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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3C4BDD it is the complementary color #C3B422. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3C4BDD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3C4BDD shade: #414BD8, #525DEB, #636FFE, #7481FF and #8593FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3C4BDD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3C4BDD shade: #3C4BDD, #2B39CA, #1A27B7, #0915A4 and #000391

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3C4BDD shade: #3C4BDD, #583CDD, #843CDD, #AF3CDD and #DA3CDD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3C4BDD shade: #3C4BDD and #3C3CDD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3C4BDD shade matches the following richer shades: #3C4BDD and #293CEF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3C4BDD shade: #3C4BDD, #4E5ACA, #6169B7, #7478A5 and #868792

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3C4BDD shade: #3CA2DD, #3C77DD, #3C4CDD, #573CDD and #823CDD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3C4BDD shade: #1E2BA8, #2433CB, #3C4BDD, #5F6BE3 and #828CE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3C4BDD shade: #3C4BDD, #DD3CCD and #8CDD3C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3C4BDD shade: #3C4BDD, #DD3C4C and #4CDD3C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3C4BDD shade: #3C4BDD, #DD3CCD, #DDCD3C and #3CDD4C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3C4BDD shade: #3C4BDD, #DD3C9C, #DDCD3C and #3CDD7C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 66 / 0 / 13

HEX #3C4BDD

RGB 60 75 221

HSL 234.41, 0.7%, 0.55%

LAB 39.94, 42.96, -75.88

 

Complementary color

CMYK 0 / 8 / 83 / 24

HEX #C3B422

RGB 195 180 34

HSL 54.41, 0.7%, 0.45%

LAB 72.47, -9.42, 68.72

 

CMYK 70 / 65 / 0 / 15

HEX #414BD8

RGB 65 75 216

HSL 236.03, 0.66%, 0.55%

LAB 39.77, 41.82, -73.28

 

CMYK 65 / 60 / 0 / 8

HEX #525DEB

RGB 82 93 235

HSL 235.69, 0.79%, 0.62%

LAB 46.47, 39.52, -73.08

 

CMYK 61 / 56 / 0 / 0

HEX #636FFE

RGB 99 111 254

HSL 235.35, 0.99%, 0.69%

LAB 53.14, 37.49, -72.79

 

CMYK 55 / 49 / 0 / 0

HEX #7481FF

RGB 116 129 255

HSL 234.39, 1%, 0.73%

LAB 58.63, 30.09, -64.43

 

CMYK 48 / 42 / 0 / 0

HEX #8593FF

RGB 133 147 255

HSL 233.11, 1%, 0.76%

LAB 64.22, 23.07, -55.43

 

CMYK 73 / 66 / 0 / 13

HEX #3C4BDD

RGB 60 75 221

HSL 234.41, 0.7%, 0.55%

LAB 39.94, 42.96, -75.88

 

CMYK 79 / 72 / 0 / 21

HEX #2B39CA

RGB 43 57 202

HSL 234.72, 0.65%, 0.48%

LAB 33.36, 45.65, -75.78

 

CMYK 86 / 79 / 0 / 28

HEX #1A27B7

RGB 26 39 183

HSL 235.03, 0.75%, 0.41%

LAB 26.99, 48.35, -75.16

 

CMYK 95 / 87 / 0 / 36

HEX #0915A4

RGB 9 21 164

HSL 235.35, 0.9%, 0.34%

LAB 21.11, 50.43, -73.51

 

CMYK 100 / 98 / 0 / 43

HEX #000391

RGB 0 3 145

HSL 238.76, 1%, 0.28%

LAB 16.05, 50.97, -70.27

 

CMYK 73 / 66 / 0 / 13

HEX #3C4BDD

RGB 60 75 221

HSL 234.41, 0.7%, 0.55%

LAB 39.94, 42.96, -75.88

 

CMYK 60 / 73 / 0 / 13

HEX #583CDD

RGB 88 60 221

HSL 250.43, 0.7%, 0.55%

LAB 38.77, 54.68, -77.73

 

CMYK 40 / 73 / 0 / 13

HEX #843CDD

RGB 132 60 221

HSL 266.83, 0.7%, 0.55%

LAB 43.3, 61.24, -70.14

 

CMYK 21 / 73 / 0 / 13

HEX #AF3CDD

RGB 175 60 221

HSL 282.86, 0.7%, 0.55%

LAB 48.97, 69.06, -60.68

 

CMYK 1 / 73 / 0 / 13

HEX #DA3CDD

RGB 218 60 221

HSL 298.88, 0.7%, 0.55%

LAB 55.44, 77.63, -49.95

 

CMYK 73 / 66 / 0 / 13

HEX #3C4BDD

RGB 60 75 221

HSL 234.41, 0.7%, 0.55%

LAB 39.94, 42.96, -75.88

 

CMYK 73 / 73 / 0 / 13

HEX #3C3CDD

RGB 60 60 221

HSL 240, 0.7%, 0.55%

LAB 36.77, 51.65, -81.1

 

CMYK 73 / 66 / 0 / 13

HEX #3C4BDD

RGB 60 75 221

HSL 234.41, 0.7%, 0.55%

LAB 39.94, 42.96, -75.88

 

CMYK 83 / 75 / 0 / 6

HEX #293CEF

RGB 41 60 239

HSL 234.24, 0.86%, 0.55%

LAB 37.73, 56.14, -89.79

 

CMYK 73 / 66 / 0 / 13

HEX #3C4BDD

RGB 60 75 221

HSL 234.41, 0.7%, 0.55%

LAB 39.94, 42.96, -75.88

 

