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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4E8BE4 it is the complementary color #B1741B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4E8BE4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #4E8BE4: #538BDF, #649DF2, #75AFFF, #86C1FF and #97D3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4E8BE4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #4E8BE4: #4E8BE4, #3D79D1, #2C67BE, #1B55AB and #0A4398

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 39 / 0 / 11

HEX #4E8BE4

RGB 78 139 228

HSL 215.6, 0.74%, 0.6%

LAB 57.74, 8.3, -51.03

 

Complementary color

CMYK 0 / 34 / 85 / 31

HEX #B1741B

RGB 177 116 27

HSL 35.6, 0.74%, 0.4%

LAB 53.94, 17.07, 54.25

 

CMYK 63 / 38 / 0 / 13

HEX #538BDF

RGB 83 139 223

HSL 216, 0.69%, 0.6%

LAB 57.69, 7.46, -48.31

 

CMYK 59 / 35 / 0 / 5

HEX #649DF2

RGB 100 157 242

HSL 215.92, 0.85%, 0.67%

LAB 64.35, 6.29, -48.23

 

CMYK 54 / 31 / 0 / 0

HEX #75AFFF

RGB 117 175 255

HSL 214.78, 1%, 0.73%

LAB 70.64, 3.48, -45.36

 

CMYK 47 / 24 / 0 / 0

HEX #86C1FF

RGB 134 193 255

HSL 210.74, 1%, 0.76%

LAB 76.33, -2.73, -36.42

 

CMYK 41 / 17 / 0 / 0

HEX #97D3FF

RGB 151 211 255

HSL 205.38, 1%, 0.8%

LAB 82.05, -8.23, -27.54

 

CMYK 66 / 39 / 0 / 11

HEX #4E8BE4

RGB 78 139 228

HSL 215.6, 0.74%, 0.6%

LAB 57.74, 8.3, -51.03

 

CMYK 71 / 42 / 0 / 18

HEX #3D79D1

RGB 61 121 209

HSL 215.68, 0.62%, 0.53%

LAB 51, 9.93, -51.11

 

CMYK 77 / 46 / 0 / 25

HEX #2C67BE

RGB 44 103 190

HSL 215.75, 0.62%, 0.46%

LAB 44.17, 11.96, -51.19

 

CMYK 84 / 50 / 0 / 33

HEX #1B55AB

RGB 27 85 171

HSL 215.83, 0.73%, 0.39%

LAB 37.24, 14.54, -51.22

 

CMYK 93 / 56 / 0 / 40

HEX #0A4398

RGB 10 67 152

HSL 215.92, 0.88%, 0.32%

LAB 30.27, 17.85, -51.12

 

CMYK 66 / 39 / 0 / 11

HEX #4E8BE4

RGB 78 139 228

HSL 215.6, 0.74%, 0.6%

LAB 57.74, 8.3, -51.03

 

CMYK 66 / 50 / 0 / 11

HEX #4D73E4

RGB 77 115 228

HSL 224.9, 0.74%, 0.6%

LAB 51.2, 22.81, -61.5

 

CMYK 66 / 61 / 0 / 11

HEX #4D5AE4

RGB 77 90 228

HSL 234.83, 0.74%, 0.6%

LAB 44.93, 38.3, -71.66

 

CMYK 61 / 66 / 0 / 11

HEX #5A4DE4

RGB 90 77 228

HSL 245.17, 0.74%, 0.6%

LAB 42.89, 47.84, -74.96

 

CMYK 50 / 66 / 0 / 11

HEX #734DE4

RGB 115 77 228

HSL 255.1, 0.74%, 0.6%

LAB 45.02, 51.82, -71.39

 

CMYK 66 / 39 / 0 / 11

HEX #4E8BE4

RGB 78 139 228

HSL 215.6, 0.74%, 0.6%

LAB 57.74, 8.3, -51.03

 

CMYK 67 / 38 / 0 / 91

HEX #080F18

RGB 8 15 24

HSL 213.75, 0.5%, 0.06%

LAB 4.15, -0.03, -6.15

 

CMYK 65 / 39 / 0 / 71

HEX #1A2E4B

RGB 26 46 75

HSL 215.51, 0.49%, 0.2%

LAB 18.72, 2.39, -20.38

 

CMYK 66 / 39 / 0 / 51

HEX #2B4D7E

RGB 43 77 126

HSL 215.42, 0.49%, 0.33%

LAB 32.54, 4.42, -31.42

 

CMYK 66 / 39 / 0 / 31

HEX #3D6CB1

RGB 61 108 177

HSL 215.69, 0.49%, 0.47%

LAB 45.49, 6.51, -41.48

 

CMYK 66 / 39 / 0 / 11

HEX #4E8BE4

RGB 78 139 228

HSL 215.6, 0.74%, 0.6%

LAB 57.74, 8.3, -51.03

 

CMYK 14 / 66 / 0 / 11

HEX #C34DE4

RGB 195 77 228

HSL 286.89, 0.74%, 0.6%

LAB 54.57, 67.9, -55.5

 

CMYK 12 / 0 / 66 / 11

HEX #C8E44D

RGB 200 228 77

HSL 71.13, 0.74%, 0.6%

LAB 86.16, -29.04, 67.57

 

CMYK 66 / 39 / 0 / 11

HEX #4E8BE4

RGB 78 139 228

HSL 215.6, 0.74%, 0.6%

LAB 57.74, 8.3, -51.03

 

CMYK 0 / 66 / 39 / 11

HEX #E44D8C

RGB 228 77 140

HSL 334.97, 0.74%, 0.6%

LAB 55.78, 63.35, -2.37

 

CMYK 39 / 0 / 66 / 11

HEX #8CE44D

RGB 140 228 77

HSL 94.97, 0.74%, 0.6%

LAB 82.7, -51.05, 62.88

 

CMYK 66 / 39 / 0 / 11

HEX #4E8BE4

RGB 78 139 228

HSL 215.6, 0.74%, 0.6%

LAB 57.74, 8.3, -51.03

 

CMYK 14 / 66 / 0 / 11

HEX #C34DE4

RGB 195 77 228

HSL 286.89, 0.74%, 0.6%

LAB 54.57, 67.9, -55.5

 

CMYK 0 / 28 / 66 / 11

HEX #E4A54D

RGB 228 165 77

HSL 34.97, 0.74%, 0.6%

LAB 72.19, 14.67, 53.48

 

CMYK 52 / 0 / 66 / 11

HEX #6EE44D

RGB 110 228 77

HSL 106.89, 0.74%, 0.6%

LAB 81.48, -60.03, 61.21

 

CMYK 66 / 39 / 0 / 11

HEX #4E8BE4

RGB 78 139 228

HSL 215.6, 0.74%, 0.6%

LAB 57.74, 8.3, -51.03

 

CMYK 0 / 66 / 6 / 11

HEX #E44DD7

RGB 228 77 215

HSL 305.17, 0.74%, 0.6%

LAB 58.7, 73.15, -41.29

 

CMYK 0 / 28 / 66 / 11

HEX #E4A54D

RGB 228 165 77

HSL 34.97, 0.74%, 0.6%

LAB 72.19, 14.67, 53.48

 

CMYK 66 / 0 / 61 / 11

HEX #4DE45A

RGB 77 228 90

HSL 125.17, 0.74%, 0.6%

LAB 80.63, -66.33, 54.63

 

Description

Color code: HEX #4E8BE4 | qconv.com Color code: HEX #4E8BE4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 139 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 139 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 39 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 39% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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