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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #537C31 it is the complementary color #AC83CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #537C31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #537C31 shade: #587C2C, #698E3F, #7AA052, #8BB265 and #9CC478

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #537C31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #537C31 shade: #537C31, #426A1E, #31580B, #204600 and #0F3400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #537C31 shade: #537C31, #677C31, #7B7C31, #7C6831 and #7C5431

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #537C31 shade: #537C31, #3F7C31, #317C38, #317C4C and #317C60

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #537C31 shade matches the following richer shades: #537C31, #528A23, #519815 and #4FA607

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #537C31 shade: #537C31, #556E3F, #56604D, #57525C and #58446A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #537C31 shade: #7C7C31, #687C31, #547C31, #407C31 and #317C36

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #537C31 shade: #2C411A, #3F5E26, #537C31, #67993D and #7BB749

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #537C31 shade: #537C31, #317C68 and #7C3172

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #537C31 shade: #537C31, #31547C and #7C3154

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #537C31 shade: #537C31, #317C68, #59317C and #7C3145

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #537C31 shade: #537C31, #31797C, #59317C and #7C3431

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 60 / 51

HEX #537C31

RGB 83 124 49

HSL 92.8, 0.43%, 0.34%

LAB 47.59, -28.04, 35.76

 

Complementary color

CMYK 17 / 36 / 0 / 19

HEX #AC83CE

RGB 172 131 206

HSL 272.8, 0.43%, 0.66%

LAB 61.19, 29.97, -32.84

 

CMYK 29 / 0 / 65 / 51

HEX #587C2C

RGB 88 124 44

HSL 87, 0.48%, 0.33%

LAB 47.84, -26.56, 38.53

 

CMYK 26 / 0 / 56 / 44

HEX #698E3F

RGB 105 142 63

HSL 88.1, 0.39%, 0.4%

LAB 54.77, -26.71, 37.48

 

CMYK 24 / 0 / 49 / 37

HEX #7AA052

RGB 122 160 82

HSL 89.23, 0.32%, 0.47%

LAB 61.56, -26.75, 36.3

 

CMYK 22 / 0 / 43 / 30

HEX #8BB265

RGB 139 178 101

HSL 90.39, 0.33%, 0.55%

LAB 68.22, -26.73, 35.08

 

CMYK 20 / 0 / 39 / 23

HEX #9CC478

RGB 156 196 120

HSL 91.58, 0.39%, 0.62%

LAB 74.76, -26.67, 33.9

 

CMYK 33 / 0 / 60 / 51

HEX #537C31

RGB 83 124 49

HSL 92.8, 0.43%, 0.34%

LAB 47.59, -28.04, 35.76

 

CMYK 38 / 0 / 72 / 58

HEX #426A1E

RGB 66 106 30

HSL 91.58, 0.56%, 0.27%

LAB 40.51, -27.83, 36.64

 

CMYK 44 / 0 / 88 / 65

HEX #31580B

RGB 49 88 11

HSL 90.39, 0.78%, 0.19%

LAB 33.26, -27.29, 36.55

 

CMYK 54 / 0 / 100 / 73

HEX #204600

RGB 32 70 0

HSL 92.57, 1%, 0.14%

LAB 25.82, -26.12, 33.68

 

CMYK 71 / 0 / 100 / 80

HEX #0F3400

RGB 15 52 0

HSL 102.69, 1%, 0.1%

LAB 18.18, -24.02, 25.35

 

CMYK 33 / 0 / 60 / 51

HEX #537C31

RGB 83 124 49

HSL 92.8, 0.43%, 0.34%

LAB 47.59, -28.04, 35.76

 

CMYK 17 / 0 / 60 / 51

HEX #677C31

RGB 103 124 49

HSL 76.8, 0.43%, 0.34%

LAB 48.91, -19.84, 37.61

 

CMYK 1 / 0 / 60 / 51

HEX #7B7C31

RGB 123 124 49

HSL 60.8, 0.43%, 0.34%

LAB 50.51, -11, 39.84

 

