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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #513F89 it is the complementary color #AEC076. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #513F89. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #513F89 shade: #563F84, #675197, #7863AA, #8975BD and #9A87D0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #513F89. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #513F89 shade: #513F89, #402D76, #2F1B63, #1E0950 and #0D003D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #513F89 shade: #513F88, #643F88, #783F88, #883F84 and #883F71

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #513F89 shade: #513F88 and #3F3F88

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #513F89 shade matches the following richer shades: #513F88, #482F98, #401EA8 and #380EB9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #513F89 shade: #513F88, #594F78, #615F68, #696F58 and #727F48

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #513F89 shade: #3F5588, #3F4188, #503F88, #633F88 and #773F88

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #513F89 shade: #2F2550, #40326C, #513F88, #614CA5 and #7762B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #513F89 shade: #513F89, #883F68 and #4B883F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #513F89 shade: #513F89, #88503F and #3F8850

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #513F89 shade: #513F89, #883F68, #77883F and #3F885F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #513F89 shade: #513F89, #883F52, #77883F and #3F8875

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 54 / 0 / 46

HEX #513F89

RGB 81 63 137

HSL 254.59, 0.37%, 0.39%

LAB 32.06, 26.4, -38.84

 

Complementary color

CMYK 9 / 0 / 39 / 25

HEX #AEC076

RGB 174 192 118

HSL 74.59, 0.37%, 0.61%

LAB 74.83, -18.14, 35.25

 

CMYK 35 / 52 / 0 / 48

HEX #563F84

RGB 86 63 132

HSL 260, 0.35%, 0.38%

LAB 32.26, 26.3, -35.4

 

CMYK 32 / 46 / 0 / 41

HEX #675197

RGB 103 81 151

HSL 258.86, 0.3%, 0.45%

LAB 39.59, 25.23, -35.25

 

CMYK 29 / 42 / 0 / 33

HEX #7863AA

RGB 120 99 170

HSL 257.75, 0.29%, 0.53%

LAB 46.74, 24.3, -35.14

 

CMYK 28 / 38 / 0 / 26

HEX #8975BD

RGB 137 117 189

HSL 256.67, 0.35%, 0.6%

LAB 53.72, 23.47, -35.08

 

CMYK 26 / 35 / 0 / 18

HEX #9A87D0

RGB 154 135 208

HSL 255.62, 0.44%, 0.67%

LAB 60.56, 22.74, -35.06

 

CMYK 41 / 54 / 0 / 46

HEX #513F89

RGB 81 63 137

HSL 254.59, 0.37%, 0.39%

LAB 32.06, 26.4, -38.84

 

CMYK 46 / 62 / 0 / 54

HEX #402D76

RGB 64 45 118

HSL 255.62, 0.45%, 0.32%

LAB 24.56, 27.77, -39.08

 

CMYK 53 / 73 / 0 / 61

HEX #2F1B63

RGB 47 27 99

HSL 256.67, 0.57%, 0.25%

LAB 16.94, 29.25, -39.22

 

CMYK 63 / 89 / 0 / 69

HEX #1E0950

RGB 30 9 80

HSL 257.75, 0.8%, 0.17%

LAB 9.41, 30.37, -38.84

 

CMYK 79 / 100 / 0 / 76

HEX #0D003D

RGB 13 0 61

HSL 252.79, 1%, 0.12%

LAB 3.82, 24.45, -34.69

 

CMYK 40 / 54 / 0 / 47

HEX #513F88

RGB 81 63 136

HSL 254.79, 0.37%, 0.39%

LAB 31.99, 26.11, -38.32

 

CMYK 26 / 54 / 0 / 47

HEX #643F88

RGB 100 63 136

HSL 270.41, 0.37%, 0.39%

LAB 34.07, 31.32, -34.89

 

CMYK 12 / 54 / 0 / 47

HEX #783F88

RGB 120 63 136

HSL 286.85, 0.37%, 0.39%

LAB 36.6, 37.11, -30.71

 

CMYK 0 / 54 / 3 / 47

HEX #883F84

RGB 136 63 132

HSL 303.29, 0.37%, 0.39%

LAB 38.65, 41.08, -24.89

 

CMYK 0 / 54 / 17 / 47

HEX #883F71

RGB 136 63 113

HSL 318.9, 0.37%, 0.39%

LAB 37.81, 37.73, -14.42

 

CMYK 40 / 54 / 0 / 47

HEX #513F88

RGB 81 63 136

HSL 254.79, 0.37%, 0.39%

LAB 31.99, 26.11, -38.32

 

CMYK 54 / 54 / 0 / 47

HEX #3F3F88

RGB 63 63 136

HSL 240, 0.37%, 0.39%

LAB 30.37, 21.68, -41.01

 

CMYK 40 / 54 / 0 / 47

HEX #513F88

RGB 81 63 136

HSL 254.79, 0.37%, 0.39%

LAB 31.99, 26.11, -38.32

 

CMYK 53 / 69 / 0 / 40

HEX #482F98

RGB 72 47 152

HSL 254.29, 0.53%, 0.39%

LAB 28.58, 38.69, -53.72

 

CMYK 62 / 82 / 0 / 34

HEX #401EA8

RGB 64 30 168

HSL 254.78, 0.7%, 0.39%

LAB 26.29, 50.94, -67.24

 

CMYK 70 / 92 / 0 / 27

HEX #380EB9

RGB 56 14 185

HSL 254.74, 0.86%, 0.39%

LAB 25.74, 60.36, -78.37

 

CMYK 40 / 54 / 0 / 47

HEX #513F88

RGB 81 63 136

HSL 254.79, 0.37%, 0.39%

LAB 31.99, 26.11, -38.32

 

