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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4F0F7B it is the complementary color #B0F084. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4F0F7B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #4F0F7B: #540F76, #652189, #76339C, #8745AF and #9857C2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4F0F7B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #4F0F7B: #4F0F7B, #3E0068, #2D0055, #1C0042 and #0B002F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 88 / 0 / 52

HEX #4F0F7B

RGB 79 15 123

HSL 275.56, 0.78%, 0.27%

LAB 21.7, 46.77, -46.82

 

Complementary color

CMYK 27 / 0 / 45 / 6

HEX #B0F084

RGB 176 240 132

HSL 95.56, 0.78%, 0.73%

LAB 88.55, -38.51, 45.71

 

CMYK 29 / 87 / 0 / 54

HEX #540F76

RGB 84 15 118

HSL 280.19, 0.77%, 0.26%

LAB 22.07, 46.46, -43

 

CMYK 26 / 76 / 0 / 46

HEX #652189

RGB 101 33 137

HSL 279.23, 0.61%, 0.33%

LAB 28.54, 47.37, -44.37

 

CMYK 24 / 67 / 0 / 39

HEX #76339C

RGB 118 51 156

HSL 278.29, 0.51%, 0.41%

LAB 35.24, 47.25, -45.1

 

CMYK 23 / 61 / 0 / 31

HEX #8745AF

RGB 135 69 175

HSL 277.36, 0.43%, 0.48%

LAB 42, 46.67, -45.49

 

CMYK 22 / 55 / 0 / 24

HEX #9857C2

RGB 152 87 194

HSL 276.45, 0.47%, 0.55%

LAB 48.74, 45.9, -45.72

 

CMYK 36 / 88 / 0 / 52

HEX #4F0F7B

RGB 79 15 123

HSL 275.56, 0.78%, 0.27%

LAB 21.7, 46.77, -46.82

 

CMYK 40 / 100 / 0 / 59

HEX #3E0068

RGB 62 0 104

HSL 275.77, 1%, 0.2%

LAB 15.61, 44.43, -44.61

 

CMYK 47 / 100 / 0 / 67

HEX #2D0055

RGB 45 0 85

HSL 271.76, 1%, 0.17%

LAB 10.66, 38.07, -40.13

 

CMYK 58 / 100 / 0 / 74

HEX #1C0042

RGB 28 0 66

HSL 265.45, 1%, 0.13%

LAB 5.78, 30.46, -35.01

 

CMYK 77 / 100 / 0 / 82

HEX #0B002F

RGB 11 0 47

HSL 254.04, 1%, 0.09%

LAB 2.5, 15.91, -26.49

 

CMYK 36 / 88 / 0 / 52

HEX #4F0F7B

RGB 79 15 123

HSL 275.56, 0.78%, 0.27%

LAB 21.7, 46.77, -46.82

 

CMYK 22 / 88 / 0 / 52

HEX #5F0F7A

RGB 95 15 122

HSL 284.86, 0.78%, 0.27%

LAB 24.26, 49.22, -41.91

 

CMYK 7 / 88 / 0 / 52

HEX #710F7A

RGB 113 15 122

HSL 294.95, 0.78%, 0.27%

LAB 27.46, 52.55, -36.59

 

CMYK 0 / 88 / 7 / 52

HEX #7A0F71

RGB 122 15 113

HSL 305.05, 0.78%, 0.27%

LAB 28.57, 52.86, -28.98

 

CMYK 0 / 88 / 22 / 52

HEX #7A0F5F

RGB 122 15 95

HSL 315.14, 0.78%, 0.27%

LAB 27.59, 50.21, -18.86

 

CMYK 36 / 88 / 0 / 52

HEX #4F0F7B

RGB 79 15 123

HSL 275.56, 0.78%, 0.27%

LAB 21.7, 46.77, -46.82

 

CMYK 36 / 88 / 0 / 32

HEX #7015AE

RGB 112 21 174

HSL 275.69, 0.78%, 0.38%

LAB 31.89, 61.29, -61.42

 

CMYK 36 / 88 / 0 / 12

HEX #911BE1

RGB 145 27 225

HSL 275.76, 0.79%, 0.49%

LAB 41.59, 74.9, -75.14

 

CMYK 38 / 86 / 0 / 92

HEX #0D0315

RGB 13 3 21

HSL 273.33, 0.75%, 0.05%

LAB 1.85, 5.7, -7.27

 

CMYK 36 / 88 / 0 / 72

HEX #2E0948

RGB 46 9 72

HSL 275.24, 0.78%, 0.16%

LAB 10.88, 30.71, -30.79

 

CMYK 36 / 88 / 0 / 52

HEX #4F0F7B

RGB 79 15 123

HSL 275.56, 0.78%, 0.27%

LAB 21.7, 46.77, -46.82

 

CMYK 0 / 88 / 69 / 52

HEX #7A0F26

RGB 122 15 38

HSL 347.1, 0.78%, 0.27%

LAB 25.62, 44.6, 16.68

 

CMYK 88 / 0 / 72 / 52

HEX #0F7A22

RGB 15 122 34

HSL 130.65, 0.78%, 0.27%

LAB 44.43, -46.53, 38.54

 

CMYK 36 / 88 / 0 / 52

HEX #4F0F7B

RGB 79 15 123

HSL 275.56, 0.78%, 0.27%

LAB 21.7, 46.77, -46.82

 

CMYK 0 / 37 / 88 / 52

HEX #7A4D0F

RGB 122 77 15

HSL 34.77, 0.78%, 0.27%

LAB 36.89, 13.94, 41.07

 

CMYK 88 / 0 / 37 / 52

HEX #0F7A4D

RGB 15 122 77

HSL 154.77, 0.78%, 0.27%

LAB 45.02, -39.46, 16.87

 

CMYK 36 / 88 / 0 / 52

HEX #4F0F7B

RGB 79 15 123

HSL 275.56, 0.78%, 0.27%

LAB 21.7, 46.77, -46.82

 

CMYK 0 / 88 / 69 / 52

HEX #7A0F26

RGB 122 15 38

HSL 347.1, 0.78%, 0.27%

LAB 25.62, 44.6, 16.68

 

CMYK 52 / 0 / 88 / 52

HEX #3B7A0F

RGB 59 122 15

HSL 95.33, 0.78%, 0.27%

LAB 45.47, -38.36, 46.55

 

CMYK 88 / 0 / 19 / 52

HEX #0F7A63

RGB 15 122 99

HSL 167.1, 0.78%, 0.27%

LAB 45.53, -33.91, 4.68

 

CMYK 36 / 88 / 0 / 52

HEX #4F0F7B

RGB 79 15 123

HSL 275.56, 0.78%, 0.27%

LAB 21.7, 46.77, -46.82

 

CMYK 0 / 80 / 88 / 52

HEX #7A180F

RGB 122 24 15

HSL 5.05, 0.78%, 0.27%

LAB 26.23, 41.03, 31.8

 

CMYK 52 / 0 / 88 / 52

HEX #3B7A0F

RGB 59 122 15

HSL 95.33, 0.78%, 0.27%

LAB 45.47, -38.36, 46.55

 

CMYK 88 / 7 / 0 / 52

HEX #0F717A

RGB 15 113 122

HSL 185.05, 0.78%, 0.27%

LAB 43.24, -22.36, -12.45

 

Description

Color code: HEX #4F0F7B | qconv.com Color code: HEX #4F0F7B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 15 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 15 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 88 magenta, none yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 88% 0% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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