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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3D2D3E it is the complementary color #C2D2C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3D2D3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3D2D3E shade: #422D39, #533F4C, #64515F, #756372 and #867585

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3D2D3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3D2D3E shade: #3D2D3E, #2C1B2B, #1B0918 and #0A0005

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3D2D3E shade: #3D2C3E, #3E2C3A, #3E2C35, #3E2C31 and #3E2C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3D2D3E shade: #3D2C3E, #382C3E, #332C3E, #2F2C3E and #2C2C3E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3D2D3E shade matches the following richer shades: #3D2C3E, #442446, #4C1B4F, #541258 and #5B0A60

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3D2D3E shade: #3D2C3E, #353535, #2D3E2C, #264624 and #1E4F1B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3D2D3E shade: #332C3E, #382C3E, #3C2C3E, #3E2C3A and #3E2C36

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3D2D3E shade: #0E0A0E, #251B26, #3D2C3E, #543E56 and #6C4F6D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3D2D3E shade: #3D2D3E, #3E2F2C and #2C3E36

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3D2D3E shade: #3D2D3E, #3E3C2C and #2C3E3C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3D2D3E shade: #3D2D3E, #3E2F2C, #2E3E2C and #2C3B3E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3D2D3E shade: #3D2D3E, #3E342C, #2E3E2C and #2C363E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 27 / 0 / 76

HEX #3D2D3E

RGB 61 45 62

HSL 296.47, 0.16%, 0.21%

LAB 20.89, 10.93, -7.93

 

Complementary color

CMYK 8 / 0 / 8 / 18

HEX #C2D2C1

RGB 194 210 193

HSL 116.47, 0.16%, 0.79%

LAB 82.6, -8.55, 6.57

 

CMYK 0 / 32 / 14 / 74

HEX #422D39

RGB 66 45 57

HSL 325.71, 0.19%, 0.22%

LAB 21.32, 11.94, -3.8

 

CMYK 0 / 24 / 8 / 67

HEX #533F4C

RGB 83 63 76

HSL 321, 0.14%, 0.29%

LAB 29.2, 11.2, -4.52

 

CMYK 0 / 19 / 5 / 61

HEX #64515F

RGB 100 81 95

HSL 315.79, 0.1%, 0.35%

LAB 36.78, 10.59, -5.16

 

CMYK 0 / 15 / 3 / 54

HEX #756372

RGB 117 99 114

HSL 310, 0.08%, 0.42%

LAB 44.12, 10.08, -5.76

 

CMYK 0 / 13 / 1 / 47

HEX #867585

RGB 134 117 133

HSL 303.53, 0.07%, 0.49%

LAB 51.25, 9.63, -6.32

 

CMYK 2 / 27 / 0 / 76

HEX #3D2D3E

RGB 61 45 62

HSL 296.47, 0.16%, 0.21%

LAB 20.89, 10.93, -7.93

 

CMYK 0 / 39 / 2 / 83

HEX #2C1B2B

RGB 44 27 43

HSL 303.53, 0.24%, 0.14%

LAB 12.57, 11.76, -7.4

 

CMYK 0 / 67 / 11 / 89

HEX #1B0918

RGB 27 9 24

HSL 310, 0.5%, 0.07%

LAB 4.47, 10.02, -5.49

 

CMYK 0 / 100 / 50 / 96

HEX #0A0005

RGB 10 0 5

HSL 330, 1%, 0.02%

LAB 0.68, 3.31, -0.97

 

CMYK 2 / 29 / 0 / 76

HEX #3D2C3E

RGB 61 44 62

HSL 296.67, 0.17%, 0.21%

LAB 20.6, 11.61, -8.37

 

CMYK 0 / 29 / 6 / 76

HEX #3E2C3A

RGB 62 44 58

HSL 313.33, 0.17%, 0.21%

LAB 20.56, 11.11, -5.67

 

CMYK 0 / 29 / 15 / 76

HEX #3E2C35

RGB 62 44 53

HSL 330, 0.17%, 0.21%

LAB 20.37, 10.04, -2.52

 

