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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #511356 it is the complementary color #AEECA9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #511356. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #511356 shade: #561351, #672564, #783777, #89498A and #9A5B9D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #511356. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #511356 shade: #511356, #400143, #2F0030, #1E001D and #0D000A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #511356 shade: #531358, #58134A, #581338, #581325 and #581313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #511356 shade: #531358, #401358, #2E1358, #1B1358 and #131358

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #511356 shade matches the following richer shades: #531358, #5A0B60 and #610269

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #511356 shade: #531358, #4B1C4F, #442546, #3D2D3E and #353635

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #511356 shade: #2E1358, #401358, #521358, #58134B and #581339

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #511356 shade: #130414, #330C36, #531358, #731B7A and #92229B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #511356 shade: #511356, #581B13 and #135837

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #511356 shade: #511356, #585213 and #135852

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #511356 shade: #511356, #581B13, #195813 and #135058

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #511356 shade: #511356, #583013, #195813 and #133B58

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 78 / 0 / 66

HEX #511356

RGB 81 19 86

HSL 295.52, 0.64%, 0.21%

LAB 19.59, 37.71, -26.03

 

Complementary color

CMYK 26 / 0 / 28 / 7

HEX #AEECA9

RGB 174 236 169

HSL 115.52, 0.64%, 0.79%

LAB 87.9, -32.16, 26.37

 

CMYK 0 / 78 / 6 / 66

HEX #561351

RGB 86 19 81

HSL 304.48, 0.64%, 0.21%

LAB 20.2, 38.03, -21.63

 

CMYK 0 / 64 / 3 / 60

HEX #672564

RGB 103 37 100

HSL 302.73, 0.47%, 0.27%

LAB 27.09, 38.33, -23.15

 

CMYK 0 / 54 / 1 / 53

HEX #783777

RGB 120 55 119

HSL 300.92, 0.37%, 0.34%

LAB 34.1, 37.92, -24.09

 

CMYK 1 / 47 / 0 / 46

HEX #89498A

RGB 137 73 138

HSL 299.08, 0.31%, 0.41%

LAB 41.09, 37.23, -24.75

 

CMYK 2 / 42 / 0 / 38

HEX #9A5B9D

RGB 154 91 157

HSL 297.27, 0.27%, 0.49%

LAB 47.99, 36.45, -25.25

 

CMYK 6 / 78 / 0 / 66

HEX #511356

RGB 81 19 86

HSL 295.52, 0.64%, 0.21%

LAB 19.59, 37.71, -26.03

 

CMYK 4 / 99 / 0 / 74

HEX #400143

RGB 64 1 67

HSL 297.27, 0.97%, 0.13%

LAB 12.72, 36.63, -24.14

 

CMYK 2 / 100 / 0 / 81

HEX #2F0030

RGB 47 0 48

HSL 298.75, 1%, 0.09%

LAB 7.39, 30.1, -19.16

 

CMYK 0 / 100 / 3 / 88

HEX #1E001D

RGB 30 0 29

HSL 302, 1%, 0.06%

LAB 3.29, 16.82, -11.15

 

CMYK 0 / 100 / 23 / 95

HEX #0D000A

RGB 13 0 10

HSL 313.85, 1%, 0.03%

LAB 0.97, 4.86, -2.56

 

CMYK 6 / 78 / 0 / 65

HEX #531358

RGB 83 19 88

HSL 295.65, 0.64%, 0.21%

LAB 20.08, 38.59, -26.56

 

CMYK 0 / 78 / 16 / 65

HEX #58134A

RGB 88 19 74

HSL 312.17, 0.64%, 0.21%

LAB 20.18, 37.36, -16.87

 

CMYK 0 / 78 / 36 / 65

HEX #581338

RGB 88 19 56

HSL 327.83, 0.64%, 0.21%

LAB 19.33, 34.69, -5.7

 

CMYK 0 / 78 / 58 / 65

HEX #581325

RGB 88 19 37

HSL 344.35, 0.64%, 0.21%

LAB 18.69, 32.58, 6.82

 

CMYK 0 / 78 / 78 / 65

HEX #581313

RGB 88 19 19

HSL 0, 0.64%, 0.21%

LAB 18.31, 31.3, 18.91

 

CMYK 6 / 78 / 0 / 65

HEX #531358

RGB 83 19 88

HSL 295.65, 0.64%, 0.21%

LAB 20.08, 38.59, -26.56

 

CMYK 27 / 78 / 0 / 65

HEX #401358

RGB 64 19 88

HSL 279.13, 0.64%, 0.21%

LAB 16.8, 34.11, -32.01

 

CMYK 48 / 78 / 0 / 65

HEX #2E1358

RGB 46 19 88

HSL 263.48, 0.64%, 0.21%

LAB 14.12, 30.27, -36.48

 

CMYK 69 / 78 / 0 / 65

HEX #1B1358

RGB 27 19 88

HSL 246.96, 0.64%, 0.21%

LAB 11.98, 27.02, -40.07

 

CMYK 78 / 78 / 0 / 65

HEX #131358

RGB 19 19 88

HSL 240, 0.64%, 0.21%

LAB 11.34, 26.01, -41.15

 

CMYK 6 / 78 / 0 / 65

HEX #531358

RGB 83 19 88

HSL 295.65, 0.64%, 0.21%

LAB 20.08, 38.59, -26.56

 

CMYK 6 / 89 / 0 / 62

HEX #5A0B60

RGB 90 11 96

HSL 295.76, 0.79%, 0.21%

LAB 21.05, 44.23, -30.27

 

CMYK 8 / 98 / 0 / 59

HEX #610269

RGB 97 2 105

HSL 295.34, 0.96%, 0.21%

LAB 22.32, 49.3, -34.07

 