CMYK 0 / 16 / 60 / 51

HEX #7C6831

RGB 124 104 49

HSL 44, 0.43%, 0.34%

LAB 44.81, 0.78, 33.43

 

CMYK 0 / 32 / 60 / 51

HEX #7C5431

RGB 124 84 49

HSL 28, 0.43%, 0.34%

LAB 39.32, 12.63, 26.93

 

CMYK 33 / 0 / 60 / 51

HEX #537C31

RGB 83 124 49

HSL 92.8, 0.43%, 0.34%

LAB 47.59, -28.04, 35.76

 

CMYK 49 / 0 / 60 / 51

HEX #3F7C31

RGB 63 124 49

HSL 108.8, 0.43%, 0.34%

LAB 46.57, -35.15, 34.32

 

CMYK 60 / 0 / 55 / 51

HEX #317C38

RGB 49 124 56

HSL 125.6, 0.43%, 0.34%

LAB 46.12, -38.26, 30.07

 

CMYK 60 / 0 / 39 / 51

HEX #317C4C

RGB 49 124 76

HSL 141.6, 0.43%, 0.34%

LAB 46.43, -34.81, 19.46

 

CMYK 60 / 0 / 23 / 51

HEX #317C60

RGB 49 124 96

HSL 157.6, 0.43%, 0.34%

LAB 46.86, -30.38, 8.45

 

CMYK 33 / 0 / 60 / 51

HEX #537C31

RGB 83 124 49

HSL 92.8, 0.43%, 0.34%

LAB 47.59, -28.04, 35.76

 

CMYK 41 / 0 / 75 / 46

HEX #528A23

RGB 82 138 35

HSL 92.62, 0.6%, 0.34%

LAB 51.94, -36.09, 46.54

 

CMYK 47 / 0 / 86 / 40

HEX #519815

RGB 81 152 21

HSL 92.52, 0.76%, 0.34%

LAB 56.35, -43.11, 55.01

 

CMYK 52 / 0 / 96 / 35

HEX #4FA607

RGB 79 166 7

HSL 92.83, 0.92%, 0.34%

LAB 60.74, -49.61, 61.18

 

CMYK 33 / 0 / 60 / 51

HEX #537C31

RGB 83 124 49

HSL 92.8, 0.43%, 0.34%

LAB 47.59, -28.04, 35.76

 

CMYK 23 / 0 / 43 / 57

HEX #556E3F

RGB 85 110 63

HSL 91.91, 0.27%, 0.34%

LAB 43.42, -18.37, 23.26

 

CMYK 10 / 0 / 20 / 62

HEX #56604D

RGB 86 96 77

HSL 91.58, 0.11%, 0.34%

LAB 39.38, -7.8, 9.58

 

CMYK 5 / 11 / 0 / 64

HEX #57525C

RGB 87 82 92

HSL 270, 0.06%, 0.34%

LAB 35.66, 4.2, -5.09

 

CMYK 17 / 36 / 0 / 58

HEX #58446A

RGB 88 68 106

HSL 271.58, 0.22%, 0.34%

LAB 32.37, 16.79, -18.92

 

CMYK 0 / 0 / 60 / 51

HEX #7C7C31

RGB 124 124 49

HSL 60, 0.43%, 0.34%

LAB 50.6, -10.55, 39.96

 

CMYK 16 / 0 / 60 / 51

HEX #687C31

RGB 104 124 49

HSL 76, 0.43%, 0.34%

LAB 48.98, -19.41, 37.71

 

CMYK 32 / 0 / 60 / 51

HEX #547C31

RGB 84 124 49

HSL 92, 0.43%, 0.34%

LAB 47.65, -27.65, 35.84

 

CMYK 48 / 0 / 60 / 51

HEX #407C31

RGB 64 124 49

HSL 108, 0.43%, 0.34%

LAB 46.61, -34.82, 34.38

 