CMYK 0 / 29 / 21 / 76

HEX #3E2C31

RGB 62 44 49

HSL 343.33, 0.17%, 0.21%

LAB 20.23, 9.24, 0.03

 

CMYK 0 / 29 / 29 / 76

HEX #3E2C2C

RGB 62 44 44

HSL 0, 0.17%, 0.21%

LAB 20.07, 8.31, 3.25

 

CMYK 2 / 29 / 0 / 76

HEX #3D2C3E

RGB 61 44 62

HSL 296.67, 0.17%, 0.21%

LAB 20.6, 11.61, -8.37

 

CMYK 10 / 29 / 0 / 76

HEX #382C3E

RGB 56 44 62

HSL 280, 0.17%, 0.21%

LAB 20, 9.58, -9.33

 

CMYK 18 / 29 / 0 / 76

HEX #332C3E

RGB 51 44 62

HSL 263.33, 0.17%, 0.21%

LAB 19.45, 7.58, -10.23

 

CMYK 24 / 29 / 0 / 76

HEX #2F2C3E

RGB 47 44 62

HSL 250, 0.17%, 0.21%

LAB 19.03, 6.01, -10.91

 

CMYK 29 / 29 / 0 / 76

HEX #2C2C3E

RGB 44 44 62

HSL 240, 0.17%, 0.21%

LAB 18.73, 4.87, -11.39

 

CMYK 2 / 29 / 0 / 76

HEX #3D2C3E

RGB 61 44 62

HSL 296.67, 0.17%, 0.21%

LAB 20.6, 11.61, -8.37

 

CMYK 3 / 49 / 0 / 73

HEX #442446

RGB 68 36 70

HSL 296.47, 0.32%, 0.21%

LAB 19.77, 21.45, -15.03

 

CMYK 4 / 66 / 0 / 69

HEX #4C1B4F

RGB 76 27 79

HSL 296.54, 0.49%, 0.21%

LAB 19.58, 31.26, -21.37

 

CMYK 5 / 80 / 0 / 65

HEX #541258

RGB 84 18 88

HSL 296.57, 0.66%, 0.21%

LAB 20.13, 39.21, -26.47

 

CMYK 5 / 90 / 0 / 62

HEX #5B0A60

RGB 91 10 96

HSL 296.51, 0.81%, 0.21%

LAB 21.15, 44.68, -30.08

 

CMYK 2 / 29 / 0 / 76

HEX #3D2C3E

RGB 61 44 62

HSL 296.67, 0.17%, 0.21%

LAB 20.6, 11.61, -8.37

 

CMYK 0 / 0 / 0 / 79

HEX #353535

RGB 53 53 53

HSL 0, 0%, 0.21%

LAB 22.16, 0, -0

 

CMYK 27 / 0 / 29 / 76

HEX #2D3E2C

RGB 45 62 44

HSL 116.67, 0.17%, 0.21%

LAB 24.27, -11.15, 8.9

 

CMYK 46 / 0 / 49 / 73

HEX #264624

RGB 38 70 36

HSL 116.47, 0.32%, 0.21%

LAB 26.5, -19.96, 16.86

 

CMYK 62 / 0 / 66 / 69

HEX #1E4F1B

RGB 30 79 27

HSL 116.54, 0.49%, 0.21%

LAB 29.28, -28.36, 25.31

 

CMYK 18 / 29 / 0 / 76

HEX #332C3E

RGB 51 44 62

HSL 263.33, 0.17%, 0.21%

LAB 19.45, 7.58, -10.23

 

CMYK 10 / 29 / 0 / 76

HEX #382C3E

RGB 56 44 62

HSL 280, 0.17%, 0.21%

LAB 20, 9.58, -9.33

 

CMYK 3 / 29 / 0 / 76

HEX #3C2C3E

RGB 60 44 62

HSL 293.33, 0.17%, 0.21%

LAB 20.48, 11.2, -8.56

 

CMYK 0 / 29 / 6 / 76

HEX #3E2C3A

RGB 62 44 58

HSL 313.33, 0.17%, 0.21%

LAB 20.56, 11.11, -5.67

 

