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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #51C0E8 it is the complementary color #AE3F17. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #51C0E8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #51C0E8: #56C0E3, #67D2F6, #78E4FF, #89F6FF and #9AFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #51C0E8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #51C0E8: #51C0E8, #40AED5, #2F9CC2, #1E8AAF and #0D789C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 17 / 0 / 9

HEX #51C0E8

RGB 81 192 232

HSL 195.89, 0.77%, 0.61%

LAB 73.07, -19.48, -29.23

 

Complementary color

CMYK 0 / 64 / 87 / 32

HEX #AE3F17

RGB 174 63 23

HSL 15.89, 0.77%, 0.39%

LAB 42.18, 43.56, 45.64

 

CMYK 62 / 15 / 0 / 11

HEX #56C0E3

RGB 86 192 227

HSL 194.89, 0.72%, 0.61%

LAB 73.04, -20.18, -26.56

 

CMYK 58 / 15 / 0 / 4

HEX #67D2F6

RGB 103 210 246

HSL 195.1, 0.89%, 0.68%

LAB 79.4, -20.73, -26.98

 

CMYK 53 / 11 / 0 / 0

HEX #78E4FF

RGB 120 228 255

HSL 192, 1%, 0.74%

LAB 85.35, -23.93, -22.64

 

CMYK 46 / 4 / 0 / 0

HEX #89F6FF

RGB 137 246 255

HSL 184.58, 1%, 0.77%

LAB 90.98, -29.1, -14.08

 

CMYK 40 / 0 / 0 / 0

HEX #9AFFFF

RGB 154 255 255

HSL 180, 1%, 0.8%

LAB 94.15, -29.47, -9.3

 

CMYK 65 / 17 / 0 / 9

HEX #51C0E8

RGB 81 192 232

HSL 195.89, 0.77%, 0.61%

LAB 73.07, -19.48, -29.23

 

CMYK 70 / 18 / 0 / 16

HEX #40AED5

RGB 64 174 213

HSL 195.7, 0.64%, 0.54%

LAB 66.65, -18.62, -28.79

 

CMYK 76 / 20 / 0 / 24

HEX #2F9CC2

RGB 47 156 194

HSL 195.51, 0.61%, 0.47%

LAB 60.14, -17.51, -28.29

 

CMYK 83 / 21 / 0 / 31

HEX #1E8AAF

RGB 30 138 175

HSL 195.31, 0.71%, 0.4%

LAB 53.54, -16.06, -27.74

 

CMYK 92 / 23 / 0 / 39

HEX #0D789C

RGB 13 120 156

HSL 195.1, 0.85%, 0.33%

LAB 46.87, -14.14, -27.09

 

CMYK 65 / 17 / 0 / 9

HEX #51C0E8

RGB 81 192 232

HSL 195.89, 0.77%, 0.61%

LAB 73.07, -19.48, -29.23

 

CMYK 66 / 28 / 0 / 9

HEX #4EA8E8

RGB 78 168 232

HSL 204.94, 0.77%, 0.61%

LAB 66.1, -7.09, -40.05

 

CMYK 66 / 39 / 0 / 9

HEX #4E8EE8

RGB 78 142 232

HSL 215.06, 0.77%, 0.61%

LAB 58.78, 7.89, -51.59

 

CMYK 66 / 50 / 0 / 9

HEX #4E75E8

RGB 78 117 232

HSL 224.81, 0.77%, 0.61%

LAB 52.03, 23.11, -62.4

 

CMYK 66 / 61 / 0 / 9

HEX #4E5BE8

RGB 78 91 232

HSL 234.94, 0.77%, 0.61%

LAB 45.54, 39.17, -72.93

 

CMYK 65 / 17 / 0 / 9

HEX #51C0E8

RGB 81 192 232

HSL 195.89, 0.77%, 0.61%

LAB 73.07, -19.48, -29.23

 

CMYK 64 / 18 / 0 / 89

HEX #0A171C

RGB 10 23 28

HSL 196.67, 0.47%, 0.07%

LAB 6.88, -3.37, -5.21

 

CMYK 65 / 18 / 0 / 69

HEX #1C414F

RGB 28 65 79

HSL 196.47, 0.48%, 0.21%

LAB 25.54, -8.37, -12.44

 

CMYK 65 / 17 / 0 / 49

HEX #2D6C82

RGB 45 108 130

HSL 195.53, 0.49%, 0.34%

LAB 42.6, -12.89, -18.17

 

CMYK 65 / 17 / 0 / 29

HEX #3F96B5

RGB 63 150 181

HSL 195.76, 0.48%, 0.48%

LAB 58.23, -16.28, -23.86

 

CMYK 65 / 17 / 0 / 9

HEX #51C0E8

RGB 81 192 232

HSL 195.89, 0.77%, 0.61%

LAB 73.07, -19.48, -29.23

 

CMYK 37 / 66 / 0 / 9

HEX #934EE8

RGB 147 78 232

HSL 266.88, 0.77%, 0.61%

LAB 48.86, 58.3, -67.26

 

CMYK 0 / 10 / 66 / 9

HEX #E8D14E

RGB 232 209 78

HSL 51.04, 0.77%, 0.61%

LAB 83.6, -6.56, 65.32

 

CMYK 65 / 17 / 0 / 9

HEX #51C0E8

RGB 81 192 232

HSL 195.89, 0.77%, 0.61%

LAB 73.07, -19.48, -29.23

 

CMYK 0 / 66 / 17 / 9

HEX #E84EC1

RGB 232 78 193

HSL 315.19, 0.77%, 0.61%

LAB 58.47, 70.53, -29.09

 

CMYK 17 / 0 / 66 / 9

HEX #C1E84E

RGB 193 232 78

HSL 75.19, 0.77%, 0.61%

LAB 86.8, -33.58, 67.7

 

CMYK 65 / 17 / 0 / 9

HEX #51C0E8

RGB 81 192 232

HSL 195.89, 0.77%, 0.61%

LAB 73.07, -19.48, -29.23

 

CMYK 37 / 66 / 0 / 9

HEX #934EE8

RGB 147 78 232

HSL 266.88, 0.77%, 0.61%

LAB 48.86, 58.3, -67.26

 

CMYK 0 / 50 / 66 / 9

HEX #E8754E

RGB 232 117 78

HSL 15.19, 0.77%, 0.61%

LAB 62.02, 41.54, 41.6

 

CMYK 30 / 0 / 66 / 9

HEX #A3E84E

RGB 163 232 78

HSL 86.88, 0.77%, 0.61%

LAB 85.02, -44.77, 65.3

 

CMYK 65 / 17 / 0 / 9

HEX #51C0E8

RGB 81 192 232

HSL 195.89, 0.77%, 0.61%

LAB 73.07, -19.48, -29.23

 

CMYK 17 / 66 / 0 / 9

HEX #C14EE8

RGB 193 78 232

HSL 284.81, 0.77%, 0.61%

LAB 54.67, 67.82, -57.59

 

CMYK 0 / 50 / 66 / 9

HEX #E8754E

RGB 232 117 78

HSL 15.19, 0.77%, 0.61%

LAB 62.02, 41.54, 41.6

 

CMYK 50 / 0 / 66 / 9

HEX #75E84E

RGB 117 232 78

HSL 104.81, 0.77%, 0.61%

LAB 82.94, -59.51, 62.46

 

Description

Color code: HEX #51C0E8 | qconv.com Color code: HEX #51C0E8 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 192 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 192 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, 17 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 17% 0% 9% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

100% - 登录
Link: http://billion.gincosoft.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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