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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #50B2D9 it is the complementary color #AF4D26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #50B2D9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #50B2D9: #55B2D4, #66C4E7, #77D6FA, #88E8FF and #99FAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #50B2D9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #50B2D9: #50B2D9, #3FA0C6, #2E8EB3, #1D7CA0 and #0C6A8D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 18 / 0 / 15

HEX #50B2D9

RGB 80 178 217

HSL 197.08, 0.64%, 0.58%

LAB 68.43, -16.98, -28.2

 

Complementary color

CMYK 0 / 56 / 78 / 31

HEX #AF4D26

RGB 175 77 38

HSL 17.08, 0.64%, 0.42%

LAB 45.03, 37.69, 41.3

 

CMYK 60 / 16 / 0 / 17

HEX #55B2D4

RGB 85 178 212

HSL 196.06, 0.6%, 0.58%

LAB 68.41, -17.62, -25.48

 

CMYK 56 / 15 / 0 / 9

HEX #66C4E7

RGB 102 196 231

HSL 196.28, 0.73%, 0.65%

LAB 74.87, -18.11, -25.87

 

CMYK 52 / 14 / 0 / 2

HEX #77D6FA

RGB 119 214 250

HSL 196.49, 0.93%, 0.72%

LAB 81.25, -18.49, -26.24

 

CMYK 47 / 9 / 0 / 0

HEX #88E8FF

RGB 136 232 255

HSL 191.6, 1%, 0.77%

LAB 87.08, -22.51, -19.96

 

CMYK 40 / 2 / 0 / 0

HEX #99FAFF

RGB 153 250 255

HSL 182.94, 1%, 0.8%

LAB 92.74, -27.33, -11.4

 

CMYK 63 / 18 / 0 / 15

HEX #50B2D9

RGB 80 178 217

HSL 197.08, 0.64%, 0.58%

LAB 68.43, -16.98, -28.2

 

CMYK 68 / 19 / 0 / 22

HEX #3FA0C6

RGB 63 160 198

HSL 196.89, 0.54%, 0.51%

LAB 61.89, -16.18, -27.8

 

CMYK 74 / 21 / 0 / 30

HEX #2E8EB3

RGB 46 142 179

HSL 196.69, 0.59%, 0.44%

LAB 55.26, -15.12, -27.35

 

CMYK 82 / 23 / 0 / 37

HEX #1D7CA0

RGB 29 124 160

HSL 196.49, 0.69%, 0.37%

LAB 48.53, -13.71, -26.83

 

CMYK 91 / 25 / 0 / 45

HEX #0C6A8D

RGB 12 106 141

HSL 196.28, 0.84%, 0.3%

LAB 41.7, -11.79, -26.23

 

CMYK 63 / 18 / 0 / 15

HEX #50B2D9

RGB 80 178 217

HSL 197.08, 0.64%, 0.58%

LAB 68.43, -16.98, -28.2

 

CMYK 63 / 29 / 0 / 15

HEX #4F9AD8

RGB 79 154 216

HSL 207.15, 0.64%, 0.58%

LAB 61.42, -4.32, -38.53

 

CMYK 63 / 39 / 0 / 15

HEX #4F83D8

RGB 79 131 216

HSL 217.23, 0.64%, 0.58%

LAB 54.92, 9.17, -48.78

 

CMYK 63 / 50 / 0 / 15

HEX #4F6DD8

RGB 79 109 216

HSL 226.86, 0.64%, 0.58%

LAB 48.95, 22.71, -58.33

 

CMYK 63 / 60 / 0 / 15

HEX #4F56D8

RGB 79 86 216

HSL 236.93, 0.64%, 0.58%

LAB 43.18, 37.01, -67.69

 

CMYK 63 / 18 / 0 / 15

HEX #50B2D9

RGB 80 178 217

HSL 197.08, 0.64%, 0.58%

LAB 68.43, -16.98, -28.2

 

CMYK 62 / 15 / 0 / 95

HEX #050B0D

RGB 5 11 13

HSL 195, 0.44%, 0.04%

LAB 2.72, -1.26, -1.4

 

CMYK 63 / 19 / 0 / 75

HEX #183440

RGB 24 52 64

HSL 198, 0.45%, 0.17%

LAB 20.13, -6.42, -10.74

 

CMYK 63 / 18 / 0 / 55

HEX #2A5E73

RGB 42 94 115

HSL 197.26, 0.46%, 0.31%

LAB 37.36, -10.42, -17.09

 

CMYK 63 / 18 / 0 / 35

HEX #3D88A6

RGB 61 136 166

HSL 197.14, 0.46%, 0.45%

LAB 53.33, -13.8, -22.82

 

CMYK 63 / 18 / 0 / 15

HEX #50B2D9

RGB 80 178 217

HSL 197.08, 0.64%, 0.58%

LAB 68.43, -16.98, -28.2

 

CMYK 33 / 63 / 0 / 15

HEX #914FD8

RGB 145 79 216

HSL 268.91, 0.64%, 0.58%

LAB 47.71, 53.52, -60.05

 

CMYK 0 / 7 / 63 / 15

HEX #D8C84F

RGB 216 200 79

HSL 52.99, 0.64%, 0.58%

LAB 79.88, -8.62, 60.57

 

CMYK 63 / 18 / 0 / 15

HEX #50B2D9

RGB 80 178 217

HSL 197.08, 0.64%, 0.58%

LAB 68.43, -16.98, -28.2

 

CMYK 0 / 63 / 18 / 15

HEX #D84FB1

RGB 216 79 177

HSL 317.08, 0.64%, 0.58%

LAB 55.45, 63.75, -24.73

 

CMYK 18 / 0 / 63 / 15

HEX #B1D84F

RGB 177 216 79

HSL 77.08, 0.64%, 0.58%

LAB 81.3, -32.34, 61.21

 

CMYK 63 / 18 / 0 / 15

HEX #50B2D9

RGB 80 178 217

HSL 197.08, 0.64%, 0.58%

LAB 68.43, -16.98, -28.2

 

CMYK 33 / 63 / 0 / 15

HEX #914FD8

RGB 145 79 216

HSL 268.91, 0.64%, 0.58%

LAB 47.71, 53.52, -60.05

 

CMYK 0 / 45 / 63 / 15

HEX #D8764F

RGB 216 118 79

HSL 17.08, 0.64%, 0.58%

LAB 60, 34.89, 38.12

 

CMYK 31 / 0 / 63 / 15

HEX #96D84F

RGB 150 216 79

HSL 88.91, 0.64%, 0.58%

LAB 79.7, -42.43, 59.02

 

CMYK 63 / 18 / 0 / 15

HEX #50B2D9

RGB 80 178 217

HSL 197.08, 0.64%, 0.58%

LAB 68.43, -16.98, -28.2

 

CMYK 14 / 63 / 0 / 15

HEX #BA4FD8

RGB 186 79 216

HSL 286.86, 0.64%, 0.58%

LAB 52.94, 62.74, -51.38

 

CMYK 0 / 45 / 63 / 15

HEX #D8764F

RGB 216 118 79

HSL 17.08, 0.64%, 0.58%

LAB 60, 34.89, 38.12

 

CMYK 50 / 0 / 63 / 15

HEX #6DD84F

RGB 109 216 79

HSL 106.86, 0.64%, 0.58%

LAB 77.83, -55.62, 56.43

 

Description

Color code: HEX #50B2D9 | qconv.com Color code: HEX #50B2D9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 178 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 178 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 18 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 18% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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