CMYK 0 / 29 / 13 / 76

HEX #3E2C36

RGB 62 44 54

HSL 326.67, 0.17%, 0.21%

LAB 20.41, 10.25, -3.15

 

CMYK 0 / 29 / 0 / 95

HEX #0E0A0E

RGB 14 10 14

HSL 300, 0.17%, 0.05%

LAB 3.09, 1.79, -1.28

 

CMYK 3 / 29 / 0 / 85

HEX #251B26

RGB 37 27 38

HSL 294.55, 0.17%, 0.13%

LAB 11.39, 7.47, -5.61

 

CMYK 2 / 29 / 0 / 76

HEX #3D2C3E

RGB 61 44 62

HSL 296.67, 0.17%, 0.21%

LAB 20.6, 11.61, -8.37

 

CMYK 2 / 28 / 0 / 66

HEX #543E56

RGB 84 62 86

HSL 295, 0.16%, 0.29%

LAB 29.42, 14.4, -10.68

 

CMYK 1 / 28 / 0 / 57

HEX #6C4F6D

RGB 108 79 109

HSL 298, 0.16%, 0.37%

LAB 37.63, 17.83, -12.53

 

CMYK 2 / 27 / 0 / 76

HEX #3D2D3E

RGB 61 45 62

HSL 296.47, 0.16%, 0.21%

LAB 20.89, 10.93, -7.93

 

CMYK 0 / 24 / 29 / 76

HEX #3E2F2C

RGB 62 47 44

HSL 10, 0.17%, 0.21%

LAB 20.98, 6.29, 4.54

 

CMYK 29 / 0 / 13 / 76

HEX #2C3E36

RGB 44 62 54

HSL 153.33, 0.17%, 0.21%

LAB 24.47, -9.26, 2.59

 

CMYK 2 / 27 / 0 / 76

HEX #3D2D3E

RGB 61 45 62

HSL 296.47, 0.16%, 0.21%

LAB 20.89, 10.93, -7.93

 

CMYK 0 / 3 / 29 / 76

HEX #3E3C2C

RGB 62 60 44

HSL 53.33, 0.17%, 0.21%

LAB 25.07, -2.28, 10.23

 

CMYK 29 / 0 / 3 / 76

HEX #2C3E3C

RGB 44 62 60

HSL 173.33, 0.17%, 0.21%

LAB 24.66, -7.71, -1.12

 

CMYK 2 / 27 / 0 / 76

HEX #3D2D3E

RGB 61 45 62

HSL 296.47, 0.16%, 0.21%

LAB 20.89, 10.93, -7.93

 

CMYK 0 / 24 / 29 / 76

HEX #3E2F2C

RGB 62 47 44

HSL 10, 0.17%, 0.21%

LAB 20.98, 6.29, 4.54

 

CMYK 26 / 0 / 29 / 76

HEX #2E3E2C

RGB 46 62 44

HSL 113.33, 0.17%, 0.21%

LAB 24.35, -10.73, 9.02

 

CMYK 29 / 5 / 0 / 76

HEX #2C3B3E

RGB 44 59 62

HSL 190, 0.17%, 0.21%

LAB 23.71, -5.25, -3.86

 

CMYK 2 / 27 / 0 / 76

HEX #3D2D3E

RGB 61 45 62

HSL 296.47, 0.16%, 0.21%

LAB 20.89, 10.93, -7.93

 

CMYK 0 / 16 / 29 / 76

HEX #3E342C

RGB 62 52 44

HSL 26.67, 0.17%, 0.21%

LAB 22.52, 2.95, 6.71

 

CMYK 26 / 0 / 29 / 76

HEX #2E3E2C

RGB 46 62 44

HSL 113.33, 0.17%, 0.21%

LAB 24.35, -10.73, 9.02

 

CMYK 29 / 13 / 0 / 76

HEX #2C363E

RGB 44 54 62

HSL 206.67, 0.17%, 0.21%

LAB 22.02, -1.98, -6.38

 

Description

Color code: HEX #3D2D3E | qconv.com Color code: HEX #3D2D3E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 45 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 45 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 27 magenta, none yellow and 76 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 27% 0% 76% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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