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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #516F4D it is the complementary color #AE90B2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #516F4D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #516F4D: #566F48, #67815B, #78936E, #89A581 and #9AB794

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #516F4D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #516F4D: #516F4D, #405D3A, #2F4B27, #1E3914 and #0D2701

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 31 / 56

HEX #516F4D

RGB 81 111 77

HSL 112.94, 0.18%, 0.37%

LAB 43.73, -18.19, 15.52

 

Complementary color

CMYK 2 / 19 / 0 / 30

HEX #AE90B2

RGB 174 144 178

HSL 292.94, 0.18%, 0.63%

LAB 63.47, 17.4, -13.54

 

CMYK 23 / 0 / 35 / 56

HEX #566F48

RGB 86 111 72

HSL 98.46, 0.21%, 0.36%

LAB 43.97, -17.11, 18.82

 

CMYK 20 / 0 / 29 / 49

HEX #67815B

RGB 103 129 91

HSL 101.05, 0.17%, 0.43%

LAB 51.08, -16.97, 17.63

 

CMYK 18 / 0 / 25 / 42

HEX #78936E

RGB 120 147 110

HSL 103.78, 0.15%, 0.5%

LAB 58.02, -16.83, 16.53

 

CMYK 17 / 0 / 22 / 35

HEX #89A581

RGB 137 165 129

HSL 106.67, 0.17%, 0.58%

LAB 64.81, -16.7, 15.52

 

CMYK 16 / 0 / 19 / 28

HEX #9AB794

RGB 154 183 148

HSL 109.71, 0.2%, 0.65%

LAB 71.47, -16.59, 14.57

 

CMYK 27 / 0 / 31 / 56

HEX #516F4D

RGB 81 111 77

HSL 112.94, 0.18%, 0.37%

LAB 43.73, -18.19, 15.52

 

CMYK 31 / 0 / 38 / 64

HEX #405D3A

RGB 64 93 58

HSL 109.71, 0.23%, 0.3%

LAB 36.41, -18.42, 16.77

 

CMYK 37 / 0 / 48 / 71

HEX #2F4B27

RGB 47 75 39

HSL 106.67, 0.32%, 0.22%

LAB 28.86, -18.65, 18.15

 

CMYK 47 / 0 / 65 / 78

HEX #1E3914

RGB 30 57 20

HSL 103.78, 0.48%, 0.15%

LAB 21.03, -18.76, 19.61

 

CMYK 67 / 0 / 97 / 85

HEX #0D2701

RGB 13 39 1

HSL 101.05, 0.95%, 0.08%

LAB 12.85, -18.7, 18.18

 

CMYK 27 / 0 / 31 / 56

HEX #516F4D

RGB 81 111 77

HSL 112.94, 0.18%, 0.37%

LAB 43.73, -18.19, 15.52

 

CMYK 31 / 0 / 30 / 56

HEX #4D6F4E

RGB 77 111 78

HSL 121.76, 0.18%, 0.37%

LAB 43.5, -19.49, 14.58

 

CMYK 31 / 0 / 24 / 56

HEX #4D6F54

RGB 77 111 84

HSL 132.35, 0.18%, 0.37%

LAB 43.63, -18.32, 11.21

 

CMYK 31 / 0 / 20 / 56

HEX #4D6F59

RGB 77 111 89

HSL 141.18, 0.18%, 0.37%

LAB 43.75, -17.28, 8.39

 

CMYK 31 / 0 / 14 / 56

HEX #4D6F5F

RGB 77 111 95

HSL 151.76, 0.18%, 0.37%

LAB 43.91, -15.96, 5.02

 

CMYK 27 / 0 / 31 / 56

HEX #516F4D

RGB 81 111 77

HSL 112.94, 0.18%, 0.37%

LAB 43.73, -18.19, 15.52

 

CMYK 27 / 0 / 31 / 36

HEX #76A270

RGB 118 162 112

HSL 112.8, 0.21%, 0.54%

LAB 62.39, -24.89, 21.36

 

CMYK 27 / 0 / 31 / 16

HEX #9BD594

RGB 155 213 148

HSL 113.54, 0.44%, 0.71%

LAB 80.01, -31.01, 26.33

 

CMYK 22 / 0 / 33 / 96

HEX #070906

RGB 7 9 6

HSL 100, 0.2%, 0.03%

LAB 2.29, -0.94, 0.95

 

CMYK 27 / 0 / 30 / 76

HEX #2C3C2A

RGB 44 60 42

HSL 113.33, 0.18%, 0.2%

LAB 23.45, -10.78, 9.07

 

CMYK 27 / 0 / 31 / 56

HEX #516F4D

RGB 81 111 77

HSL 112.94, 0.18%, 0.37%

LAB 43.73, -18.19, 15.52

 

CMYK 31 / 2 / 0 / 56

HEX #4D6D6F

RGB 77 109 111

HSL 183.53, 0.18%, 0.37%

LAB 43.75, -10.95, -4.84

 

CMYK 0 / 31 / 14 / 56

HEX #6F4D5F

RGB 111 77 95

HSL 328.24, 0.18%, 0.37%

LAB 36.95, 17.42, -4.77

 

CMYK 27 / 0 / 31 / 56

HEX #516F4D

RGB 81 111 77

HSL 112.94, 0.18%, 0.37%

LAB 43.73, -18.19, 15.52

 

CMYK 31 / 27 / 0 / 56

HEX #4D516F

RGB 77 81 111

HSL 232.94, 0.18%, 0.37%

LAB 35.22, 6.02, -17.73

 

CMYK 0 / 31 / 27 / 56

HEX #6F4D51

RGB 111 77 81

HSL 352.94, 0.18%, 0.37%

LAB 36.52, 15.01, 3.39

 

CMYK 27 / 0 / 31 / 56

HEX #516F4D

RGB 81 111 77

HSL 112.94, 0.18%, 0.37%

LAB 43.73, -18.19, 15.52

 

CMYK 31 / 2 / 0 / 56

HEX #4D6D6F

RGB 77 109 111

HSL 183.53, 0.18%, 0.37%

LAB 43.75, -10.95, -4.84

 

CMYK 5 / 31 / 0 / 56

HEX #6A4D6F

RGB 106 77 111

HSL 291.18, 0.18%, 0.37%

LAB 36.97, 18.76, -14.81

 

CMYK 0 / 29 / 31 / 56

HEX #6F4F4D

RGB 111 79 77

HSL 3.53, 0.18%, 0.37%

LAB 36.94, 13.16, 6.5

 

CMYK 27 / 0 / 31 / 56

HEX #516F4D

RGB 81 111 77

HSL 112.94, 0.18%, 0.37%

LAB 43.73, -18.19, 15.52

 

CMYK 31 / 12 / 0 / 56

HEX #4D626F

RGB 77 98 111

HSL 202.94, 0.18%, 0.37%

LAB 40.35, -4.51, -9.93

 

CMYK 5 / 31 / 0 / 56

HEX #6A4D6F

RGB 106 77 111

HSL 291.18, 0.18%, 0.37%

LAB 36.97, 18.76, -14.81

 

CMYK 0 / 20 / 31 / 56

HEX #6F594D

RGB 111 89 77

HSL 21.18, 0.18%, 0.37%

LAB 39.68, 7.06, 10.35

 

Description

Color code: HEX #516F4D | qconv.com Color code: HEX #516F4D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 111 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 111 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 31 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 31% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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