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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4F41D4 it is the complementary color #B0BE2B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4F41D4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #4F41D4: #5441CF, #6553E2, #7665F5, #8777FF and #9889FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4F41D4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #4F41D4: #4F41D4, #3E2FC1, #2D1DAE, #1C0B9B and #0B0088

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 69 / 0 / 17

HEX #4F41D4

RGB 79 65 212

HSL 245.71, 0.63%, 0.54%

LAB 38.19, 48.12, -73.54

 

Complementary color

CMYK 7 / 0 / 77 / 25

HEX #B0BE2B

RGB 176 190 43

HSL 65.71, 0.63%, 0.46%

LAB 73.7, -22.35, 66.66

 

CMYK 59 / 69 / 0 / 19

HEX #5441CF

RGB 84 65 207

HSL 248.03, 0.6%, 0.53%

LAB 38.15, 47.26, -70.71

 

CMYK 55 / 63 / 0 / 11

HEX #6553E2

RGB 101 83 226

HSL 247.55, 0.71%, 0.61%

LAB 44.86, 45.52, -70.56

 

CMYK 52 / 59 / 0 / 4

HEX #7665F5

RGB 118 101 245

HSL 247.08, 0.88%, 0.68%

LAB 51.56, 43.89, -70.31

 

CMYK 47 / 53 / 0 / 0

HEX #8777FF

RGB 135 119 255

HSL 247.06, 1%, 0.73%

LAB 57.62, 39.81, -65.98

 

CMYK 40 / 46 / 0 / 0

HEX #9889FF

RGB 152 137 255

HSL 247.63, 1%, 0.77%

LAB 63.17, 33.29, -57.03

 

CMYK 63 / 69 / 0 / 17

HEX #4F41D4

RGB 79 65 212

HSL 245.71, 0.63%, 0.54%

LAB 38.19, 48.12, -73.54

 

CMYK 68 / 76 / 0 / 24

HEX #3E2FC1

RGB 62 47 193

HSL 246.16, 0.61%, 0.47%

LAB 31.6, 49.99, -73.38

 

CMYK 74 / 83 / 0 / 32

HEX #2D1DAE

RGB 45 29 174

HSL 246.62, 0.71%, 0.4%

LAB 25.24, 51.5, -72.65

 

CMYK 82 / 93 / 0 / 39

HEX #1C0B9B

RGB 28 11 155

HSL 247.08, 0.87%, 0.33%

LAB 19.44, 51.85, -70.77

 

CMYK 92 / 100 / 0 / 47

HEX #0B0088

RGB 11 0 136

HSL 244.85, 1%, 0.27%

LAB 14.67, 49.76, -66.93

 

CMYK 63 / 69 / 0 / 17

HEX #4F41D4

RGB 79 65 212

HSL 245.71, 0.63%, 0.54%

LAB 38.19, 48.12, -73.54

 

CMYK 53 / 70 / 0 / 17

HEX #643FD3

RGB 100 63 211

HSL 255, 0.63%, 0.54%

LAB 39.53, 51.94, -70.71

 

CMYK 41 / 70 / 0 / 17

HEX #7D3FD3

RGB 125 63 211

HSL 265.14, 0.63%, 0.54%

LAB 42.18, 56.18, -66.26

 

CMYK 29 / 70 / 0 / 17

HEX #963FD3

RGB 150 63 211

HSL 275.27, 0.63%, 0.54%

LAB 45.28, 60.91, -61.09

 

CMYK 18 / 70 / 0 / 17

HEX #AE3FD3

RGB 174 63 211

HSL 285, 0.63%, 0.54%

LAB 48.58, 65.77, -55.6

 

CMYK 63 / 69 / 0 / 17

HEX #4F41D4

RGB 79 65 212

HSL 245.71, 0.63%, 0.54%

LAB 38.19, 48.12, -73.54

 

CMYK 63 / 75 / 0 / 97

HEX #030208

RGB 3 2 8

HSL 250, 0.6%, 0.02%

LAB 0.73, 1.1, -2.18

 

CMYK 63 / 69 / 0 / 77

HEX #16123B

RGB 22 18 59

HSL 245.85, 0.53%, 0.15%

LAB 8.3, 15.96, -25.92

 

CMYK 63 / 69 / 0 / 57

HEX #29226E

RGB 41 34 110

HSL 245.53, 0.53%, 0.28%

LAB 18.98, 27.41, -43.11

 

CMYK 63 / 70 / 0 / 37

HEX #3C31A1

RGB 60 49 161

HSL 245.89, 0.53%, 0.41%

LAB 28.72, 38.41, -59.02

 

CMYK 63 / 69 / 0 / 17

HEX #4F41D4

RGB 79 65 212

HSL 245.71, 0.63%, 0.54%

LAB 38.19, 48.12, -73.54

 

CMYK 0 / 70 / 20 / 17

HEX #D33FA9

RGB 211 63 169

HSL 317.03, 0.63%, 0.54%

LAB 52.14, 67.4, -25.23

 

CMYK 48 / 0 / 70 / 17

HEX #6ED33F

RGB 110 211 63

HSL 100.95, 0.63%, 0.54%

LAB 76.23, -54.77, 61.07

 

CMYK 63 / 69 / 0 / 17

HEX #4F41D4

RGB 79 65 212

HSL 245.71, 0.63%, 0.54%

LAB 38.19, 48.12, -73.54

 

CMYK 0 / 64 / 70 / 17

HEX #D34C3F

RGB 211 76 63

HSL 5.27, 0.63%, 0.54%

LAB 51.12, 52.4, 36.21

 

CMYK 70 / 0 / 64 / 17

HEX #3FD34C

RGB 63 211 76

HSL 125.27, 0.63%, 0.54%

LAB 74.93, -64.69, 54.11

 

CMYK 63 / 69 / 0 / 17

HEX #4F41D4

RGB 79 65 212

HSL 245.71, 0.63%, 0.54%

LAB 38.19, 48.12, -73.54

 

CMYK 0 / 70 / 20 / 17

HEX #D33FA9

RGB 211 63 169

HSL 317.03, 0.63%, 0.54%

LAB 52.14, 67.4, -25.23

 

CMYK 6 / 0 / 70 / 17

HEX #C7D33F

RGB 199 211 63

HSL 64.86, 0.63%, 0.54%

LAB 81.34, -22.11, 67.87

 

CMYK 70 / 0 / 50 / 17

HEX #3FD369

RGB 63 211 105

HSL 137.03, 0.63%, 0.54%

LAB 75.24, -61.01, 41.24

 

CMYK 63 / 69 / 0 / 17

HEX #4F41D4

RGB 79 65 212

HSL 245.71, 0.63%, 0.54%

LAB 38.19, 48.12, -73.54

 

CMYK 0 / 70 / 41 / 17

HEX #D33F7D

RGB 211 63 125

HSL 334.86, 0.63%, 0.54%

LAB 50.55, 62.21, -1.43

 

CMYK 6 / 0 / 70 / 17

HEX #C7D33F

RGB 199 211 63

HSL 64.86, 0.63%, 0.54%

LAB 81.34, -22.11, 67.87

 

CMYK 70 / 0 / 29 / 17

HEX #3FD396

RGB 63 211 150

HSL 155.27, 0.63%, 0.54%

LAB 75.98, -52.83, 19.2

 

Description

Color code: HEX #4F41D4 | qconv.com Color code: HEX #4F41D4 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 65 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 65 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 69 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 69% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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