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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5B5667 it is the complementary color #A4A998. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5B5667. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5B5667 shade: #605662, #716875, #827A88, #938C9B and #A49EAE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5B5667. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5B5667 shade: #5B5667, #4A4454, #393241, #28202E and #170E1B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5B5667 shade: #5B5667, #5F5667, #645667, #675665 and #675661

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5B5667 shade: #5B5667 and #565667

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5B5667 shade matches the following richer shades: #5B5667, #554776, #4E3785, #482895 and #4219A4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5B5667 shade: #5B5667, #616558, #677448, #6E8439 and #74932A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5B5667 shade: #565A67, #565667, #5B5667, #5F5667 and #645667

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5B5667 shade: #33303A, #474350, #5B5667, #6F697D and #837D92

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5B5667 shade: #5B5667, #67565F and #586756

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5B5667 shade: #5B5667, #675B56 and #56675B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5B5667 shade: #5B5667, #67565F, #626756 and #56675E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5B5667 shade: #5B5667, #67565A, #626756 and #566763

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 17 / 0 / 60

HEX #5B5667

RGB 91 86 103

HSL 257.65, 0.09%, 0.37%

LAB 37.59, 5.77, -9.04

 

Complementary color

CMYK 3 / 0 / 10 / 34

HEX #A4A998

RGB 164 169 152

HSL 77.65, 0.09%, 0.63%

LAB 68.41, -4.91, 8.16

 

CMYK 2 / 12 / 0 / 62

HEX #605662

RGB 96 86 98

HSL 290, 0.07%, 0.36%

LAB 37.89, 6.55, -5.43

 

CMYK 3 / 11 / 0 / 54

HEX #716875

RGB 113 104 117

HSL 281.54, 0.06%, 0.43%

LAB 45.21, 6.17, -5.98

 

CMYK 4 / 10 / 0 / 47

HEX #827A88

RGB 130 122 136

HSL 274.29, 0.06%, 0.51%

LAB 52.33, 5.84, -6.5

 

CMYK 5 / 10 / 0 / 39

HEX #938C9B

RGB 147 140 155

HSL 268, 0.07%, 0.58%

LAB 59.27, 5.55, -7.02

 

CMYK 6 / 9 / 0 / 32

HEX #A49EAE

RGB 164 158 174

HSL 262.5, 0.09%, 0.65%

LAB 66.06, 5.27, -7.52

 

CMYK 12 / 17 / 0 / 60

HEX #5B5667

RGB 91 86 103

HSL 257.65, 0.09%, 0.37%

LAB 37.59, 5.77, -9.04

 

CMYK 12 / 19 / 0 / 67

HEX #4A4454

RGB 74 68 84

HSL 262.5, 0.11%, 0.3%

LAB 29.99, 6.16, -8.63

 

CMYK 12 / 23 / 0 / 75

HEX #393241

RGB 57 50 65

HSL 268, 0.13%, 0.23%

LAB 22.06, 6.64, -8.23

 

CMYK 13 / 30 / 0 / 82

HEX #28202E

RGB 40 32 46

HSL 274.29, 0.18%, 0.15%

LAB 13.72, 7.24, -7.87

 

CMYK 15 / 48 / 0 / 89

HEX #170E1B

RGB 23 14 27

HSL 281.54, 0.32%, 0.08%

LAB 5.2, 6.61, -6.83

 

CMYK 12 / 17 / 0 / 60

HEX #5B5667

RGB 91 86 103

HSL 257.65, 0.09%, 0.37%

LAB 37.59, 5.77, -9.04

 

CMYK 8 / 17 / 0 / 60

HEX #5F5667

RGB 95 86 103

HSL 271.76, 0.09%, 0.37%

LAB 37.96, 7.27, -8.44

 

CMYK 3 / 17 / 0 / 60

HEX #645667

RGB 100 86 103

HSL 289.41, 0.09%, 0.37%

LAB 38.45, 9.18, -7.65

 

CMYK 0 / 17 / 2 / 60

HEX #675665

RGB 103 86 101

HSL 307.06, 0.09%, 0.37%

LAB 38.69, 9.92, -6.03

 

CMYK 0 / 17 / 6 / 60

HEX #675661

RGB 103 86 97

HSL 321.18, 0.09%, 0.37%

LAB 38.55, 9.09, -3.74

 

CMYK 12 / 17 / 0 / 60

HEX #5B5667

RGB 91 86 103

HSL 257.65, 0.09%, 0.37%

LAB 37.59, 5.77, -9.04

 

CMYK 17 / 17 / 0 / 60

HEX #565667

RGB 86 86 103

HSL 240, 0.09%, 0.37%

LAB 37.14, 3.92, -9.76

 

CMYK 12 / 17 / 0 / 60

HEX #5B5667

RGB 91 86 103

HSL 257.65, 0.09%, 0.37%

LAB 37.59, 5.77, -9.04

 

CMYK 28 / 40 / 0 / 54

HEX #554776

RGB 85 71 118

HSL 257.87, 0.25%, 0.37%

LAB 33.45, 17.01, -24.81

 

CMYK 41 / 59 / 0 / 48

HEX #4E3785

RGB 78 55 133

HSL 257.69, 0.41%, 0.37%

LAB 29.53, 29.46, -40.44

 

CMYK 52 / 73 / 0 / 42

HEX #482895

RGB 72 40 149

HSL 257.61, 0.58%, 0.37%

LAB 26.92, 41.68, -54.6

 

CMYK 60 / 85 / 0 / 36

HEX #4219A4

RGB 66 25 164

HSL 257.7, 0.74%, 0.37%

LAB 25.36, 52.07, -66.35

 

