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Color name
HEX #508BDF

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #508BDF it is the complementary color #AF7420. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #508BDF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #508BDF shade: #558BDA, #669DED, #77AFFF, #88C1FF and #99D3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #508BDF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #508BDF shade: #508BDF, #3F79CC, #2E67B9, #1D55A6 and #0C4393

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #508BDF shade: #4E8ADF, #4E63DF, #614EDF, #874EDF and #AE4EDF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #508BDF shade: #4E8ADF, #4E63DF and #4E4EDF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #508BDF shade matches the following richer shades: #4E8ADF and #3D87F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #508BDF shade: #4E8ADF, #5F8DCE, #7090BD, #8193AC and #92969B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #508BDF shade: #4ED7DF, #4EB1DF, #4E8ADF, #4E64DF and #5F4EDF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #508BDF shade: #2260B9, #2B73D8, #4E8ADF, #71A1E5 and #94B8EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #508BDF shade: #508BDF, #BF4EDF and #C4DF4E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #508BDF shade: #508BDF, #DF4E8A and #8ADF4E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #508BDF shade: #508BDF, #BF4EDF, #DFA24E and #6EDF4E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #508BDF shade: #508BDF, #DF4ED3, #DFA24E and #4EDF5A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 38 / 0 / 13

HEX #508BDF

RGB 80 139 223

HSL 215.24, 0.69%, 0.59%

LAB 57.56, 6.93, -48.52

 

Complementary color

CMYK 0 / 34 / 82 / 31

HEX #AF7420

RGB 175 116 32

HSL 35.24, 0.69%, 0.41%

LAB 53.72, 16.34, 52.19

 

CMYK 61 / 36 / 0 / 15

HEX #558BDA

RGB 85 139 218

HSL 215.64, 0.64%, 0.59%

LAB 57.52, 6.15, -45.77

 

CMYK 57 / 34 / 0 / 7

HEX #669DED

RGB 102 157 237

HSL 215.56, 0.79%, 0.66%

LAB 64.2, 5.08, -45.71

 

CMYK 53 / 31 / 0 / 0

HEX #77AFFF

RGB 119 175 255

HSL 215.29, 1%, 0.73%

LAB 70.73, 3.9, -45.2

 

CMYK 47 / 24 / 0 / 0

HEX #88C1FF

RGB 136 193 255

HSL 211.26, 1%, 0.77%

LAB 76.43, -2.26, -36.25

 

CMYK 40 / 17 / 0 / 0

HEX #99D3FF

RGB 153 211 255

HSL 205.88, 1%, 0.8%

LAB 82.15, -7.73, -27.37

 

CMYK 64 / 38 / 0 / 13

HEX #508BDF

RGB 80 139 223

HSL 215.24, 0.69%, 0.59%

LAB 57.56, 6.93, -48.52

 

CMYK 69 / 41 / 0 / 20

HEX #3F79CC

RGB 63 121 204

HSL 215.32, 0.58%, 0.52%

LAB 50.79, 8.43, -48.6

 

CMYK 75 / 44 / 0 / 27

HEX #2E67B9

RGB 46 103 185

HSL 215.4, 0.6%, 0.45%

LAB 43.92, 10.31, -48.67

 

CMYK 83 / 49 / 0 / 35

HEX #1D55A6

RGB 29 85 166

HSL 215.47, 0.7%, 0.38%

LAB 36.95, 12.72, -48.71

 

CMYK 92 / 54 / 0 / 42

HEX #0C4393

RGB 12 67 147

HSL 215.56, 0.85%, 0.31%

LAB 29.91, 15.86, -48.65

 

CMYK 65 / 38 / 0 / 13

HEX #4E8ADF

RGB 78 138 223

HSL 215.17, 0.69%, 0.59%

LAB 57.2, 7.19, -49.1

 

CMYK 65 / 56 / 0 / 13

HEX #4E63DF

RGB 78 99 223

HSL 231.31, 0.69%, 0.59%

LAB 46.8, 31.19, -65.77

 

CMYK 57 / 65 / 0 / 13

HEX #614EDF

RGB 97 78 223

HSL 247.86, 0.69%, 0.59%

LAB 43.24, 46.81, -71.52

 

CMYK 39 / 65 / 0 / 13

HEX #874EDF

RGB 135 78 223

HSL 263.59, 0.69%, 0.59%

LAB 46.88, 53.69, -65.44

 

CMYK 22 / 65 / 0 / 13

HEX #AE4EDF

RGB 174 78 223

HSL 279.72, 0.69%, 0.59%

LAB 51.58, 61.88, -57.61

 

CMYK 65 / 38 / 0 / 13

HEX #4E8ADF

RGB 78 138 223

HSL 215.17, 0.69%, 0.59%

LAB 57.2, 7.19, -49.1

 

CMYK 65 / 56 / 0 / 13

HEX #4E63DF

RGB 78 99 223

HSL 231.31, 0.69%, 0.59%

LAB 46.8, 31.19, -65.77

 

CMYK 65 / 65 / 0 / 13

HEX #4E4EDF

RGB 78 78 223

HSL 240, 0.69%, 0.59%

LAB 41.84, 44, -73.87

 

CMYK 65 / 38 / 0 / 13

HEX #4E8ADF

RGB 78 138 223

HSL 215.17, 0.69%, 0.59%

LAB 57.2, 7.19, -49.1

 

CMYK 75 / 44 / 0 / 6

HEX #3D87F0

RGB 61 135 240

HSL 215.2, 0.86%, 0.59%

LAB 56.69, 12.55, -59.4

 

CMYK 65 / 38 / 0 / 13

HEX #4E8ADF

RGB 78 138 223

HSL 215.17, 0.69%, 0.59%

LAB 57.2, 7.19, -49.1

 

