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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #50AE05 it is the complementary color #AF51FA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #50AE05. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #50AE05: #55AE00, #66C013, #77D226, #88E439 and #99F64C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #50AE05. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #50AE05: #50AE05, #3F9C00, #2E8A00, #1D7800 and #0C6600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 97 / 32

HEX #50AE05

RGB 80 174 5

HSL 93.37, 0.94%, 0.35%

LAB 63.33, -52.34, 63.55

 

Complementary color

CMYK 30 / 68 / 0 / 2

HEX #AF51FA

RGB 175 81 250

HSL 273.37, 0.94%, 0.65%

LAB 53.92, 66.56, -68.98

 

CMYK 51 / 0 / 100 / 32

HEX #55AE00

RGB 85 174 0

HSL 90.69, 1%, 0.34%

LAB 63.51, -50.97, 64.43

 

CMYK 47 / 0 / 90 / 25

HEX #66C013

RGB 102 192 19

HSL 91.21, 0.82%, 0.41%

LAB 69.87, -52.17, 67.34

 

CMYK 43 / 0 / 82 / 18

HEX #77D226

RGB 119 210 38

HSL 91.74, 0.69%, 0.49%

LAB 76.16, -53.07, 69.03

 

CMYK 40 / 0 / 75 / 11

HEX #88E439

RGB 136 228 57

HSL 92.28, 0.76%, 0.56%

LAB 82.39, -53.7, 69.63

 

CMYK 38 / 0 / 69 / 4

HEX #99F64C

RGB 153 246 76

HSL 92.82, 0.9%, 0.63%

LAB 88.55, -54.13, 69.54

 

CMYK 54 / 0 / 97 / 32

HEX #50AE05

RGB 80 174 5

HSL 93.37, 0.94%, 0.35%

LAB 63.33, -52.34, 63.55

 

CMYK 60 / 0 / 100 / 39

HEX #3F9C00

RGB 63 156 0

HSL 95.77, 1%, 0.31%

LAB 56.91, -50.61, 58.9

 

CMYK 67 / 0 / 100 / 46

HEX #2E8A00

RGB 46 138 0

HSL 100, 1%, 0.27%

LAB 50.4, -48.49, 53.53

 

CMYK 76 / 0 / 100 / 53

HEX #1D7800

RGB 29 120 0

HSL 105.5, 1%, 0.24%

LAB 43.79, -45.93, 48.1

 

CMYK 88 / 0 / 100 / 60

HEX #0C6600

RGB 12 102 0

HSL 112.94, 1%, 0.2%

LAB 37.08, -42.66, 42.62

 

CMYK 54 / 0 / 97 / 32

HEX #50AE05

RGB 80 174 5

HSL 93.37, 0.94%, 0.35%

LAB 63.33, -52.34, 63.55

 

CMYK 70 / 0 / 97 / 32

HEX #34AD05

RGB 52 173 5

HSL 103.21, 0.94%, 0.35%

LAB 62.19, -58.75, 62.29

 

CMYK 86 / 0 / 97 / 32

HEX #18AD05

RGB 24 173 5

HSL 113.21, 0.94%, 0.35%

LAB 61.73, -62.79, 61.73

 

CMYK 97 / 0 / 92 / 32

HEX #05AD0D

RGB 5 173 13

HSL 122.86, 0.94%, 0.35%

LAB 61.61, -63.85, 60.48

 

CMYK 97 / 0 / 76 / 32

HEX #05AD29

RGB 5 173 41

HSL 132.86, 0.94%, 0.35%

LAB 61.72, -62.39, 53.54

 

CMYK 54 / 0 / 97 / 32

HEX #50AE05

RGB 80 174 5

HSL 93.37, 0.94%, 0.35%

LAB 63.33, -52.34, 63.55

 

CMYK 54 / 0 / 97 / 12

HEX #67E106

RGB 103 225 6

HSL 93.42, 0.95%, 0.45%

LAB 80.04, -64.13, 77.16

 

CMYK 52 / 0 / 95 / 92

HEX #0A1501

RGB 10 21 1

HSL 93, 0.91%, 0.04%

LAB 5.45, -7.14, 7.62

 

CMYK 54 / 0 / 97 / 72

HEX #214802

RGB 33 72 2

HSL 93.43, 0.95%, 0.15%

LAB 26.63, -26.51, 33.62

 

CMYK 54 / 0 / 97 / 52

HEX #397B04

RGB 57 123 4

HSL 93.28, 0.94%, 0.25%

LAB 45.7, -39.8, 49.11

 

CMYK 54 / 0 / 97 / 32

HEX #50AE05

RGB 80 174 5

HSL 93.37, 0.94%, 0.35%

LAB 63.33, -52.34, 63.55

 

CMYK 97 / 0 / 24 / 32

HEX #05AD83

RGB 5 173 131

HSL 165, 0.94%, 0.35%

LAB 62.98, -47.53, 11.21

 

CMYK 0 / 97 / 15 / 32

HEX #AD0593

RGB 173 5 147

HSL 309.29, 0.94%, 0.35%

LAB 39.75, 69.26, -31.91

 

CMYK 54 / 0 / 97 / 32

HEX #50AE05

RGB 80 174 5

HSL 93.37, 0.94%, 0.35%

LAB 63.33, -52.34, 63.55

 

CMYK 97 / 54 / 0 / 32

HEX #0550AD

RGB 5 80 173

HSL 213.21, 0.94%, 0.35%

LAB 35.57, 17.43, -55.13

 

CMYK 0 / 97 / 54 / 32

HEX #AD0550

RGB 173 5 80

HSL 333.21, 0.94%, 0.35%

LAB 37.06, 62.27, 6.18

 

CMYK 54 / 0 / 97 / 32

HEX #50AE05

RGB 80 174 5

HSL 93.37, 0.94%, 0.35%

LAB 63.33, -52.34, 63.55

 

CMYK 97 / 0 / 24 / 32

HEX #05AD83

RGB 5 173 131

HSL 165, 0.94%, 0.35%

LAB 62.98, -47.53, 11.21

 

CMYK 44 / 97 / 0 / 32

HEX #6105AD

RGB 97 5 173

HSL 272.86, 0.94%, 0.35%

LAB 28.56, 62.4, -66.38

 

CMYK 0 / 97 / 73 / 32

HEX #AD052F

RGB 173 5 47

HSL 345, 0.94%, 0.35%

LAB 36.36, 60.37, 26.53

 

CMYK 54 / 0 / 97 / 32

HEX #50AE05

RGB 80 174 5

HSL 93.37, 0.94%, 0.35%

LAB 63.33, -52.34, 63.55

 

CMYK 97 / 5 / 0 / 32

HEX #05A4AD

RGB 5 164 173

HSL 183.21, 0.94%, 0.35%

LAB 61.31, -31.52, -14.74

 

CMYK 44 / 97 / 0 / 32

HEX #6105AD

RGB 97 5 173

HSL 272.86, 0.94%, 0.35%

LAB 28.56, 62.4, -66.38

 

CMYK 0 / 92 / 97 / 32

HEX #AD0D05

RGB 173 13 5

HSL 2.86, 0.94%, 0.35%

LAB 36.33, 58.35, 48.37

 

Description

Color code: HEX #50AE05 | qconv.com Color code: HEX #50AE05 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 174 green and 5 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 174 5 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 97 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 97% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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