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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #50F8F7 it is the complementary color #AF0708. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #50F8F7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #50F8F7: #55F8F2, #66FFFF, #77FFFF, #88FFFF and #99FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #50F8F7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #50F8F7: #50F8F7, #3FE6E4, #2ED4D1, #1DC2BE and #0CB0AB

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 0 / 3

HEX #50F8F7

RGB 80 248 247

HSL 179.64, 0.92%, 0.64%

LAB 89.65, -42.14, -12.08

 

Complementary color

CMYK 0 / 96 / 95 / 31

HEX #AF0708

RGB 175 7 8

HSL 359.64, 0.92%, 0.36%

LAB 36.52, 59.66, 47.54

 

CMYK 66 / 0 / 2 / 3

HEX #55F8F2

RGB 85 248 242

HSL 177.79, 0.92%, 0.65%

LAB 89.62, -42.82, -9.52

 

CMYK 60 / 0 / 0 / 0

HEX #66FFFF

RGB 102 255 255

HSL 180, 1%, 0.7%

LAB 92.38, -39.95, -12.11

 

CMYK 53 / 0 / 0 / 0

HEX #77FFFF

RGB 119 255 255

HSL 180, 1%, 0.73%

LAB 92.87, -36.98, -11.34

 

CMYK 47 / 0 / 0 / 0

HEX #88FFFF

RGB 136 255 255

HSL 180, 1%, 0.77%

LAB 93.44, -33.56, -10.43

 

CMYK 40 / 0 / 0 / 0

HEX #99FFFF

RGB 153 255 255

HSL 180, 1%, 0.8%

LAB 94.1, -29.71, -9.37

 

CMYK 68 / 0 / 0 / 3

HEX #50F8F7

RGB 80 248 247

HSL 179.64, 0.92%, 0.64%

LAB 89.65, -42.14, -12.08

 

CMYK 73 / 0 / 1 / 10

HEX #3FE6E4

RGB 63 230 228

HSL 179.28, 0.77%, 0.57%

LAB 83.57, -41.39, -11.22

 

CMYK 78 / 0 / 1 / 17

HEX #2ED4D1

RGB 46 212 209

HSL 178.92, 0.66%, 0.51%

LAB 77.44, -40.41, -10.27

 

CMYK 85 / 0 / 2 / 24

HEX #1DC2BE

RGB 29 194 190

HSL 178.55, 0.74%, 0.44%

LAB 71.26, -39.14, -9.22

 

CMYK 93 / 0 / 3 / 31

HEX #0CB0AB

RGB 12 176 171

HSL 178.17, 0.87%, 0.37%

LAB 65.02, -37.51, -8.06

 

CMYK 68 / 0 / 0 / 3

HEX #50F8F7

RGB 80 248 247

HSL 179.64, 0.92%, 0.64%

LAB 89.65, -42.14, -12.08

 

CMYK 68 / 10 / 0 / 3

HEX #4EDEF7

RGB 78 222 247

HSL 188.88, 0.91%, 0.64%

LAB 82.15, -30.36, -23.39

 

CMYK 68 / 21 / 0 / 3

HEX #4EC2F7

RGB 78 194 247

HSL 198.82, 0.91%, 0.64%

LAB 74.14, -16.27, -35.69

 

CMYK 68 / 33 / 0 / 3

HEX #4EA6F7

RGB 78 166 247

HSL 208.76, 0.91%, 0.64%

LAB 66.22, -0.97, -48.07

 

CMYK 68 / 45 / 0 / 3

HEX #4E89F7

RGB 78 137 247

HSL 219.05, 0.91%, 0.64%

LAB 58.25, 16.08, -60.74

 

CMYK 68 / 0 / 0 / 3

HEX #50F8F7

RGB 80 248 247

HSL 179.64, 0.92%, 0.64%

LAB 89.65, -42.14, -12.08

 