CMYK 26 / 34 / 0 / 53

HEX #594F78

RGB 89 79 120

HSL 254.63, 0.21%, 0.39%

LAB 36.12, 13.76, -21.85

 

CMYK 7 / 9 / 0 / 59

HEX #615F68

RGB 97 95 104

HSL 253.33, 0.05%, 0.39%

LAB 40.78, 2.72, -4.83

 

CMYK 5 / 0 / 21 / 56

HEX #696F58

RGB 105 111 88

HSL 75.65, 0.12%, 0.39%

LAB 45.74, -6.72, 12.06

 

CMYK 10 / 0 / 43 / 50

HEX #727F48

RGB 114 127 72

HSL 74.18, 0.28%, 0.39%

LAB 50.95, -14.24, 28.26

 

CMYK 54 / 38 / 0 / 47

HEX #3F5588

RGB 63 85 136

HSL 221.92, 0.37%, 0.39%

LAB 36.61, 7.21, -31.06

 

CMYK 54 / 52 / 0 / 47

HEX #3F4188

RGB 63 65 136

HSL 238.36, 0.37%, 0.39%

LAB 30.91, 20.36, -40.14

 

CMYK 41 / 54 / 0 / 47

HEX #503F88

RGB 80 63 136

HSL 253.97, 0.37%, 0.39%

LAB 31.89, 25.85, -38.49

 

CMYK 27 / 54 / 0 / 47

HEX #633F88

RGB 99 63 136

HSL 269.59, 0.37%, 0.39%

LAB 33.95, 31.03, -35.08

 

CMYK 13 / 54 / 0 / 47

HEX #773F88

RGB 119 63 136

HSL 286.03, 0.37%, 0.39%

LAB 36.47, 36.82, -30.93

 

CMYK 41 / 54 / 0 / 69

HEX #2F2550

RGB 47 37 80

HSL 253.95, 0.37%, 0.23%

LAB 17.95, 16.48, -24.89

 

CMYK 41 / 54 / 0 / 58

HEX #40326C

RGB 64 50 108

HSL 254.48, 0.37%, 0.31%

LAB 25.12, 21.43, -31.78

 

CMYK 40 / 54 / 0 / 47

HEX #513F88

RGB 81 63 136

HSL 254.79, 0.37%, 0.39%

LAB 31.99, 26.11, -38.32

 

CMYK 41 / 54 / 0 / 35

HEX #614CA5

RGB 97 76 165

HSL 254.16, 0.37%, 0.47%

LAB 38.6, 30.63, -45.25

 

CMYK 35 / 46 / 0 / 28

HEX #7762B7

RGB 119 98 183

HSL 254.82, 0.37%, 0.55%

LAB 47.07, 28.09, -42.21

 

CMYK 41 / 54 / 0 / 46

HEX #513F89

RGB 81 63 137

HSL 254.59, 0.37%, 0.39%

LAB 32.06, 26.4, -38.84

 

CMYK 0 / 54 / 24 / 47

HEX #883F68

RGB 136 63 104

HSL 326.3, 0.37%, 0.39%

LAB 37.46, 36.3, -9.31

 

CMYK 45 / 0 / 54 / 47

HEX #4B883F

RGB 75 136 63

HSL 110.14, 0.37%, 0.39%

LAB 51.22, -34.8, 32.86

 

CMYK 41 / 54 / 0 / 46

HEX #513F89

RGB 81 63 137

HSL 254.59, 0.37%, 0.39%

LAB 32.06, 26.4, -38.84

 

CMYK 0 / 41 / 54 / 47

HEX #88503F

RGB 136 80 63

HSL 13.97, 0.37%, 0.39%

LAB 40.13, 21.6, 20.02

 

CMYK 54 / 0 / 41 / 47

HEX #3F8850

RGB 63 136 80

HSL 133.97, 0.37%, 0.39%

LAB 50.97, -35.75, 23.3

 

CMYK 41 / 54 / 0 / 46

HEX #513F89

RGB 81 63 137

HSL 254.59, 0.37%, 0.39%

LAB 32.06, 26.4, -38.84

 

CMYK 0 / 54 / 24 / 47

HEX #883F68

RGB 136 63 104

HSL 326.3, 0.37%, 0.39%

LAB 37.46, 36.3, -9.31

 

CMYK 13 / 0 / 54 / 47

HEX #77883F

RGB 119 136 63

HSL 73.97, 0.37%, 0.39%

LAB 53.91, -17.92, 36.71

 

CMYK 54 / 0 / 30 / 47

HEX #3F885F

RGB 63 136 95

HSL 146.3, 0.37%, 0.39%

LAB 51.26, -32.82, 15.24

 

CMYK 41 / 54 / 0 / 46

HEX #513F89

RGB 81 63 137

HSL 254.59, 0.37%, 0.39%

LAB 32.06, 26.4, -38.84

 

CMYK 0 / 54 / 40 / 47

HEX #883F52

RGB 136 63 82

HSL 344.38, 0.37%, 0.39%

LAB 36.74, 33.25, 3.53

 

CMYK 13 / 0 / 54 / 47

HEX #77883F

RGB 119 136 63

HSL 73.97, 0.37%, 0.39%

LAB 53.91, -17.92, 36.71

 

CMYK 54 / 0 / 14 / 47

HEX #3F8875

RGB 63 136 117

HSL 164.38, 0.37%, 0.39%

LAB 51.78, -27.69, 3.29

 

Description

Color code: HEX #513F89 | qconv.com Color code: HEX #513F89 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 63 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 63 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 54 magenta, none yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 54% 0% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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