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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA3CDD it is the complementary color #25C322. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA3CDD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA3CDD shade: #DF3CD8, #F04EEB, #FF60FE, #FF72FF and #FF84FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA3CDD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA3CDD shade: #DA3CDD, #C92ACA, #B818B7, #A706A4 and #960091

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA3CDD shade: #DA3CDD, #DD3CB4, #DD3C89, #DD3C5E and #DD3C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA3CDD shade: #DA3CDD, #AE3CDD, #833CDD, #583CDD and #3C3CDD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA3CDD shade matches the following richer shades: #DA3CDD and #EB29EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA3CDD shade: #DA3CDD, #C84ECA, #B661B7, #A474A5 and #928692

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA3CDD shade: #823CDD, #AC3CDD, #D73CDD, #DD3CB7 and #DD3C8C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA3CDD shade: #A61EA8, #C824CB, #DA3CDD, #E05FE3 and #E782E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA3CDD shade: #DA3CDD, #DD573C and #3CDD97

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA3CDD shade: #DA3CDD, #DDD73C and #3CDDD7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA3CDD shade: #DA3CDD, #DD573C, #41DD3C and #3CC2DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA3CDD shade: #DA3CDD, #DD873C, #41DD3C and #3C92DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 73 / 0 / 13

HEX #DA3CDD

RGB 218 60 221

HSL 298.88, 0.7%, 0.55%

LAB 55.44, 77.63, -49.95

 

Complementary color

CMYK 81 / 0 / 83 / 24

HEX #25C322

RGB 37 195 34

HSL 118.88, 0.7%, 0.45%

LAB 69.14, -66.8, 62.81

 

CMYK 0 / 73 / 3 / 13

HEX #DF3CD8

RGB 223 60 216

HSL 302.58, 0.72%, 0.55%

LAB 55.96, 77.89, -46.23

 

CMYK 0 / 68 / 2 / 6

HEX #F04EEB

RGB 240 78 235

HSL 301.85, 0.84%, 0.62%

LAB 61.63, 78.62, -47.79

 

CMYK 0 / 62 / 0 / 0

HEX #FF60FE

RGB 255 96 254

HSL 300.38, 1%, 0.69%

LAB 67.11, 78.43, -49.49

 

CMYK 0 / 55 / 0 / 0

HEX #FF72FF

RGB 255 114 255

HSL 300, 1%, 0.72%

LAB 69.83, 71.23, -45.76

 

CMYK 0 / 48 / 0 / 0

HEX #FF84FF

RGB 255 132 255

HSL 300, 1%, 0.76%

LAB 72.88, 63.08, -40.99

 

CMYK 1 / 73 / 0 / 13

HEX #DA3CDD

RGB 218 60 221

HSL 298.88, 0.7%, 0.55%

LAB 55.44, 77.63, -49.95

 

CMYK 0 / 79 / 0 / 21

HEX #C92ACA

RGB 201 42 202

HSL 299.63, 0.66%, 0.48%

LAB 49.9, 76.27, -48.07

 

CMYK 0 / 87 / 1 / 28

HEX #B818B7

RGB 184 24 183

HSL 300.38, 0.77%, 0.41%

LAB 44.61, 73.98, -45.62

 

CMYK 0 / 96 / 2 / 35

HEX #A706A4

RGB 167 6 164

HSL 301.12, 0.93%, 0.34%

LAB 39.62, 70.47, -42.46

 

CMYK 0 / 100 / 3 / 41

HEX #960091

RGB 150 0 145

HSL 302, 1%, 0.29%

LAB 35.06, 65.38, -38.39

 

CMYK 1 / 73 / 0 / 13

HEX #DA3CDD

RGB 218 60 221

HSL 298.88, 0.7%, 0.55%

LAB 55.44, 77.63, -49.95

 

CMYK 0 / 73 / 19 / 13

HEX #DD3CB4

RGB 221 60 180

HSL 315.28, 0.7%, 0.55%

LAB 53.92, 72.29, -28.77

 

