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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4FE389 it is the complementary color #B01C76. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4FE389. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #4FE389: #54E384, #65F597, #76FFAA, #87FFBD and #98FFD0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4FE389. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #4FE389: #4FE389, #3ED176, #2DBF63, #1CAD50 and #0B9B3D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 40 / 11

HEX #4FE389

RGB 79 227 137

HSL 143.51, 0.73%, 0.6%

LAB 80.96, -58.86, 32.72

 

Complementary color

CMYK 0 / 84 / 33 / 31

HEX #B01C76

RGB 176 28 118

HSL 323.51, 0.73%, 0.4%

LAB 40.19, 62.86, -13.28

 

CMYK 63 / 0 / 42 / 11

HEX #54E384

RGB 84 227 132

HSL 140.14, 0.72%, 0.61%

LAB 81.01, -58.78, 35.32

 

CMYK 59 / 0 / 38 / 4

HEX #65F597

RGB 101 245 151

HSL 140.83, 0.88%, 0.68%

LAB 87.15, -58.97, 33.95

 

CMYK 54 / 0 / 33 / 0

HEX #76FFAA

RGB 118 255 170

HSL 142.77, 1%, 0.73%

LAB 90.9, -55.86, 29.53

 

CMYK 47 / 0 / 26 / 0

HEX #87FFBD

RGB 135 255 189

HSL 147, 1%, 0.76%

LAB 91.84, -48.33, 21.28

 

CMYK 40 / 0 / 18 / 0

HEX #98FFD0

RGB 152 255 208

HSL 152.62, 1%, 0.8%

LAB 92.9, -40.27, 13.14

 

CMYK 65 / 0 / 40 / 11

HEX #4FE389

RGB 79 227 137

HSL 143.51, 0.73%, 0.6%

LAB 80.96, -58.86, 32.72

 

CMYK 70 / 0 / 44 / 18

HEX #3ED176

RGB 62 209 118

HSL 142.86, 0.62%, 0.53%

LAB 74.78, -58.39, 34.2

 

CMYK 76 / 0 / 48 / 25

HEX #2DBF63

RGB 45 191 99

HSL 142.19, 0.62%, 0.46%

LAB 68.55, -57.6, 35.76

 

CMYK 84 / 0 / 54 / 32

HEX #1CAD50

RGB 28 173 80

HSL 141.52, 0.72%, 0.39%

LAB 62.26, -56.35, 37.4

 

CMYK 93 / 0 / 61 / 39

HEX #0B9B3D

RGB 11 155 61

HSL 140.83, 0.87%, 0.33%

LAB 55.94, -54.45, 39.06

 

CMYK 65 / 0 / 40 / 11

HEX #4FE389

RGB 79 227 137

HSL 143.51, 0.73%, 0.6%

LAB 80.96, -58.86, 32.72

 

CMYK 66 / 0 / 30 / 11

HEX #4EE3A0

RGB 78 227 160

HSL 153.02, 0.73%, 0.6%

LAB 81.34, -54.65, 21.42

 

CMYK 66 / 0 / 19 / 11

HEX #4EE3B9

RGB 78 227 185

HSL 163.09, 0.73%, 0.6%

LAB 81.87, -49.15, 9.06

 

CMYK 66 / 0 / 7 / 11

HEX #4EE3D2

RGB 78 227 210

HSL 173.15, 0.73%, 0.6%

LAB 82.49, -42.96, -3.26

 

CMYK 66 / 3 / 0 / 11

HEX #4EDCE3

RGB 78 220 227

HSL 182.82, 0.73%, 0.6%

LAB 80.93, -35.18, -14.61

 

CMYK 65 / 0 / 40 / 11

HEX #4FE389

RGB 79 227 137

HSL 143.51, 0.73%, 0.6%

LAB 80.96, -58.86, 32.72

 

CMYK 65 / 0 / 39 / 91

HEX #08170E

RGB 8 23 14

HSL 144, 0.48%, 0.06%

LAB 6.29, -7.2, 3.34

 

CMYK 65 / 0 / 39 / 71

HEX #1A4A2D

RGB 26 74 45

HSL 143.75, 0.48%, 0.2%

LAB 27.59, -23.98, 12.61

 

CMYK 65 / 0 / 40 / 51

HEX #2C7D4B

RGB 44 125 75

HSL 142.96, 0.48%, 0.33%

LAB 46.59, -36.6, 20.22

 

CMYK 65 / 0 / 40 / 31

HEX #3DB06A

RGB 61 176 106

HSL 143.48, 0.49%, 0.46%

LAB 64.23, -48.16, 26.63

 

CMYK 65 / 0 / 40 / 11

HEX #4FE389

RGB 79 227 137

HSL 143.51, 0.73%, 0.6%

LAB 80.96, -58.86, 32.72

 

CMYK 66 / 38 / 0 / 11

HEX #4E8CE3

RGB 78 140 227

HSL 215.03, 0.73%, 0.6%

LAB 57.96, 7.36, -50.11

 

CMYK 0 / 66 / 64 / 11

HEX #E34E51

RGB 227 78 81

HSL 358.79, 0.73%, 0.6%

LAB 54.42, 57.85, 30.55

 

CMYK 65 / 0 / 40 / 11

HEX #4FE389

RGB 79 227 137

HSL 143.51, 0.73%, 0.6%

LAB 80.96, -58.86, 32.72

 

CMYK 41 / 66 / 0 / 11

HEX #874EE3

RGB 135 78 227

HSL 262.95, 0.73%, 0.6%

LAB 47.17, 54.71, -67.24

 

CMYK 0 / 41 / 66 / 11

HEX #E3874E

RGB 227 135 78

HSL 22.95, 0.73%, 0.6%

LAB 65.13, 30.29, 45.03

 

CMYK 65 / 0 / 40 / 11

HEX #4FE389

RGB 79 227 137

HSL 143.51, 0.73%, 0.6%

LAB 80.96, -58.86, 32.72

 

CMYK 66 / 38 / 0 / 11

HEX #4E8CE3

RGB 78 140 227

HSL 215.03, 0.73%, 0.6%

LAB 57.96, 7.36, -50.11

 

CMYK 0 / 66 / 25 / 11

HEX #E34EAA

RGB 227 78 170

HSL 322.95, 0.73%, 0.6%

LAB 56.76, 66.16, -18.5

 

CMYK 0 / 27 / 66 / 11

HEX #E3A54E

RGB 227 165 78

HSL 35.03, 0.73%, 0.6%

LAB 72.09, 14.31, 52.87

 

CMYK 65 / 0 / 40 / 11

HEX #4FE389

RGB 79 227 137

HSL 143.51, 0.73%, 0.6%

LAB 80.96, -58.86, 32.72

 

CMYK 66 / 58 / 0 / 11

HEX #4E5FE3

RGB 78 95 227

HSL 233.15, 0.73%, 0.6%

LAB 46.11, 35.03, -69.17

 

CMYK 0 / 66 / 25 / 11

HEX #E34EAA

RGB 227 78 170

HSL 322.95, 0.73%, 0.6%

LAB 56.76, 66.16, -18.5

 

CMYK 0 / 7 / 66 / 11

HEX #E3D24E

RGB 227 210 78

HSL 53.15, 0.73%, 0.6%

LAB 83.43, -9.16, 65

 

Description

Color code: HEX #4FE389 | qconv.com Color code: HEX #4FE389 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 227 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 227 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 40 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 40% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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