CMYK 54 / 32 / 0 / 19

HEX #5F8DCE

RGB 95 141 206

HSL 215.14, 0.53%, 0.59%

LAB 57.98, 3.12, -38.28

 

CMYK 41 / 24 / 0 / 26

HEX #7090BD

RGB 112 144 189

HSL 215.06, 0.37%, 0.59%

LAB 59.03, 0.48, -26.97

 

CMYK 25 / 15 / 0 / 33

HEX #8193AC

RGB 129 147 172

HSL 214.88, 0.21%, 0.59%

LAB 60.35, -0.68, -15.23

 

CMYK 6 / 3 / 0 / 39

HEX #92969B

RGB 146 150 155

HSL 213.33, 0.04%, 0.59%

LAB 61.9, -0.44, -3.14

 

CMYK 65 / 4 / 0 / 13

HEX #4ED7DF

RGB 78 215 223

HSL 183.31, 0.69%, 0.59%

LAB 79.36, -33.96, -14.84

 

CMYK 65 / 21 / 0 / 13

HEX #4EB1DF

RGB 78 177 223

HSL 199.03, 0.69%, 0.59%

LAB 68.31, -14.9, -31.68

 

CMYK 65 / 38 / 0 / 13

HEX #4E8ADF

RGB 78 138 223

HSL 215.17, 0.69%, 0.59%

LAB 57.2, 7.19, -49.1

 

CMYK 65 / 55 / 0 / 13

HEX #4E64DF

RGB 78 100 223

HSL 230.9, 0.69%, 0.59%

LAB 47.06, 30.57, -65.37

 

CMYK 57 / 65 / 0 / 13

HEX #5F4EDF

RGB 95 78 223

HSL 247.03, 0.69%, 0.59%

LAB 43.08, 46.49, -71.79

 

CMYK 82 / 48 / 0 / 27

HEX #2260B9

RGB 34 96 185

HSL 215.36, 0.69%, 0.43%

LAB 41.55, 13.47, -52.51

 

CMYK 80 / 47 / 0 / 15

HEX #2B73D8

RGB 43 115 216

HSL 215.03, 0.69%, 0.51%

LAB 49.17, 14.1, -58.05

 

CMYK 65 / 38 / 0 / 13

HEX #4E8ADF

RGB 78 138 223

HSL 215.17, 0.69%, 0.59%

LAB 57.2, 7.19, -49.1

 

CMYK 51 / 30 / 0 / 10

HEX #71A1E5

RGB 113 161 229

HSL 215.17, 0.69%, 0.67%

LAB 65.48, 2.67, -39.26

 

CMYK 37 / 22 / 0 / 8

HEX #94B8EB

RGB 148 184 235

HSL 215.17, 0.69%, 0.75%

LAB 73.92, 0.23, -29.31

 

CMYK 64 / 38 / 0 / 13

HEX #508BDF

RGB 80 139 223

HSL 215.24, 0.69%, 0.59%

LAB 57.56, 6.93, -48.52

 

CMYK 14 / 65 / 0 / 13

HEX #BF4EDF

RGB 191 78 223

HSL 286.76, 0.69%, 0.59%

LAB 53.87, 65.65, -53.82

 

CMYK 12 / 0 / 65 / 13

HEX #C4DF4E

RGB 196 223 78

HSL 71.17, 0.69%, 0.59%

LAB 84.52, -28.21, 65.39

 

CMYK 64 / 38 / 0 / 13

HEX #508BDF

RGB 80 139 223

HSL 215.24, 0.69%, 0.59%

LAB 57.56, 6.93, -48.52

 

CMYK 0 / 65 / 38 / 13

HEX #DF4E8A

RGB 223 78 138

HSL 335.17, 0.69%, 0.59%

LAB 55.04, 61.29, -2.37

 

CMYK 38 / 0 / 65 / 13

HEX #8ADF4E

RGB 138 223 78

HSL 95.17, 0.69%, 0.59%

LAB 81.14, -49.59, 60.8

 

CMYK 64 / 38 / 0 / 13

HEX #508BDF

RGB 80 139 223

HSL 215.24, 0.69%, 0.59%

LAB 57.56, 6.93, -48.52

 

CMYK 14 / 65 / 0 / 13

HEX #BF4EDF

RGB 191 78 223

HSL 286.76, 0.69%, 0.59%

LAB 53.87, 65.65, -53.82

 

CMYK 0 / 27 / 65 / 13

HEX #DFA24E

RGB 223 162 78

HSL 34.76, 0.69%, 0.59%

LAB 70.93, 14.23, 51.46

 

CMYK 51 / 0 / 65 / 13

HEX #6EDF4E

RGB 110 223 78

HSL 106.76, 0.69%, 0.59%

LAB 79.98, -58.09, 59.2

 

CMYK 64 / 38 / 0 / 13

HEX #508BDF

RGB 80 139 223

HSL 215.24, 0.69%, 0.59%

LAB 57.56, 6.93, -48.52

 

CMYK 0 / 65 / 5 / 13

HEX #DF4ED3

RGB 223 78 211

HSL 304.97, 0.69%, 0.59%

LAB 57.88, 70.98, -40.36

 

CMYK 0 / 27 / 65 / 13

HEX #DFA24E

RGB 223 162 78

HSL 34.76, 0.69%, 0.59%

LAB 70.93, 14.23, 51.46

 

CMYK 65 / 0 / 60 / 13

HEX #4EDF5A

RGB 78 223 90

HSL 124.97, 0.69%, 0.59%

LAB 79.12, -64.44, 52.9

 

Description

Color code: HEX #508BDF | qconv.com Color code: HEX #508BDF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 139 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 139 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 38 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 38% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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