CMYK 0 / 73 / 38 / 13

HEX #DD3C89

RGB 221 60 137

HSL 331.3, 0.7%, 0.55%

LAB 52.3, 67.21, -5.86

 

CMYK 0 / 73 / 57 / 13

HEX #DD3C5E

RGB 221 60 94

HSL 347.33, 0.7%, 0.55%

LAB 51.17, 63.52, 18.41

 

CMYK 0 / 73 / 73 / 13

HEX #DD3C3C

RGB 221 60 60

HSL 0, 0.7%, 0.55%

LAB 50.61, 61.65, 37.77

 

CMYK 1 / 73 / 0 / 13

HEX #DA3CDD

RGB 218 60 221

HSL 298.88, 0.7%, 0.55%

LAB 55.44, 77.63, -49.95

 

CMYK 21 / 73 / 0 / 13

HEX #AE3CDD

RGB 174 60 221

HSL 282.48, 0.7%, 0.55%

LAB 48.82, 68.87, -60.92

 

CMYK 41 / 73 / 0 / 13

HEX #833CDD

RGB 131 60 221

HSL 266.46, 0.7%, 0.55%

LAB 43.18, 61.07, -70.34

 

CMYK 60 / 73 / 0 / 13

HEX #583CDD

RGB 88 60 221

HSL 250.43, 0.7%, 0.55%

LAB 38.77, 54.68, -77.73

 

CMYK 73 / 73 / 0 / 13

HEX #3C3CDD

RGB 60 60 221

HSL 240, 0.7%, 0.55%

LAB 36.77, 51.65, -81.1

 

CMYK 1 / 73 / 0 / 13

HEX #DA3CDD

RGB 218 60 221

HSL 298.88, 0.7%, 0.55%

LAB 55.44, 77.63, -49.95

 

CMYK 2 / 83 / 0 / 6

HEX #EB29EF

RGB 235 41 239

HSL 298.79, 0.86%, 0.55%

LAB 57.54, 88.34, -56.57

 

CMYK 1 / 73 / 0 / 13

HEX #DA3CDD

RGB 218 60 221

HSL 298.88, 0.7%, 0.55%

LAB 55.44, 77.63, -49.95

 

CMYK 1 / 61 / 0 / 21

HEX #C84ECA

RGB 200 78 202

HSL 299.03, 0.54%, 0.55%

LAB 54.02, 63.95, -41.55

 

CMYK 1 / 47 / 0 / 28

HEX #B661B7

RGB 182 97 183

HSL 299.3, 0.37%, 0.55%

LAB 53.93, 46.8, -30.93

 

CMYK 1 / 30 / 0 / 35

HEX #A474A5

RGB 164 116 165

HSL 298.78, 0.21%, 0.55%

LAB 55.18, 27.27, -18.79

 

CMYK 0 / 8 / 0 / 43

HEX #928692

RGB 146 134 146

HSL 300, 0.05%, 0.55%

LAB 57.31, 6.79, -4.78

 

CMYK 41 / 73 / 0 / 13

HEX #823CDD

RGB 130 60 221

HSL 266.09, 0.7%, 0.55%

LAB 43.06, 60.9, -70.54

 

CMYK 22 / 73 / 0 / 13

HEX #AC3CDD

RGB 172 60 221

HSL 281.74, 0.7%, 0.55%

LAB 48.54, 68.49, -61.39

 

CMYK 3 / 73 / 0 / 13

HEX #D73CDD

RGB 215 60 221

HSL 297.76, 0.7%, 0.55%

LAB 54.97, 77.02, -50.73

 

CMYK 0 / 73 / 17 / 13

HEX #DD3CB7

RGB 221 60 183

HSL 314.16, 0.7%, 0.55%

LAB 54.05, 72.69, -30.31

 

CMYK 0 / 73 / 37 / 13

HEX #DD3C8C

RGB 221 60 140

HSL 330.19, 0.7%, 0.55%

LAB 52.39, 67.52, -7.51

 

