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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 35 / 52 / 0 / 48 it is the complementary color CMYK 12 / 0 / 36 / 25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 35 / 52 / 0 / 48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 35 / 52 / 0 / 48: CMYK 29 / 50 / 0 / 50, CMYK 27 / 44 / 0 / 42, CMYK 25 / 40 / 0 / 35, CMYK 23 / 36 / 0 / 27 and CMYK 22 / 33 / 0 / 20

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 35 / 52 / 0 / 48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 35 / 52 / 0 / 48: CMYK 35 / 52 / 0 / 48, CMYK 39 / 60 / 0 / 55, CMYK 45 / 71 / 0 / 63, CMYK 54 / 87 / 0 / 70 and CMYK 68 / 100 / 0 / 78

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 52 / 0 / 48

HEX #564085

RGB 86 64 133

HSL 259.13, 0.35%, 0.39%

LAB 32.57, 25.96, -35.52

 

Complementary color

CMYK 12 / 0 / 36 / 25

HEX #A9BF7A

RGB 169 191 122

HSL 79.13, 0.35%, 0.61%

LAB 74.25, -19.06, 32.37

 

CMYK 29 / 50 / 0 / 50

HEX #5B4080

RGB 91 64 128

HSL 265.31, 0.33%, 0.38%

LAB 32.81, 26.01, -32

 

CMYK 27 / 44 / 0 / 42

HEX #6C5293

RGB 108 82 147

HSL 264, 0.28%, 0.45%

LAB 40.13, 25.03, -31.95

 

CMYK 25 / 40 / 0 / 35

HEX #7D64A6

RGB 125 100 166

HSL 262.73, 0.27%, 0.52%

LAB 47.27, 24.16, -31.92

 

CMYK 23 / 36 / 0 / 27

HEX #8E76B9

RGB 142 118 185

HSL 261.49, 0.32%, 0.59%

LAB 54.25, 23.39, -31.93

 

CMYK 22 / 33 / 0 / 20

HEX #9F88CC

RGB 159 136 204

HSL 260.29, 0.4%, 0.67%

LAB 61.08, 22.7, -31.98

 

CMYK 35 / 52 / 0 / 48

HEX #564085

RGB 86 64 133

HSL 259.13, 0.35%, 0.39%

LAB 32.57, 25.96, -35.52

 

CMYK 39 / 60 / 0 / 55

HEX #452E72

RGB 69 46 114

HSL 260.29, 0.43%, 0.31%

LAB 25.06, 27.17, -35.7

 

CMYK 45 / 71 / 0 / 63

HEX #341C5F

RGB 52 28 95

HSL 261.49, 0.54%, 0.24%

LAB 17.4, 28.45, -35.79

 

CMYK 54 / 87 / 0 / 70

HEX #230A4C

RGB 35 10 76

HSL 262.73, 0.77%, 0.17%

LAB 9.77, 29.37, -35.45

 

CMYK 68 / 100 / 0 / 78

HEX #120039

RGB 18 0 57

HSL 258.95, 1%, 0.11%

LAB 3.83, 23.65, -31.74

 

CMYK 35 / 52 / 0 / 48

HEX #564085

RGB 86 64 133

HSL 259.13, 0.35%, 0.39%

LAB 32.57, 25.96, -35.52

 

CMYK 27 / 52 / 0 / 47

HEX #624086

RGB 98 64 134

HSL 269.14, 0.35%, 0.39%

LAB 33.95, 29.63, -33.86

 

CMYK 19 / 52 / 0 / 47

HEX #6D4086

RGB 109 64 134

HSL 278.57, 0.35%, 0.39%

LAB 35.28, 32.85, -31.67

 

CMYK 10 / 52 / 0 / 47

HEX #794086

RGB 121 64 134

HSL 288.86, 0.35%, 0.39%

LAB 36.84, 36.43, -29.1

 

CMYK 1 / 52 / 0 / 47

HEX #854086

RGB 133 64 134

HSL 299.14, 0.35%, 0.39%

LAB 38.51, 40.03, -26.37

 

