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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4E5ACACE it is the complementary color #B1A535CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4E5ACACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4E5ACACE shade: #535AC5CE, #646CD8CE, #757EEBCE, #8690FECE and #97A2FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4E5ACACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4E5ACACE shade: #4E5ACACE, #3D48B7CE, #2C36A4CE, #1B2491CE and #0A127ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4E5ACACE shade: #4E5ACA, #644ECA, #854ECA, #A74ECA and #C84ECA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4E5ACACE shade: #4E5ACA and #4E4ECA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4E5ACACE shade matches the following richer shades: #4E5ACA, #3C4BDD and #293CEF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4E5ACACE shade: #4E5ACA, #6169B8, #7378A5, #868793 and #999680

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4E5ACACE shade: #4E9DCA, #4E7CCA, #4E5BCA, #634ECA and #844ECA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4E5ACACE shade: #2E3898, #3744B8, #4E5ACA, #6E78D4 and #8E96DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4E5ACACE shade: #4E5ACA, #CA4EBE and #8CCA4E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4E5ACACE shade: #4E5ACA, #CA4E5B and #5BCA4E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4E5ACACE shade: #4E5ACA, #CA4EBE, #CABE4E and #4ECA5B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4E5ACACE shade: #4E5ACA, #CA4E99, #CABE4E and #4ECA80

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 45 / 0 / 17

HEX #4E5ACACE

RGBA 78 90 202 0.81

HSLA 234.19, 0.54%, 0.55%, 0.81

LABA 43.06, 29.67, -59.84, 0.81

 

Complementary color

CMYK 0 / 5 / 57 / 25

HEX #B1A535CE

RGBA 177 165 53 0.81

HSLA 54.19, 0.54%, 0.45%, 0.81

LABA 66.91, -8.71, 56.75, 0.81

 

CMYK 47 / 44 / 0 / 18

HEX #535AC5CE

RGBA 83 90 197 0.81

HSLA 236.32, 0.5%, 0.55%, 0.81

LABA 43.04, 28.9, -56.97, 0.81

 

CMYK 44 / 41 / 0 / 12

HEX #646CD8CE

RGBA 100 108 216 0.81

HSLA 235.86, 0.6%, 0.62%, 0.81

LABA 49.97, 27.29, -56.63, 0.81

 

CMYK 41 / 38 / 0 / 6

HEX #757EEBCE

RGBA 117 126 235 0.81

HSLA 235.42, 0.75%, 0.69%, 0.81

LABA 56.78, 25.92, -56.32, 0.81

 

CMYK 38 / 35 / 0 / 0

HEX #8690FECE

RGBA 134 144 254 0.81

HSLA 235, 0.98%, 0.76%, 0.81

LABA 63.48, 24.75, -56.05, 0.81

 

CMYK 33 / 30 / 0 / 0

HEX #97A2FFCE

RGBA 151 162 255 0.81

HSLA 233.65, 1%, 0.8%, 0.81

LABA 69.21, 18.71, -47.46, 0.81

 

CMYK 50 / 45 / 0 / 17

HEX #4E5ACACE

RGBA 78 90 202 0.81

HSLA 234.19, 0.54%, 0.55%, 0.81

LABA 43.06, 29.67, -59.84, 0.81

 

CMYK 54 / 49 / 0 / 23

HEX #3D48B7CE

RGBA 61 72 183 0.81

HSLA 234.59, 0.5%, 0.48%, 0.81

LABA 36.07, 31.77, -60.15, 0.81

 

CMYK 59 / 54 / 0 / 29

HEX #2C36A4CE

RGBA 44 54 164 0.81

HSLA 235, 0.58%, 0.41%, 0.81

LABA 29.04, 34.25, -60.35, 0.81

 

CMYK 66 / 61 / 0 / 35

HEX #1B2491CE

RGBA 27 36 145 0.81

HSLA 235.42, 0.69%, 0.34%, 0.81

LABA 22.09, 37.05, -60.21, 0.81

 

