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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5090F1 it is the complementary color #AF6F0E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5090F1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #5090F1: #5590EC, #66A2FF, #77B4FF, #88C6FF and #99D8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5090F1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #5090F1: #5090F1, #3F7EDE, #2E6CCB, #1D5AB8 and #0C48A5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 40 / 0 / 5

HEX #5090F1

RGB 80 144 241

HSL 216.15, 0.85%, 0.63%

LAB 59.89, 10.1, -54.8

 

Complementary color

CMYK 0 / 37 / 92 / 31

HEX #AF6F0E

RGB 175 111 14

HSL 36.15, 0.85%, 0.37%

LAB 52.41, 18.68, 56.63

 

CMYK 64 / 39 / 0 / 7

HEX #5590EC

RGB 85 144 236

HSL 216.56, 0.8%, 0.63%

LAB 59.83, 9.21, -52.13

 

CMYK 60 / 36 / 0 / 0

HEX #66A2FF

RGB 102 162 255

HSL 216.47, 1%, 0.7%

LAB 66.43, 7.95, -52.03

 

CMYK 53 / 29 / 0 / 0

HEX #77B4FF

RGB 119 180 255

HSL 213.09, 1%, 0.73%

LAB 72.08, 1.1, -43.08

 

CMYK 47 / 22 / 0 / 0

HEX #88C6FF

RGB 136 198 255

HSL 208.74, 1%, 0.77%

LAB 77.78, -4.96, -34.16

 

CMYK 40 / 15 / 0 / 0

HEX #99D8FF

RGB 153 216 255

HSL 202.94, 1%, 0.8%

LAB 83.5, -10.34, -25.32

 

CMYK 67 / 40 / 0 / 5

HEX #5090F1

RGB 80 144 241

HSL 216.15, 0.85%, 0.63%

LAB 59.89, 10.1, -54.8

 

CMYK 72 / 43 / 0 / 13

HEX #3F7EDE

RGB 63 126 222

HSL 216.23, 0.71%, 0.56%

LAB 53.22, 11.81, -54.9

 

CMYK 77 / 47 / 0 / 20

HEX #2E6CCB

RGB 46 108 203

HSL 216.31, 0.63%, 0.49%

LAB 46.47, 13.93, -54.98

 

CMYK 84 / 51 / 0 / 28

HEX #1D5AB8

RGB 29 90 184

HSL 216.39, 0.73%, 0.42%

LAB 39.64, 16.57, -55.01

 

CMYK 93 / 56 / 0 / 35

HEX #0C48A5

RGB 12 72 165

HSL 216.47, 0.86%, 0.35%

LAB 32.77, 19.88, -54.91

 

CMYK 67 / 40 / 0 / 5

HEX #5090F1

RGB 80 144 241

HSL 216.15, 0.85%, 0.63%

LAB 59.89, 10.1, -54.8

 

CMYK 67 / 51 / 0 / 6

HEX #5075F0

RGB 80 117 240

HSL 226.13, 0.84%, 0.63%

LAB 52.64, 26.18, -65.88

 

CMYK 67 / 62 / 0 / 6

HEX #505BF0

RGB 80 91 240

HSL 235.88, 0.84%, 0.63%

LAB 46.28, 42.11, -76.21

 

CMYK 60 / 67 / 0 / 6

HEX #6050F0

RGB 96 80 240

HSL 246, 0.84%, 0.63%

LAB 44.96, 50.69, -78.32

 

CMYK 49 / 67 / 0 / 6

HEX #7B50F0

RGB 123 80 240

HSL 256.13, 0.84%, 0.63%

LAB 47.29, 54.94, -74.43

 

CMYK 67 / 40 / 0 / 5

HEX #5090F1

RGB 80 144 241

HSL 216.15, 0.85%, 0.63%

LAB 59.89, 10.1, -54.8

 

CMYK 68 / 41 / 0 / 85

HEX #0C1625

RGB 12 22 37

HSL 216, 0.51%, 0.1%

LAB 7.1, 1.06, -11.7

 

CMYK 67 / 40 / 0 / 65

HEX #1D3558

RGB 29 53 88

HSL 215.59, 0.5%, 0.23%

LAB 21.99, 3.26, -23.9

 

CMYK 67 / 40 / 0 / 45

HEX #2E538B

RGB 46 83 139

HSL 216.13, 0.5%, 0.36%

LAB 35.26, 5.91, -35.09

 

CMYK 67 / 40 / 0 / 25

HEX #3F72BE

RGB 63 114 190

HSL 215.91, 0.5%, 0.5%

LAB 48.02, 7.75, -44.99

 

CMYK 67 / 40 / 0 / 5

HEX #5090F1

RGB 80 144 241

HSL 216.15, 0.85%, 0.63%

LAB 59.89, 10.1, -54.8

 

CMYK 13 / 67 / 0 / 6

HEX #D050F0

RGB 208 80 240

HSL 288, 0.84%, 0.63%

LAB 57.5, 71.76, -57.43

 

CMYK 13 / 0 / 67 / 6

HEX #D0F050

RGB 208 240 80

HSL 72, 0.84%, 0.63%

LAB 90, -31.3, 70.55

 

CMYK 67 / 40 / 0 / 5

HEX #5090F1

RGB 80 144 241

HSL 216.15, 0.85%, 0.63%

LAB 59.89, 10.1, -54.8

 

CMYK 0 / 67 / 40 / 6

HEX #F05090

RGB 240 80 144

HSL 336, 0.84%, 0.63%

LAB 58.3, 66.06, -0.8

 

CMYK 40 / 0 / 67 / 6

HEX #90F050

RGB 144 240 80

HSL 96, 0.84%, 0.63%

LAB 86.42, -54.35, 65.71

 

CMYK 67 / 40 / 0 / 5

HEX #5090F1

RGB 80 144 241

HSL 216.15, 0.85%, 0.63%

LAB 59.89, 10.1, -54.8

 

CMYK 13 / 67 / 0 / 6

HEX #D050F0

RGB 208 80 240

HSL 288, 0.84%, 0.63%

LAB 57.5, 71.76, -57.43

 

CMYK 0 / 27 / 67 / 6

HEX #F0B050

RGB 240 176 80

HSL 36, 0.84%, 0.63%

LAB 76.16, 14.05, 56.81

 

CMYK 53 / 0 / 67 / 6

HEX #70F050

RGB 112 240 80

HSL 108, 0.84%, 0.63%

LAB 85.17, -63.62, 64.01

 

CMYK 67 / 40 / 0 / 5

HEX #5090F1

RGB 80 144 241

HSL 216.15, 0.85%, 0.63%

LAB 59.89, 10.1, -54.8

 

CMYK 0 / 67 / 7 / 6

HEX #F050E0

RGB 240 80 224

HSL 306, 0.84%, 0.63%

LAB 61.35, 76.23, -42.08

 

CMYK 0 / 27 / 67 / 6

HEX #F0B050

RGB 240 176 80

HSL 36, 0.84%, 0.63%

LAB 76.16, 14.05, 56.81

 

CMYK 67 / 0 / 60 / 6

HEX #50F060

RGB 80 240 96

HSL 126, 0.84%, 0.63%

LAB 84.42, -69.14, 56.38

 

Description

Color code: HEX #5090F1 | qconv.com Color code: HEX #5090F1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 144 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 144 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 40 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 40% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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