CMYK 6 / 78 / 0 / 65

HEX #531358

RGB 83 19 88

HSL 295.65, 0.64%, 0.21%

LAB 20.08, 38.59, -26.56

 

CMYK 5 / 65 / 0 / 69

HEX #4B1C4F

RGB 75 28 79

HSL 295.29, 0.48%, 0.21%

LAB 19.6, 30.43, -21.35

 

CMYK 3 / 47 / 0 / 73

HEX #442546

RGB 68 37 70

HSL 296.36, 0.31%, 0.21%

LAB 20.02, 20.82, -14.65

 

CMYK 2 / 27 / 0 / 76

HEX #3D2D3E

RGB 61 45 62

HSL 296.47, 0.16%, 0.21%

LAB 20.89, 10.93, -7.93

 

CMYK 2 / 0 / 2 / 79

HEX #353635

RGB 53 54 53

HSL 120, 0.01%, 0.21%

LAB 22.49, -0.66, 0.47

 

CMYK 48 / 78 / 0 / 65

HEX #2E1358

RGB 46 19 88

HSL 263.48, 0.64%, 0.21%

LAB 14.12, 30.27, -36.48

 

CMYK 27 / 78 / 0 / 65

HEX #401358

RGB 64 19 88

HSL 279.13, 0.64%, 0.21%

LAB 16.8, 34.11, -32.01

 

CMYK 7 / 78 / 0 / 65

HEX #521358

RGB 82 19 88

HSL 294.78, 0.64%, 0.21%

LAB 19.9, 38.35, -26.86

 

CMYK 0 / 78 / 15 / 65

HEX #58134B

RGB 88 19 75

HSL 311.3, 0.64%, 0.21%

LAB 20.24, 37.52, -17.47

 

CMYK 0 / 78 / 35 / 65

HEX #581339

RGB 88 19 57

HSL 326.96, 0.64%, 0.21%

LAB 19.37, 34.82, -6.34

 

CMYK 5 / 80 / 0 / 92

HEX #130414

RGB 19 4 20

HSL 296.25, 0.67%, 0.05%

LAB 2.49, 7.21, -5.6

 

CMYK 6 / 78 / 0 / 79

HEX #330C36

RGB 51 12 54

HSL 295.71, 0.64%, 0.13%

LAB 10.8, 26.17, -18.07

 

CMYK 6 / 78 / 0 / 65

HEX #531358

RGB 83 19 88

HSL 295.65, 0.64%, 0.21%

LAB 20.08, 38.59, -26.56

 

CMYK 6 / 78 / 0 / 52

HEX #731B7A

RGB 115 27 122

HSL 295.58, 0.64%, 0.29%

LAB 28.99, 49.56, -34.12

 

CMYK 6 / 78 / 0 / 39

HEX #92229B

RGB 146 34 155

HSL 295.54, 0.64%, 0.37%

LAB 37.15, 59.83, -41.19

 

CMYK 6 / 78 / 0 / 66

HEX #511356

RGB 81 19 86

HSL 295.52, 0.64%, 0.21%

LAB 19.59, 37.71, -26.03

 

CMYK 0 / 69 / 78 / 65

HEX #581B13

RGB 88 27 19

HSL 6.96, 0.64%, 0.21%

LAB 19.66, 27.62, 20.48

 

CMYK 78 / 0 / 38 / 65

HEX #135837

RGB 19 88 55

HSL 151.3, 0.64%, 0.21%

LAB 32.69, -29.68, 13.26

 

CMYK 6 / 78 / 0 / 66

HEX #511356

RGB 81 19 86

HSL 295.52, 0.64%, 0.21%

LAB 19.59, 37.71, -26.03

 

CMYK 0 / 7 / 78 / 65

HEX #585213

RGB 88 82 19

HSL 54.78, 0.64%, 0.21%

LAB 34.31, -5.68, 35.66

 

CMYK 78 / 0 / 7 / 65

HEX #135852

RGB 19 88 82

HSL 174.78, 0.64%, 0.21%

LAB 33.41, -22.17, -2.56

 

CMYK 6 / 78 / 0 / 66

HEX #511356

RGB 81 19 86

HSL 295.52, 0.64%, 0.21%

LAB 19.59, 37.71, -26.03

 

CMYK 0 / 69 / 78 / 65

HEX #581B13

RGB 88 27 19

HSL 6.96, 0.64%, 0.21%

LAB 19.66, 27.62, 20.48

 

CMYK 72 / 0 / 78 / 65

HEX #195813

RGB 25 88 19

HSL 114.78, 0.64%, 0.21%

LAB 32.33, -34.29, 32.37

 

CMYK 78 / 9 / 0 / 65

HEX #135058

RGB 19 80 88

HSL 186.96, 0.64%, 0.21%

LAB 30.83, -15.79, -10.22

 

CMYK 6 / 78 / 0 / 66

HEX #511356

RGB 81 19 86

HSL 295.52, 0.64%, 0.21%

LAB 19.59, 37.71, -26.03

 

CMYK 0 / 45 / 78 / 65

HEX #583013

RGB 88 48 19

HSL 25.22, 0.64%, 0.21%

LAB 24.44, 15.51, 25.71

 

CMYK 72 / 0 / 78 / 65

HEX #195813

RGB 25 88 19

HSL 114.78, 0.64%, 0.21%

LAB 32.33, -34.29, 32.37

 

CMYK 78 / 33 / 0 / 65

HEX #133B58

RGB 19 59 88

HSL 205.22, 0.64%, 0.21%

LAB 23.58, -2.76, -21.43

 

Description

Color code: HEX #511356 | qconv.com Color code: HEX #511356 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 19 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 19 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 78 magenta, none yellow and 66 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 78% 0% 66% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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