CMYK 68 / 0 / 0 / 83

HEX #0E2C2C

RGB 14 44 44

HSL 180, 0.52%, 0.11%

LAB 15.88, -11.01, -3.37

 

CMYK 67 / 0 / 0 / 63

HEX #1F5F5F

RGB 31 95 95

HSL 180, 0.51%, 0.25%

LAB 36.56, -19.77, -5.98

 

CMYK 68 / 0 / 1 / 43

HEX #2F9291

RGB 47 146 145

HSL 179.39, 0.51%, 0.38%

LAB 55.28, -27.99, -7.81

 

CMYK 68 / 0 / 1 / 23

HEX #40C5C4

RGB 64 197 196

HSL 179.55, 0.53%, 0.51%

LAB 72.9, -35.18, -9.99

 

CMYK 68 / 0 / 0 / 3

HEX #50F8F7

RGB 80 248 247

HSL 179.64, 0.92%, 0.64%

LAB 89.65, -42.14, -12.08

 

CMYK 56 / 68 / 0 / 3

HEX #6D4EF7

RGB 109 78 247

HSL 251.01, 0.91%, 0.64%

LAB 46.2, 55.73, -80.19

 

CMYK 0 / 28 / 68 / 3

HEX #F7B14E

RGB 247 177 78

HSL 35.15, 0.91%, 0.64%

LAB 77.14, 16.33, 58.98

 

CMYK 68 / 0 / 0 / 3

HEX #50F8F7

RGB 80 248 247

HSL 179.64, 0.92%, 0.64%

LAB 89.65, -42.14, -12.08

 

CMYK 1 / 68 / 0 / 3

HEX #F44EF7

RGB 244 78 247

HSL 298.93, 0.91%, 0.64%

LAB 62.84, 81.37, -52.5

 

CMYK 0 / 1 / 68 / 3

HEX #F7F44E

RGB 247 244 78

HSL 58.93, 0.91%, 0.64%

LAB 93.89, -17.71, 76.13

 

CMYK 68 / 0 / 0 / 3

HEX #50F8F7

RGB 80 248 247

HSL 179.64, 0.92%, 0.64%

LAB 89.65, -42.14, -12.08

 

CMYK 56 / 68 / 0 / 3

HEX #6D4EF7

RGB 109 78 247

HSL 251.01, 0.91%, 0.64%

LAB 46.2, 55.73, -80.19

 

CMYK 0 / 68 / 67 / 3

HEX #F74E51

RGB 247 78 81

HSL 358.93, 0.91%, 0.64%

LAB 57.86, 64.17, 35.56

 

CMYK 13 / 0 / 68 / 3

HEX #D8F74E

RGB 216 247 78

HSL 71.01, 0.91%, 0.64%

LAB 92.43, -31.52, 73.92

 

CMYK 68 / 0 / 0 / 3

HEX #50F8F7

RGB 80 248 247

HSL 179.64, 0.92%, 0.64%

LAB 89.65, -42.14, -12.08

 

CMYK 35 / 68 / 0 / 3

HEX #A04EF7

RGB 160 78 247

HSL 269.11, 0.91%, 0.64%

LAB 51.43, 64.35, -71.44

 

CMYK 0 / 68 / 67 / 3

HEX #F74E51

RGB 247 78 81

HSL 358.93, 0.91%, 0.64%

LAB 57.86, 64.17, 35.56

 

CMYK 33 / 0 / 68 / 3

HEX #A6F74E

RGB 166 247 78

HSL 88.76, 0.91%, 0.64%

LAB 89.48, -50.04, 69.97

 

Description

Color code: HEX #50F8F7 | qconv.com Color code: HEX #50F8F7 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 248 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 248 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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RAL® to PANTONE®

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PANTONE® to HKS®

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PANTONE® to Sherwin Williams®

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Sherwin Williams® to CMYK

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NCS® to HKS®

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NCS® to PANTONE®

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convert from NCS-number (S0000-X00X) to Sherwin Williams®-number (SW 0000)

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