CMYK 75 / 69 / 0 / 41

HEX #0A127ECE

RGBA 10 18 126 0.81

HSLA 235.86, 0.85%, 0.27%, 0.81

LABA 15.51, 39.66, -59.2, 0.81

 

CMYK 61 / 55 / 0 / 21

HEX #4E5ACA

RGB 78 90 202

HSL 234.19, 0.54%, 0.55%

LAB 43.06, 29.67, -59.84

 

CMYK 50 / 61 / 0 / 21

HEX #644ECA

RGB 100 78 202

HSL 250.65, 0.54%, 0.55%

LAB 41.88, 41.02, -61.67

 

CMYK 34 / 61 / 0 / 21

HEX #854ECA

RGB 133 78 202

HSL 266.61, 0.54%, 0.55%

LAB 45.22, 47.96, -56.11

 

CMYK 17 / 61 / 0 / 21

HEX #A74ECA

RGB 167 78 202

HSL 283.06, 0.54%, 0.55%

LAB 49.41, 55.91, -49.16

 

CMYK 1 / 61 / 0 / 21

HEX #C84ECA

RGB 200 78 202

HSL 299.03, 0.54%, 0.55%

LAB 54.02, 63.95, -41.55

 

CMYK 61 / 55 / 0 / 21

HEX #4E5ACA

RGB 78 90 202

HSL 234.19, 0.54%, 0.55%

LAB 43.06, 29.67, -59.84

 

CMYK 61 / 61 / 0 / 21

HEX #4E4ECA

RGB 78 78 202

HSL 240, 0.54%, 0.55%

LAB 40.14, 37.11, -64.59

 

CMYK 61 / 55 / 0 / 21

HEX #4E5ACA

RGB 78 90 202

HSL 234.19, 0.54%, 0.55%

LAB 43.06, 29.67, -59.84

 

CMYK 73 / 66 / 0 / 13

HEX #3C4BDD

RGB 60 75 221

HSL 234.41, 0.7%, 0.55%

LAB 39.94, 42.96, -75.88

 

CMYK 83 / 75 / 0 / 6

HEX #293CEF

RGB 41 60 239

HSL 234.24, 0.86%, 0.55%

LAB 37.73, 56.14, -89.79

 

CMYK 61 / 55 / 0 / 21

HEX #4E5ACA

RGB 78 90 202

HSL 234.19, 0.54%, 0.55%

LAB 43.06, 29.67, -59.84

 

CMYK 47 / 43 / 0 / 28

HEX #6169B8

RGB 97 105 184

HSL 234.48, 0.38%, 0.55%

LAB 47.11, 18.42, -42.84

 

CMYK 30 / 27 / 0 / 35

HEX #7378A5

RGB 115 120 165

HSL 234, 0.22%, 0.55%

LAB 51.6, 8.84, -24.66

 

CMYK 9 / 8 / 0 / 42

HEX #868793

RGB 134 135 147

HSL 235.38, 0.06%, 0.55%

LAB 56.59, 2.1, -6.54

 

CMYK 0 / 2 / 16 / 40

HEX #999680

RGB 153 150 128

HSL 52.8, 0.11%, 0.55%

LAB 61.78, -2.8, 12.01

 

CMYK 61 / 22 / 0 / 21

HEX #4E9DCA

RGB 78 157 202

HSL 201.77, 0.54%, 0.55%

LAB 61.65, -10.72, -30.36

 

CMYK 61 / 39 / 0 / 21

HEX #4E7CCA

RGB 78 124 202

HSL 217.74, 0.54%, 0.55%

LAB 52.17, 8.47, -45.22

 

CMYK 61 / 55 / 0 / 21

HEX #4E5BCA

RGB 78 91 202

HSL 233.71, 0.54%, 0.55%

LAB 43.31, 29.04, -59.43

 

CMYK 51 / 61 / 0 / 21

HEX #634ECA

RGB 99 78 202

HSL 250.16, 0.54%, 0.55%

LAB 41.79, 40.82, -61.82

 