CMYK 61 / 55 / 0 / 21

HEX #4E5ACA

RGB 78 90 202

HSL 234.19, 0.54%, 0.55%

LAB 43.06, 29.67, -59.84

 

CMYK 47 / 43 / 0 / 28

HEX #6169B7

RGB 97 105 183

HSL 234.42, 0.37%, 0.55%

LAB 47.06, 18.12, -42.35

 

CMYK 30 / 27 / 0 / 35

HEX #7478A5

RGB 116 120 165

HSL 235.1, 0.21%, 0.55%

LAB 51.68, 9.15, -24.54

 

CMYK 8 / 8 / 0 / 43

HEX #868792

RGB 134 135 146

HSL 235, 0.05%, 0.55%

LAB 56.56, 1.89, -6

 

CMYK 73 / 27 / 0 / 13

HEX #3CA2DD

RGB 60 162 221

HSL 201.99, 0.7%, 0.55%

LAB 63.36, -10.04, -38.31

 

CMYK 73 / 46 / 0 / 13

HEX #3C77DD

RGB 60 119 221

HSL 218.01, 0.7%, 0.55%

LAB 51.12, 15.38, -57.71

 

CMYK 73 / 66 / 0 / 13

HEX #3C4CDD

RGB 60 76 221

HSL 234.04, 0.7%, 0.55%

LAB 40.16, 42.36, -75.51

 

CMYK 61 / 73 / 0 / 13

HEX #573CDD

RGB 87 60 221

HSL 250.06, 0.7%, 0.55%

LAB 38.69, 54.55, -77.87

 

CMYK 41 / 73 / 0 / 13

HEX #823CDD

RGB 130 60 221

HSL 266.09, 0.7%, 0.55%

LAB 43.06, 60.9, -70.54

 

CMYK 82 / 74 / 0 / 34

HEX #1E2BA8

RGB 30 43 168

HSL 234.35, 0.7%, 0.39%

LAB 26.25, 41.21, -67.39

 

CMYK 82 / 75 / 0 / 20

HEX #2433CB

RGB 36 51 203

HSL 234.61, 0.7%, 0.47%

LAB 31.93, 48.96, -78.73

 

CMYK 73 / 66 / 0 / 13

HEX #3C4BDD

RGB 60 75 221

HSL 234.41, 0.7%, 0.55%

LAB 39.94, 42.96, -75.88

 

CMYK 58 / 53 / 0 / 11

HEX #5F6BE3

RGB 95 107 227

HSL 234.55, 0.7%, 0.63%

LAB 50.09, 30.46, -62.67

 

CMYK 44 / 40 / 0 / 9

HEX #828CE9

RGB 130 140 233

HSL 234.17, 0.7%, 0.71%

LAB 61.12, 20.04, -48.26

 

CMYK 73 / 66 / 0 / 13

HEX #3C4BDD

RGB 60 75 221

HSL 234.41, 0.7%, 0.55%

LAB 39.94, 42.96, -75.88

 

CMYK 0 / 73 / 7 / 13

HEX #DD3CCD

RGB 221 60 205

HSL 305.96, 0.7%, 0.55%

LAB 55.08, 75.81, -41.37

 

CMYK 37 / 0 / 73 / 13

HEX #8CDD3C

RGB 140 221 60

HSL 90.19, 0.7%, 0.55%

LAB 80.52, -49.37, 66.89

 

CMYK 73 / 66 / 0 / 13

HEX #3C4BDD

RGB 60 75 221

HSL 234.41, 0.7%, 0.55%

LAB 39.94, 42.96, -75.88

 

CMYK 0 / 73 / 66 / 13

HEX #DD3C4C

RGB 221 60 76

HSL 354.04, 0.7%, 0.55%

LAB 50.83, 62.42, 28.75

 

CMYK 66 / 0 / 73 / 13

HEX #4CDD3C

RGB 76 221 60

HSL 114.04, 0.7%, 0.55%

LAB 78.21, -66.98, 63.82

 

CMYK 73 / 66 / 0 / 13

HEX #3C4BDD

RGB 60 75 221

HSL 234.41, 0.7%, 0.55%

LAB 39.94, 42.96, -75.88

 

CMYK 0 / 73 / 7 / 13

HEX #DD3CCD

RGB 221 60 205

HSL 305.96, 0.7%, 0.55%

LAB 55.08, 75.81, -41.37

 

CMYK 0 / 7 / 73 / 13

HEX #DDCD3C

RGB 221 205 60

HSL 54.04, 0.7%, 0.55%

LAB 81.49, -10.06, 69.69

 

CMYK 73 / 0 / 66 / 13

HEX #3CDD4C

RGB 60 221 76

HSL 125.96, 0.7%, 0.55%

LAB 77.99, -68.43, 57.45

 

CMYK 73 / 66 / 0 / 13

HEX #3C4BDD

RGB 60 75 221

HSL 234.41, 0.7%, 0.55%

LAB 39.94, 42.96, -75.88

 

CMYK 0 / 73 / 29 / 13

HEX #DD3C9C

RGB 221 60 156

HSL 324.22, 0.7%, 0.55%

LAB 52.95, 69.29, -16.18

 

CMYK 0 / 7 / 73 / 13

HEX #DDCD3C

RGB 221 205 60

HSL 54.04, 0.7%, 0.55%

LAB 81.49, -10.06, 69.69

 

CMYK 73 / 0 / 44 / 13

HEX #3CDD7C

RGB 60 221 124

HSL 143.85, 0.7%, 0.55%

LAB 78.54, -61.99, 36.02

 

Description

Color code: HEX #3C4BDD | qconv.com Color code: HEX #3C4BDD | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 75 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 75 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 66 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 66% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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