CMYK 1 / 82 / 0 / 34

HEX #A61EA8

RGB 166 30 168

HSL 299.13, 0.7%, 0.39%

LAB 41, 67.06, -42.68

 

CMYK 1 / 82 / 0 / 20

HEX #C824CB

RGB 200 36 203

HSL 298.92, 0.7%, 0.47%

LAB 49.32, 77.63, -49.59

 

CMYK 1 / 73 / 0 / 13

HEX #DA3CDD

RGB 218 60 221

HSL 298.88, 0.7%, 0.55%

LAB 55.44, 77.63, -49.95

 

CMYK 1 / 58 / 0 / 11

HEX #E05FE3

RGB 224 95 227

HSL 298.64, 0.7%, 0.63%

LAB 61.29, 66.95, -44.01

 

CMYK 1 / 44 / 0 / 9

HEX #E782E9

RGB 231 130 233

HSL 298.83, 0.7%, 0.71%

LAB 68.63, 53.48, -35.79

 

CMYK 1 / 73 / 0 / 13

HEX #DA3CDD

RGB 218 60 221

HSL 298.88, 0.7%, 0.55%

LAB 55.44, 77.63, -49.95

 

CMYK 0 / 61 / 73 / 13

HEX #DD573C

RGB 221 87 60

HSL 10.06, 0.7%, 0.55%

LAB 54.57, 50.91, 42.22

 

CMYK 73 / 0 / 32 / 13

HEX #3CDD97

RGB 60 221 151

HSL 153.91, 0.7%, 0.55%

LAB 78.99, -56.93, 22.81

 

CMYK 1 / 73 / 0 / 13

HEX #DA3CDD

RGB 218 60 221

HSL 298.88, 0.7%, 0.55%

LAB 55.44, 77.63, -49.95

 

CMYK 0 / 3 / 73 / 13

HEX #DDD73C

RGB 221 215 60

HSL 57.76, 0.7%, 0.55%

LAB 84.12, -15.07, 72.18

 

CMYK 73 / 0 / 3 / 13

HEX #3CDDD7

RGB 60 221 215

HSL 177.76, 0.7%, 0.55%

LAB 80.5, -41.32, -8.89

 

CMYK 1 / 73 / 0 / 13

HEX #DA3CDD

RGB 218 60 221

HSL 298.88, 0.7%, 0.55%

LAB 55.44, 77.63, -49.95

 

CMYK 0 / 61 / 73 / 13

HEX #DD573C

RGB 221 87 60

HSL 10.06, 0.7%, 0.55%

LAB 54.57, 50.91, 42.22

 

CMYK 71 / 0 / 73 / 13

HEX #41DD3C

RGB 65 221 60

HSL 118.14, 0.7%, 0.55%

LAB 77.97, -69.01, 63.5

 

CMYK 73 / 12 / 0 / 13

HEX #3CC2DD

RGB 60 194 221

HSL 190.06, 0.7%, 0.55%

LAB 72.74, -26.83, -23.83

 

CMYK 1 / 73 / 0 / 13

HEX #DA3CDD

RGB 218 60 221

HSL 298.88, 0.7%, 0.55%

LAB 55.44, 77.63, -49.95

 

CMYK 0 / 39 / 73 / 13

HEX #DD873C

RGB 221 135 60

HSL 27.95, 0.7%, 0.55%

LAB 64.18, 26.88, 52.51

 

CMYK 71 / 0 / 73 / 13

HEX #41DD3C

RGB 65 221 60

HSL 118.14, 0.7%, 0.55%

LAB 77.97, -69.01, 63.5

 

CMYK 73 / 34 / 0 / 13

HEX #3C92DD

RGB 60 146 221

HSL 207.95, 0.7%, 0.55%

LAB 58.73, -0.94, -45.59

 

Description

Color code: HEX #DA3CDD | qconv.com Color code: HEX #DA3CDD | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 60 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 60 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 73 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 73% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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