CMYK 35 / 61 / 0 / 21

HEX #844ECA

RGB 132 78 202

HSL 266.13, 0.54%, 0.55%

LAB 45.11, 47.74, -56.29

 

CMYK 70 / 63 / 0 / 40

HEX #2E3898

RGB 46 56 152

HSL 234.34, 0.54%, 0.39%

LAB 28.58, 28.85, -53.81

 

CMYK 70 / 63 / 0 / 28

HEX #3744B8

RGB 55 68 184

HSL 233.95, 0.54%, 0.47%

LAB 34.82, 33.83, -62.8

 

CMYK 61 / 55 / 0 / 21

HEX #4E5ACA

RGB 78 90 202

HSL 234.19, 0.54%, 0.55%

LAB 43.06, 29.67, -59.84

 

CMYK 48 / 43 / 0 / 17

HEX #6E78D4

RGB 110 120 212

HSL 234.12, 0.54%, 0.63%

LAB 53.49, 20.95, -48.69

 

CMYK 36 / 32 / 0 / 13

HEX #8E96DD

RGB 142 150 221

HSL 233.92, 0.54%, 0.71%

LAB 63.99, 14, -37.05

 

CMYK 61 / 55 / 0 / 21

HEX #4E5ACA

RGB 78 90 202

HSL 234.19, 0.54%, 0.55%

LAB 43.06, 29.67, -59.84

 

CMYK 0 / 61 / 6 / 21

HEX #CA4EBE

RGB 202 78 190

HSL 305.81, 0.54%, 0.55%

LAB 53.73, 62.45, -35.09

 

CMYK 31 / 0 / 61 / 21

HEX #8CCA4E

RGB 140 202 78

HSL 90, 0.54%, 0.55%

LAB 75.06, -39.96, 54.19

 

CMYK 61 / 55 / 0 / 21

HEX #4E5ACA

RGB 78 90 202

HSL 234.19, 0.54%, 0.55%

LAB 43.06, 29.67, -59.84

 

CMYK 0 / 61 / 55 / 21

HEX #CA4E5B

RGB 202 78 91

HSL 353.71, 0.54%, 0.55%

LAB 50.41, 50.26, 18.63

 

CMYK 55 / 0 / 61 / 21

HEX #5BCA4E

RGB 91 202 78

HSL 113.71, 0.54%, 0.55%

LAB 72.9, -55.29, 51.18

 

CMYK 61 / 55 / 0 / 21

HEX #4E5ACA

RGB 78 90 202

HSL 234.19, 0.54%, 0.55%

LAB 43.06, 29.67, -59.84

 

CMYK 0 / 61 / 6 / 21

HEX #CA4EBE

RGB 202 78 190

HSL 305.81, 0.54%, 0.55%

LAB 53.73, 62.45, -35.09

 

CMYK 0 / 6 / 61 / 21

HEX #CABE4E

RGB 202 190 78

HSL 54.19, 0.54%, 0.55%

LAB 76.03, -9.46, 56.49

 

CMYK 61 / 0 / 55 / 21

HEX #4ECA5B

RGB 78 202 91

HSL 126.29, 0.54%, 0.55%

LAB 72.64, -56.86, 44.85

 

CMYK 61 / 55 / 0 / 21

HEX #4E5ACA

RGB 78 90 202

HSL 234.19, 0.54%, 0.55%

LAB 43.06, 29.67, -59.84

 

CMYK 0 / 61 / 24 / 21

HEX #CA4E99

RGB 202 78 153

HSL 323.71, 0.54%, 0.55%

LAB 52.18, 56.94, -15.87

 

CMYK 0 / 6 / 61 / 21

HEX #CABE4E

RGB 202 190 78

HSL 54.19, 0.54%, 0.55%

LAB 76.03, -9.46, 56.49

 

CMYK 61 / 0 / 37 / 21

HEX #4ECA80

RGB 78 202 128

HSL 144.19, 0.54%, 0.55%

LAB 73.17, -51.02, 27

 

Description

Color code: HEX #4E5ACACE | qconv.com Color code: HEX #4E5ACACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 90 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 90 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 45 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 45% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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