CMYK 60 / 0 / 56 / 51

HEX #317C36

RGB 49 124 54

HSL 124, 0.43%, 0.34%

LAB 46.09, -38.55, 31.08

 

CMYK 32 / 0 / 60 / 75

HEX #2C411A

RGB 44 65 26

HSL 92.31, 0.43%, 0.18%

LAB 24.92, -16.38, 20.96

 

CMYK 33 / 0 / 60 / 63

HEX #3F5E26

RGB 63 94 38

HSL 93.21, 0.42%, 0.26%

LAB 36.37, -22.29, 28.11

 

CMYK 33 / 0 / 60 / 51

HEX #537C31

RGB 83 124 49

HSL 92.8, 0.43%, 0.34%

LAB 47.59, -28.04, 35.76

 

CMYK 33 / 0 / 60 / 40

HEX #67993D

RGB 103 153 61

HSL 92.61, 0.43%, 0.42%

LAB 58.04, -32.93, 42.2

 

CMYK 33 / 0 / 60 / 28

HEX #7BB749

RGB 123 183 73

HSL 92.73, 0.43%, 0.5%

LAB 68.43, -38.09, 48.73

 

CMYK 33 / 0 / 60 / 51

HEX #537C31

RGB 83 124 49

HSL 92.8, 0.43%, 0.34%

LAB 47.59, -28.04, 35.76

 

CMYK 60 / 0 / 16 / 51

HEX #317C68

RGB 49 124 104

HSL 164, 0.43%, 0.34%

LAB 47.06, -28.36, 4.03

 

CMYK 0 / 60 / 8 / 51

HEX #7C3172

RGB 124 49 114

HSL 308, 0.43%, 0.34%

LAB 33.34, 41.23, -22.09

 

CMYK 33 / 0 / 60 / 51

HEX #537C31

RGB 83 124 49

HSL 92.8, 0.43%, 0.34%

LAB 47.59, -28.04, 35.76

 

CMYK 60 / 32 / 0 / 51

HEX #31547C

RGB 49 84 124

HSL 212, 0.43%, 0.34%

LAB 34.9, 0.41, -26.45

 

CMYK 0 / 60 / 32 / 51

HEX #7C3154

RGB 124 49 84

HSL 332, 0.43%, 0.34%

LAB 32.08, 36.49, -4.8

 

CMYK 33 / 0 / 60 / 51

HEX #537C31

RGB 83 124 49

HSL 92.8, 0.43%, 0.34%

LAB 47.59, -28.04, 35.76

 

CMYK 60 / 0 / 16 / 51

HEX #317C68

RGB 49 124 104

HSL 164, 0.43%, 0.34%

LAB 47.06, -28.36, 4.03

 

CMYK 28 / 60 / 0 / 51

HEX #59317C

RGB 89 49 124

HSL 272, 0.43%, 0.34%

LAB 28.84, 33.4, -35.84

 

CMYK 0 / 60 / 44 / 51

HEX #7C3145

RGB 124 49 69

HSL 344, 0.43%, 0.34%

LAB 31.6, 34.61, 4.27

 

CMYK 33 / 0 / 60 / 51

HEX #537C31

RGB 83 124 49

HSL 92.8, 0.43%, 0.34%

LAB 47.59, -28.04, 35.76

 

CMYK 60 / 2 / 0 / 51

HEX #31797C

RGB 49 121 124

HSL 182.4, 0.43%, 0.34%

LAB 46.69, -21.19, -8.37

 

CMYK 28 / 60 / 0 / 51

HEX #59317C

RGB 89 49 124

HSL 272, 0.43%, 0.34%

LAB 28.84, 33.4, -35.84

 

CMYK 0 / 58 / 60 / 51

HEX #7C3431

RGB 124 52 49

HSL 2.4, 0.43%, 0.34%

LAB 31.72, 31.09, 17.4

 

Description

Color code: HEX #537C31 | qconv.com Color code: HEX #537C31 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 124 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 124 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 60 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 60% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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