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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #51A200 it is the complementary color #AE5DFF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #51A200. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #51A200: #56A200, #67B40E, #78C621, #89D834 and #9AEA47

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #51A200. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #51A200: #51A200, #409000, #2F7E00, #1E6C00 and #0D5A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 100 / 36

HEX #51A200

RGB 81 162 0

HSL 90, 1%, 0.32%

LAB 59.52, -47.63, 61.23

 

Complementary color

CMYK 32 / 64 / 0 / 0

HEX #AE5DFF

RGB 174 93 255

HSL 270, 1%, 0.68%

LAB 56.14, 61.95, -68.18

 

CMYK 47 / 0 / 100 / 36

HEX #56A200

RGB 86 162 0

HSL 88.15, 1%, 0.32%

LAB 59.72, -46.03, 61.48

 

CMYK 43 / 0 / 92 / 29

HEX #67B40E

RGB 103 180 14

HSL 87.83, 0.86%, 0.38%

LAB 66.18, -47.26, 65.08

 

CMYK 39 / 0 / 83 / 22

HEX #78C621

RGB 120 198 33

HSL 88.36, 0.71%, 0.45%

LAB 72.56, -48.17, 67.07

 

CMYK 37 / 0 / 76 / 15

HEX #89D834

RGB 137 216 52

HSL 88.9, 0.68%, 0.53%

LAB 78.86, -48.81, 67.84

 

CMYK 34 / 0 / 70 / 8

HEX #9AEA47

RGB 154 234 71

HSL 89.45, 0.8%, 0.6%

LAB 85.08, -49.25, 67.83

 

CMYK 50 / 0 / 100 / 36

HEX #51A200

RGB 81 162 0

HSL 90, 1%, 0.32%

LAB 59.52, -47.63, 61.23

 

CMYK 56 / 0 / 100 / 44

HEX #409000

RGB 64 144 0

HSL 93.33, 1%, 0.28%

LAB 52.99, -45.93, 55.82

 

CMYK 63 / 0 / 100 / 51

HEX #2F7E00

RGB 47 126 0

HSL 97.62, 1%, 0.25%

LAB 46.35, -43.98, 50.33

 

CMYK 72 / 0 / 100 / 58

HEX #1E6C00

RGB 30 108 0

HSL 103.33, 1%, 0.21%

LAB 39.58, -41.63, 44.76

 

CMYK 86 / 0 / 100 / 65

HEX #0D5A00

RGB 13 90 0

HSL 111.33, 1%, 0.18%

LAB 32.7, -38.6, 39.13

 

CMYK 50 / 0 / 100 / 36

HEX #51A200

RGB 81 162 0

HSL 90, 1%, 0.32%

LAB 59.52, -47.63, 61.23

 

CMYK 67 / 0 / 100 / 36

HEX #36A300

RGB 54 163 0

HSL 100.12, 1%, 0.32%

LAB 58.95, -55.19, 60.41

 

CMYK 83 / 0 / 100 / 36

HEX #1BA300

RGB 27 163 0

HSL 110.06, 1%, 0.32%

LAB 58.44, -59.67, 59.78

 

CMYK 100 / 0 / 100 / 36

HEX #00A300

RGB 0 163 0

HSL 120, 1%, 0.32%

LAB 58.22, -61.66, 59.51

 

CMYK 100 / 0 / 83 / 36

HEX #00A31B

RGB 0 163 27

HSL 129.94, 1%, 0.32%

LAB 58.3, -60.69, 54.58

 

CMYK 50 / 0 / 100 / 36

HEX #51A200

RGB 81 162 0

HSL 90, 1%, 0.32%

LAB 59.52, -47.63, 61.23

 

CMYK 50 / 0 / 100 / 16

HEX #6BD500

RGB 107 213 0

HSL 89.86, 1%, 0.42%

LAB 76.51, -58.84, 74.98

 

CMYK 44 / 0 / 100 / 96

HEX #050900

RGB 5 9 0

HSL 86.67, 1%, 0.02%

LAB 2.06, -2.3, 3.04

 

CMYK 50 / 0 / 100 / 76

HEX #1E3C00

RGB 30 60 0

HSL 90, 1%, 0.12%

LAB 21.97, -22.24, 29.82

 

CMYK 50 / 0 / 100 / 56

HEX #386F00

RGB 56 111 0

HSL 89.73, 1%, 0.22%

LAB 41.55, -35.36, 46.7

 

CMYK 50 / 0 / 100 / 36

HEX #51A200

RGB 81 162 0

HSL 90, 1%, 0.32%

LAB 59.52, -47.63, 61.23

 

CMYK 100 / 0 / 30 / 36

HEX #00A372

RGB 0 163 114

HSL 161.96, 1%, 0.32%

LAB 59.35, -47.94, 15.55

 

CMYK 0 / 100 / 10 / 36

HEX #A30092

RGB 163 0 146

HSL 306.26, 1%, 0.32%

LAB 37.59, 67.83, -34.82

 

CMYK 50 / 0 / 100 / 36

HEX #51A200

RGB 81 162 0

HSL 90, 1%, 0.32%

LAB 59.52, -47.63, 61.23

 

CMYK 100 / 50 / 0 / 36

HEX #0051A3

RGB 0 81 163

HSL 210.18, 1%, 0.32%

LAB 35.06, 12.38, -49.99

 

CMYK 0 / 100 / 50 / 36

HEX #A30051

RGB 163 0 81

HSL 330.18, 1%, 0.32%

LAB 34.76, 60.62, 1.95

 

CMYK 50 / 0 / 100 / 36

HEX #51A200

RGB 81 162 0

HSL 90, 1%, 0.32%

LAB 59.52, -47.63, 61.23

 

CMYK 100 / 0 / 30 / 36

HEX #00A372

RGB 0 163 114

HSL 161.96, 1%, 0.32%

LAB 59.35, -47.94, 15.55

 

CMYK 50 / 100 / 0 / 36

HEX #5100A3

RGB 81 0 163

HSL 269.82, 1%, 0.32%

LAB 24.93, 59.64, -66.39

 

CMYK 0 / 100 / 71 / 36

HEX #A30030

RGB 163 0 48

HSL 342.33, 1%, 0.32%

LAB 33.98, 58.53, 22.49

 

CMYK 50 / 0 / 100 / 36

HEX #51A200

RGB 81 162 0

HSL 90, 1%, 0.32%

LAB 59.52, -47.63, 61.23

 

CMYK 100 / 0 / 0 / 36

HEX #00A3A3

RGB 0 163 163

HSL 180, 1%, 0.32%

LAB 60.64, -34.4, -10.12

 

CMYK 50 / 100 / 0 / 36

HEX #5100A3

RGB 81 0 163

HSL 269.82, 1%, 0.32%

LAB 24.93, 59.64, -66.39

 

CMYK 0 / 100 / 100 / 36

HEX #A30000

RGB 163 0 0

HSL 0, 1%, 0.32%

LAB 33.53, 57.32, 47.71

 

Description

Color code: HEX #51A200 | qconv.com Color code: HEX #51A200 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 162 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 162 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 100 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 100% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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