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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #50FCC6 it is the complementary color #AF0339. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #50FCC6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #50FCC6: #55FCC1, #66FFD4, #77FFE7, #88FFFA and #99FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #50FCC6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #50FCC6: #50FCC6, #3FEAB3, #2ED8A0, #1DC68D and #0CB47A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 21 / 1

HEX #50FCC6

RGB 80 252 198

HSL 161.16, 0.97%, 0.65%

LAB 89.58, -56.06, 13.26

 

Complementary color

CMYK 0 / 98 / 67 / 31

HEX #AF0339

RGB 175 3 57

HSL 341.16, 0.97%, 0.35%

LAB 36.88, 61.57, 20.88

 

CMYK 66 / 0 / 23 / 1

HEX #55FCC1

RGB 85 252 193

HSL 158.8, 0.97%, 0.66%

LAB 89.58, -56.42, 15.85

 

CMYK 60 / 0 / 17 / 0

HEX #66FFD4

RGB 102 255 212

HSL 163.14, 1%, 0.7%

LAB 91.28, -50.55, 8.53

 

CMYK 53 / 0 / 9 / 0

HEX #77FFE7

RGB 119 255 231

HSL 169.41, 1%, 0.73%

LAB 92.23, -42.9, 0.14

 

CMYK 47 / 0 / 2 / 0

HEX #88FFFA

RGB 136 255 250

HSL 177.48, 1%, 0.77%

LAB 93.3, -34.79, -8.05

 

CMYK 40 / 0 / 0 / 0

HEX #99FFFF

RGB 153 255 255

HSL 180, 1%, 0.8%

LAB 94.1, -29.71, -9.37

 

CMYK 68 / 0 / 21 / 1

HEX #50FCC6

RGB 80 252 198

HSL 161.16, 0.97%, 0.65%

LAB 89.58, -56.06, 13.26

 

CMYK 73 / 0 / 24 / 8

HEX #3FEAB3

RGB 63 234 179

HSL 160.7, 0.8%, 0.58%

LAB 83.52, -55.52, 14.52

 

CMYK 79 / 0 / 26 / 15

HEX #2ED8A0

RGB 46 216 160

HSL 160.24, 0.69%, 0.51%

LAB 77.42, -54.73, 15.88

 

CMYK 85 / 0 / 29 / 22

HEX #1DC68D

RGB 29 198 141

HSL 159.76, 0.74%, 0.45%

LAB 71.26, -53.62, 17.38

 

CMYK 93 / 0 / 32 / 29

HEX #0CB47A

RGB 12 180 122

HSL 159.29, 0.88%, 0.38%

LAB 65.06, -52.08, 19.04

 

CMYK 68 / 0 / 21 / 1

HEX #50FCC6

RGB 80 252 198

HSL 161.16, 0.97%, 0.65%

LAB 89.58, -56.06, 13.26

 

CMYK 69 / 0 / 10 / 1

HEX #4FFCE2

RGB 79 252 226

HSL 170.98, 0.97%, 0.65%

LAB 90.22, -49.52, -0.33

 

CMYK 69 / 1 / 0 / 1

HEX #4FF9FC

RGB 79 249 252

HSL 181.04, 0.97%, 0.65%

LAB 90.06, -41.35, -14.08

 

CMYK 69 / 13 / 0 / 1

HEX #4FDCFC

RGB 79 220 252

HSL 191.1, 0.97%, 0.65%

LAB 81.77, -27.76, -26.61

 

CMYK 69 / 24 / 0 / 1

HEX #4FBFFC

RGB 79 191 252

HSL 201.16, 0.97%, 0.65%

LAB 73.51, -12.94, -39.35

 

CMYK 68 / 0 / 21 / 1

HEX #50FCC6

RGB 80 252 198

HSL 161.16, 0.97%, 0.65%

LAB 89.58, -56.06, 13.26

 

CMYK 69 / 0 / 21 / 81

HEX #0F3026

RGB 15 48 38

HSL 161.82, 0.52%, 0.12%

LAB 17.25, -15.08, 2.83

 

CMYK 69 / 0 / 21 / 61

HEX #1F634E

RGB 31 99 78

HSL 161.47, 0.52%, 0.25%

LAB 37.42, -26.81, 5.78

 

CMYK 68 / 0 / 21 / 41

HEX #309676

RGB 48 150 118

HSL 161.18, 0.52%, 0.39%

LAB 55.84, -37.08, 8.46

 

CMYK 68 / 0 / 21 / 21

HEX #40C99E

RGB 64 201 158

HSL 161.17, 0.56%, 0.52%

LAB 73.11, -46.82, 10.93

 

CMYK 68 / 0 / 21 / 1

HEX #50FCC6

RGB 80 252 198

HSL 161.16, 0.97%, 0.65%

LAB 89.58, -56.06, 13.26

 

CMYK 69 / 61 / 0 / 1

HEX #4F63FC

RGB 79 99 252

HSL 233.06, 0.97%, 0.65%

LAB 49.02, 41.17, -78.44

 

CMYK 0 / 49 / 69 / 1

HEX #FC804F

RGB 252 128 79

HSL 16.99, 0.97%, 0.65%

LAB 67.05, 43.69, 47.61

 

CMYK 68 / 0 / 21 / 1

HEX #50FCC6

RGB 80 252 198

HSL 161.16, 0.97%, 0.65%

LAB 89.58, -56.06, 13.26

 

CMYK 22 / 69 / 0 / 1

HEX #C54FFC

RGB 197 79 252

HSL 280.92, 0.97%, 0.65%

LAB 56.58, 72.18, -65.67

 

CMYK 0 / 22 / 69 / 1

HEX #FCC54F

RGB 252 197 79

HSL 40.92, 0.97%, 0.65%

LAB 82.48, 8.02, 64.33

 

CMYK 68 / 0 / 21 / 1

HEX #50FCC6

RGB 80 252 198

HSL 161.16, 0.97%, 0.65%

LAB 89.58, -56.06, 13.26

 

CMYK 69 / 61 / 0 / 1

HEX #4F63FC

RGB 79 99 252

HSL 233.06, 0.97%, 0.65%

LAB 49.02, 41.17, -78.44

 

CMYK 0 / 69 / 47 / 1

HEX #FC4F86

RGB 252 79 134

HSL 340.92, 0.97%, 0.65%

LAB 59.9, 68.93, 7.62

 

CMYK 0 / 8 / 69 / 1

HEX #FCE84F

RGB 252 232 79

HSL 53.06, 0.97%, 0.65%

LAB 91.22, -9.75, 73.24

 

CMYK 68 / 0 / 21 / 1

HEX #50FCC6

RGB 80 252 198

HSL 161.16, 0.97%, 0.65%

LAB 89.58, -56.06, 13.26

 

CMYK 56 / 69 / 0 / 1

HEX #6E4FFC

RGB 110 79 252

HSL 250.75, 0.97%, 0.65%

LAB 46.89, 56.78, -81.84

 

CMYK 0 / 69 / 47 / 1

HEX #FC4F86

RGB 252 79 134

HSL 340.92, 0.97%, 0.65%

LAB 59.9, 68.93, 7.62

 

CMYK 13 / 0 / 69 / 1

HEX #DCFC4F

RGB 220 252 79

HSL 71.1, 0.97%, 0.65%

LAB 94.06, -32.2, 75.28

 

Description

Color code: HEX #50FCC6 | qconv.com Color code: HEX #50FCC6 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 252 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 252 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 21 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 21% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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