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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4F3886 it is the complementary color #B0C779. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4F3886. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4F3886 shade: #543881, #654A94, #765CA7, #876EBA and #9880CD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4F3886. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4F3886 shade: #4F3886, #3E2673, #2D1460, #1C024D and #0B003A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4F3886 shade: #4E3885, #633885, #783885, #85387D and #853868

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4F3886 shade: #4E3885, #3A3885 and #383885

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4F3886 shade matches the following richer shades: #4E3885, #482894, #4219A4 and #3C0AB3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4F3886 shade: #4E3885, #554776, #5B5667, #616557 and #687548

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4F3886 shade: #384B85, #393885, #4E3885, #623885 and #773885

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4F3886 shade: #2C1F4B, #3D2B68, #4E3885, #6044A2 and #7457B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4F3886 shade: #4F3886, #853860 and #418538

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4F3886 shade: #4F3886, #854E38 and #38854E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4F3886 shade: #4F3886, #853860, #6F8538 and #38855D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4F3886 shade: #4F3886, #853848, #6F8538 and #388574

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 58 / 0 / 47

HEX #4F3886

RGB 79 56 134

HSL 257.69, 0.41%, 0.37%

LAB 29.94, 29.38, -40.39

 

Complementary color

CMYK 12 / 0 / 39 / 22

HEX #B0C779

RGB 176 199 121

HSL 77.69, 0.41%, 0.63%

LAB 76.96, -20.5, 36.48

 

CMYK 35 / 57 / 0 / 49

HEX #543881

RGB 84 56 129

HSL 263.01, 0.39%, 0.36%

LAB 30.15, 29.24, -36.91

 

CMYK 32 / 50 / 0 / 42

HEX #654A94

RGB 101 74 148

HSL 261.89, 0.33%, 0.44%

LAB 37.49, 28.13, -36.78

 

CMYK 29 / 45 / 0 / 35

HEX #765CA7

RGB 118 92 167

HSL 260.8, 0.3%, 0.51%

LAB 44.65, 27.14, -36.67

 

CMYK 27 / 41 / 0 / 27

HEX #876EBA

RGB 135 110 186

HSL 259.74, 0.36%, 0.58%

LAB 51.66, 26.25, -36.6

 

CMYK 26 / 38 / 0 / 20

HEX #9880CD

RGB 152 128 205

HSL 258.7, 0.44%, 0.65%

LAB 58.53, 25.45, -36.56

 

CMYK 41 / 58 / 0 / 47

HEX #4F3886

RGB 79 56 134

HSL 257.69, 0.41%, 0.37%

LAB 29.94, 29.38, -40.39

 

CMYK 46 / 67 / 0 / 55

HEX #3E2673

RGB 62 38 115

HSL 258.7, 0.5%, 0.3%

LAB 22.47, 30.73, -40.55

 

CMYK 53 / 79 / 0 / 62

HEX #2D1460

RGB 45 20 96

HSL 259.74, 0.66%, 0.23%

LAB 14.97, 31.97, -40.46

 

CMYK 64 / 97 / 0 / 70

HEX #1C024D

RGB 28 2 77

HSL 260.8, 0.95%, 0.15%

LAB 7.46, 33.13, -39.99

 

CMYK 81 / 100 / 0 / 77

HEX #0B003A

RGB 11 0 58

HSL 251.38, 1%, 0.11%

LAB 3.4, 22.22, -33.19

 

CMYK 41 / 58 / 0 / 48

HEX #4E3885

RGB 78 56 133

HSL 257.14, 0.41%, 0.37%

LAB 29.77, 28.84, -40.05

 

CMYK 26 / 58 / 0 / 48

HEX #633885

RGB 99 56 133

HSL 273.51, 0.41%, 0.37%

LAB 32.2, 34.36, -36.02

 

CMYK 10 / 58 / 0 / 48

HEX #783885

RGB 120 56 133

HSL 289.87, 0.41%, 0.37%

LAB 35.03, 40.22, -31.34

 

CMYK 0 / 58 / 6 / 48

HEX #85387D

RGB 133 56 125

HSL 306.23, 0.41%, 0.37%

LAB 36.55, 42.43, -23.88

 

CMYK 0 / 58 / 22 / 48

HEX #853868

RGB 133 56 104

HSL 322.6, 0.41%, 0.37%

LAB 35.62, 38.91, -12.13

 

CMYK 41 / 58 / 0 / 48

HEX #4E3885

RGB 78 56 133

HSL 257.14, 0.41%, 0.37%

LAB 29.77, 28.84, -40.05

 

CMYK 56 / 58 / 0 / 48

HEX #3A3885

RGB 58 56 133

HSL 241.56, 0.41%, 0.37%

LAB 27.9, 24.19, -43.15

 

CMYK 58 / 58 / 0 / 48

HEX #383885

RGB 56 56 133

HSL 240, 0.41%, 0.37%

LAB 27.74, 23.78, -43.42

 

CMYK 41 / 58 / 0 / 48

HEX #4E3885

RGB 78 56 133

HSL 257.14, 0.41%, 0.37%

LAB 29.77, 28.84, -40.05

 

CMYK 51 / 73 / 0 / 42

HEX #482894

RGB 72 40 148

HSL 257.78, 0.57%, 0.37%

LAB 26.83, 41.38, -54.13

 

CMYK 60 / 85 / 0 / 36

HEX #4219A4

RGB 66 25 164

HSL 257.7, 0.74%, 0.37%

LAB 25.36, 52.07, -66.35

 

CMYK 66 / 94 / 0 / 30

HEX #3C0AB3

RGB 60 10 179

HSL 257.75, 0.89%, 0.37%

LAB 25.05, 59.95, -75.92

 

