 / 0 / 60 / 51

HEX #527C31

RGB 82 124 49

HSL 93.6, 0.43%, 0.34%

LAB 47.53, -28.42, 35.68

 

CMYK 60 / 0 / 15 / 51

HEX #317C69

RGB 49 124 105

HSL 164.8, 0.43%, 0.34%

LAB 47.09, -28.1, 3.48

 

CMYK 27 / 60 / 0 / 51

HEX #5A317C

RGB 90 49 124

HSL 272.8, 0.43%, 0.34%

LAB 28.97, 33.67, -35.63

 

CMYK 0 / 60 / 45 / 51

HEX #7C3144

RGB 124 49 68

HSL 344.8, 0.43%, 0.34%

LAB 31.58, 34.49, 4.88

 

CMYK 34 / 0 / 60 / 51

HEX #527C31

RGB 82 124 49

HSL 93.6, 0.43%, 0.34%

LAB 47.53, -28.42, 35.68

 

CMYK 60 / 3 / 0 / 51

HEX #31787C

RGB 49 120 124

HSL 183.2, 0.43%, 0.34%

LAB 46.37, -20.66, -8.86

 

CMYK 27 / 60 / 0 / 51

HEX #5A317C

RGB 90 49 124

HSL 272.8, 0.43%, 0.34%

LAB 28.97, 33.67, -35.63

 

CMYK 0 / 57 / 60 / 51

HEX #7C3531

RGB 124 53 49

HSL 3.2, 0.43%, 0.34%

LAB 31.93, 30.55, 17.66

 

Description

Color code: HEX #527C31 | qconv.com Color code: HEX #527C31 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 124 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 124 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, 60 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 60% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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