CMYK 12 / 17 / 0 / 60

HEX #5B5667

RGB 91 86 103

HSL 257.65, 0.09%, 0.37%

LAB 37.59, 5.77, -9.04

 

CMYK 4 / 0 / 13 / 60

HEX #616558

RGB 97 101 88

HSL 78.46, 0.07%, 0.37%

LAB 42.08, -4.17, 6.83

 

CMYK 11 / 0 / 38 / 55

HEX #677448

RGB 103 116 72

HSL 77.73, 0.23%, 0.37%

LAB 46.77, -12.87, 22.73

 

CMYK 17 / 0 / 57 / 48

HEX #6E8439

RGB 110 132 57

HSL 77.6, 0.4%, 0.37%

LAB 51.96, -20.25, 37.29

 

CMYK 21 / 0 / 71 / 42

HEX #74932A

RGB 116 147 42

HSL 77.71, 0.56%, 0.37%

LAB 56.83, -26.5, 49.39

 

CMYK 17 / 13 / 0 / 60

HEX #565A67

RGB 86 90 103

HSL 225.88, 0.09%, 0.37%

LAB 38.32, 1.44, -7.98

 

CMYK 17 / 17 / 0 / 60

HEX #565667

RGB 86 86 103

HSL 240, 0.09%, 0.37%

LAB 37.14, 3.92, -9.76

 

CMYK 12 / 17 / 0 / 60

HEX #5B5667

RGB 91 86 103

HSL 257.65, 0.09%, 0.37%

LAB 37.59, 5.77, -9.04

 

CMYK 8 / 17 / 0 / 60

HEX #5F5667

RGB 95 86 103

HSL 271.76, 0.09%, 0.37%

LAB 37.96, 7.27, -8.44

 

CMYK 3 / 17 / 0 / 60

HEX #645667

RGB 100 86 103

HSL 289.41, 0.09%, 0.37%

LAB 38.45, 9.18, -7.65

 

CMYK 12 / 17 / 0 / 77

HEX #33303A

RGB 51 48 58

HSL 258, 0.09%, 0.21%

LAB 20.53, 3.75, -5.84

 

CMYK 11 / 16 / 0 / 69

HEX #474350

RGB 71 67 80

HSL 258.46, 0.09%, 0.29%

LAB 29.24, 4.66, -7.19

 

CMYK 12 / 17 / 0 / 60

HEX #5B5667

RGB 91 86 103

HSL 257.65, 0.09%, 0.37%

LAB 37.59, 5.77, -9.04

 

CMYK 11 / 16 / 0 / 51

HEX #6F697D

RGB 111 105 125

HSL 258, 0.09%, 0.45%

LAB 45.58, 6.6, -10.25

 

CMYK 10 / 14 / 0 / 43

HEX #837D92

RGB 131 125 146

HSL 257.14, 0.09%, 0.53%

LAB 53.57, 6.59, -10.5

 

CMYK 12 / 17 / 0 / 60

HEX #5B5667

RGB 91 86 103

HSL 257.65, 0.09%, 0.37%

LAB 37.59, 5.77, -9.04

 

CMYK 0 / 17 / 8 / 60

HEX #67565F

RGB 103 86 95

HSL 328.24, 0.09%, 0.37%

LAB 38.49, 8.69, -2.6

 

CMYK 15 / 0 / 17 / 60

HEX #586756

RGB 88 103 86

HSL 112.94, 0.09%, 0.37%

LAB 41.92, -9.32, 7.71

 

CMYK 12 / 17 / 0 / 60

HEX #5B5667

RGB 91 86 103

HSL 257.65, 0.09%, 0.37%

LAB 37.59, 5.77, -9.04

 

CMYK 0 / 12 / 17 / 60

HEX #675B56

RGB 103 91 86

HSL 17.65, 0.09%, 0.37%

LAB 39.64, 3.92, 4.65

 

CMYK 17 / 0 / 12 / 60

HEX #56675B

RGB 86 103 91

HSL 137.65, 0.09%, 0.37%

LAB 41.9, -9.07, 4.63

 

CMYK 12 / 17 / 0 / 60

HEX #5B5667

RGB 91 86 103

HSL 257.65, 0.09%, 0.37%

LAB 37.59, 5.77, -9.04

 

CMYK 0 / 17 / 8 / 60

HEX #67565F

RGB 103 86 95

HSL 328.24, 0.09%, 0.37%

LAB 38.49, 8.69, -2.6

 

CMYK 5 / 0 / 17 / 60

HEX #626756

RGB 98 103 86

HSL 77.65, 0.09%, 0.37%

LAB 42.72, -5.31, 8.95

 

CMYK 17 / 0 / 9 / 60

HEX #56675E

RGB 86 103 94

HSL 148.24, 0.09%, 0.37%

LAB 41.98, -8.42, 2.93

 

CMYK 12 / 17 / 0 / 60

HEX #5B5667

RGB 91 86 103

HSL 257.65, 0.09%, 0.37%

LAB 37.59, 5.77, -9.04

 

CMYK 0 / 17 / 13 / 60

HEX #67565A

RGB 103 86 90

HSL 345.88, 0.09%, 0.37%

LAB 38.34, 7.72, 0.28

 

CMYK 5 / 0 / 17 / 60

HEX #626756

RGB 98 103 86

HSL 77.65, 0.09%, 0.37%

LAB 42.72, -5.31, 8.95

 

CMYK 17 / 0 / 4 / 60

HEX #566763

RGB 86 103 99

HSL 165.88, 0.09%, 0.37%

LAB 42.12, -7.31, 0.1

 

Description

Color code: HEX #5B5667 | qconv.com Color code: HEX #5B5667 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 86 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 86 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 17 magenta, none yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 17% 0% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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