CMYK 35 / 52 / 0 / 48

HEX #564085

RGB 86 64 133

HSL 259.13, 0.35%, 0.39%

LAB 32.57, 25.96, -35.52

 

CMYK 35 / 52 / 0 / 28

HEX #7759B8

RGB 119 89 184

HSL 258.95, 0.4%, 0.54%

LAB 44.98, 33.71, -46.13

 

CMYK 35 / 52 / 0 / 8

HEX #9871EB

RGB 152 113 235

HSL 259.18, 0.75%, 0.68%

LAB 56.57, 41.61, -56.5

 

CMYK 35 / 52 / 0 / 88

HEX #140F1F

RGB 20 15 31

HSL 258.75, 0.35%, 0.09%

LAB 5.32, 6, -9.79

 

CMYK 35 / 52 / 0 / 68

HEX #352752

RGB 53 39 82

HSL 259.53, 0.36%, 0.24%

LAB 19.3, 17.57, -24.05

 

CMYK 35 / 52 / 0 / 48

HEX #564085

RGB 86 64 133

HSL 259.13, 0.35%, 0.39%

LAB 32.57, 25.96, -35.52

 

CMYK 0 / 52 / 27 / 47

HEX #864062

RGB 134 64 98

HSL 330.86, 0.35%, 0.39%

LAB 37.15, 34.16, -6.04

 

CMYK 48 / 0 / 52 / 47

HEX #468640

RGB 70 134 64

HSL 114.86, 0.35%, 0.39%

LAB 50.36, -35.37, 31.24

 

CMYK 35 / 52 / 0 / 48

HEX #564085

RGB 86 64 133

HSL 259.13, 0.35%, 0.39%

LAB 32.57, 25.96, -35.52

 

CMYK 0 / 36 / 52 / 47

HEX #865640

RGB 134 86 64

HSL 18.86, 0.35%, 0.39%

LAB 41.37, 17.33, 20.97

 

CMYK 52 / 0 / 36 / 47

HEX #408656

RGB 64 134 86

HSL 138.86, 0.35%, 0.39%

LAB 50.47, -33.46, 19.28

 

CMYK 35 / 52 / 0 / 48

HEX #564085

RGB 86 64 133

HSL 259.13, 0.35%, 0.39%

LAB 32.57, 25.96, -35.52

 

CMYK 0 / 52 / 27 / 47

HEX #864062

RGB 134 64 98

HSL 330.86, 0.35%, 0.39%

LAB 37.15, 34.16, -6.04

 

CMYK 16 / 0 / 52 / 47

HEX #708640

RGB 112 134 64

HSL 78.86, 0.35%, 0.39%

LAB 52.8, -19.72, 34.76

 

CMYK 52 / 0 / 25 / 47

HEX #408664

RGB 64 134 100

HSL 150.86, 0.35%, 0.39%

LAB 50.76, -30.53, 11.68

 

CMYK 35 / 52 / 0 / 48

HEX #564085

RGB 86 64 133

HSL 259.13, 0.35%, 0.39%

LAB 32.57, 25.96, -35.52

 

CMYK 0 / 52 / 43 / 47

HEX #86404D

RGB 134 64 77

HSL 348.86, 0.35%, 0.39%

LAB 36.5, 31.35, 6.32

 

CMYK 16 / 0 / 52 / 47

HEX #708640

RGB 112 134 64

HSL 78.86, 0.35%, 0.39%

LAB 52.8, -19.72, 34.76

 

CMYK 52 / 0 / 10 / 47

HEX #408679

RGB 64 134 121

HSL 168.86, 0.35%, 0.39%

LAB 51.29, -25.42, 0.26

 

Description

Color code: CMYK 35 / 52 / 0 / 48 | qconv.com Color code: CMYK 35 / 52 / 0 / 48 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 64 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 64 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 52 magenta, none yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 52% 0% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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