CMYK 41 / 58 / 0 / 48

HEX #4E3885

RGB 78 56 133

HSL 257.14, 0.41%, 0.37%

LAB 29.77, 28.84, -40.05

 

CMYK 28 / 40 / 0 / 54

HEX #554776

RGB 85 71 118

HSL 257.87, 0.25%, 0.37%

LAB 33.45, 17.01, -24.81

 

CMYK 12 / 17 / 0 / 60

HEX #5B5667

RGB 91 86 103

HSL 257.65, 0.09%, 0.37%

LAB 37.59, 5.77, -9.04

 

CMYK 4 / 0 / 14 / 60

HEX #616557

RGB 97 101 87

HSL 77.14, 0.07%, 0.37%

LAB 42.06, -4.36, 7.4

 

CMYK 11 / 0 / 38 / 54

HEX #687548

RGB 104 117 72

HSL 77.33, 0.24%, 0.37%

LAB 47.15, -13, 23.24

 

CMYK 58 / 44 / 0 / 48

HEX #384B85

RGB 56 75 133

HSL 225.19, 0.41%, 0.37%

LAB 33.06, 11.07, -34.88

 

CMYK 57 / 58 / 0 / 48

HEX #393885

RGB 57 56 133

HSL 240.78, 0.41%, 0.37%

LAB 27.82, 23.99, -43.29

 

CMYK 41 / 58 / 0 / 48

HEX #4E3885

RGB 78 56 133

HSL 257.14, 0.41%, 0.37%

LAB 29.77, 28.84, -40.05

 

CMYK 26 / 58 / 0 / 48

HEX #623885

RGB 98 56 133

HSL 272.73, 0.41%, 0.37%

LAB 32.08, 34.09, -36.23

 

CMYK 11 / 58 / 0 / 48

HEX #773885

RGB 119 56 133

HSL 289.09, 0.41%, 0.37%

LAB 34.89, 39.94, -31.58

 

CMYK 41 / 59 / 0 / 71

HEX #2C1F4B

RGB 44 31 75

HSL 257.73, 0.42%, 0.21%

LAB 15.61, 18.15, -25.24

 

CMYK 41 / 59 / 0 / 59

HEX #3D2B68

RGB 61 43 104

HSL 257.7, 0.41%, 0.29%

LAB 22.72, 23.96, -33.06

 

CMYK 41 / 58 / 0 / 48

HEX #4E3885

RGB 78 56 133

HSL 257.14, 0.41%, 0.37%

LAB 29.77, 28.84, -40.05

 

CMYK 41 / 58 / 0 / 36

HEX #6044A2

RGB 96 68 162

HSL 257.87, 0.41%, 0.45%

LAB 36.42, 34.35, -46.95

 

CMYK 37 / 53 / 0 / 27

HEX #7457B9

RGB 116 87 185

HSL 257.76, 0.41%, 0.53%

LAB 44.28, 34.4, -47.85

 

CMYK 41 / 58 / 0 / 47

HEX #4F3886

RGB 79 56 134

HSL 257.69, 0.41%, 0.37%

LAB 29.94, 29.38, -40.39

 

CMYK 0 / 58 / 28 / 48

HEX #853860

RGB 133 56 96

HSL 328.83, 0.41%, 0.37%

LAB 35.32, 37.71, -7.52

 

CMYK 51 / 0 / 58 / 48

HEX #418538

RGB 65 133 56

HSL 112.99, 0.41%, 0.37%

LAB 49.72, -37.55, 34.52

 

CMYK 41 / 58 / 0 / 47

HEX #4F3886

RGB 79 56 134

HSL 257.69, 0.41%, 0.37%

LAB 29.94, 29.38, -40.39

 

CMYK 0 / 41 / 58 / 48

HEX #854E38

RGB 133 78 56

HSL 17.14, 0.41%, 0.37%

LAB 39.11, 20.82, 22.82

 

CMYK 58 / 0 / 41 / 48

HEX #38854E

RGB 56 133 78

HSL 137.14, 0.41%, 0.37%

LAB 49.7, -36.64, 22.69

 

CMYK 41 / 58 / 0 / 47

HEX #4F3886

RGB 79 56 134

HSL 257.69, 0.41%, 0.37%

LAB 29.94, 29.38, -40.39

 

CMYK 0 / 58 / 28 / 48

HEX #853860

RGB 133 56 96

HSL 328.83, 0.41%, 0.37%

LAB 35.32, 37.71, -7.52

 

CMYK 17 / 0 / 58 / 48

HEX #6F8538

RGB 111 133 56

HSL 77.14, 0.41%, 0.37%

LAB 52.33, -20.44, 38.22

 

CMYK 58 / 0 / 30 / 48

HEX #38855D

RGB 56 133 93

HSL 148.83, 0.41%, 0.37%

LAB 49.99, -33.63, 14.59

 

CMYK 41 / 58 / 0 / 47

HEX #4F3886

RGB 79 56 134

HSL 257.69, 0.41%, 0.37%

LAB 29.94, 29.38, -40.39

 

CMYK 0 / 58 / 46 / 48

HEX #853848

RGB 133 56 72

HSL 347.53, 0.41%, 0.37%

LAB 34.56, 34.66, 6.74

 

CMYK 17 / 0 / 58 / 48

HEX #6F8538

RGB 111 133 56

HSL 77.14, 0.41%, 0.37%

LAB 52.33, -20.44, 38.22

 

CMYK 58 / 0 / 13 / 48

HEX #388574

RGB 56 133 116

HSL 166.75, 0.41%, 0.37%

LAB 50.54, -28.08, 2.05

 

Description

Color code: HEX #4F3886 | qconv.com Color code: HEX #4F3886 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 56 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 56 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 58 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 58% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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