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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4E56CD it is the complementary color #B1A932. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4E56CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #4E56CD: #5356C8, #6468DB, #757AEE, #868CFF and #979EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4E56CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #4E56CD: #4E56CD, #3D44BA, #2C32A7, #1B2094 and #0A0E81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 58 / 0 / 20

HEX #4E56CD

RGB 78 86 205

HSL 236.22, 0.56%, 0.55%

LAB 42.28, 33.17, -62.83

 

Complementary color

CMYK 0 / 5 / 72 / 31

HEX #B1A932

RGB 177 169 50

HSL 56.22, 0.56%, 0.45%

LAB 67.99, -10.96, 58.96

 

CMYK 59 / 57 / 0 / 22

HEX #5356C8

RGB 83 86 200

HSL 238.46, 0.52%, 0.55%

LAB 42.25, 32.38, -59.97

 

CMYK 54 / 53 / 0 / 14

HEX #6468DB

RGB 100 104 219

HSL 237.98, 0.62%, 0.63%

LAB 49.16, 30.68, -59.63

 

CMYK 51 / 49 / 0 / 7

HEX #757AEE

RGB 117 122 238

HSL 237.52, 0.78%, 0.7%

LAB 55.96, 29.22, -59.31

 

CMYK 47 / 45 / 0 / 0

HEX #868CFF

RGB 134 140 255

HSL 237.02, 1%, 0.76%

LAB 62.55, 27.38, -58.1

 

CMYK 41 / 38 / 0 / 0

HEX #979EFF

RGB 151 158 255

HSL 235.96, 1%, 0.8%

LAB 68.21, 20.99, -49.04

 

CMYK 62 / 58 / 0 / 20

HEX #4E56CD

RGB 78 86 205

HSL 236.22, 0.56%, 0.55%

LAB 42.28, 33.17, -62.83

 

CMYK 67 / 63 / 0 / 27

HEX #3D44BA

RGB 61 68 186

HSL 236.64, 0.51%, 0.48%

LAB 35.34, 35.34, -63.11

 

CMYK 74 / 70 / 0 / 35

HEX #2C32A7

RGB 44 50 167

HSL 237.07, 0.58%, 0.41%

LAB 28.4, 37.82, -63.22

 

CMYK 82 / 78 / 0 / 42

HEX #1B2094

RGB 27 32 148

HSL 237.52, 0.69%, 0.34%

LAB 21.59, 40.45, -62.88

 

CMYK 92 / 89 / 0 / 49

HEX #0A0E81

RGB 10 14 129

HSL 237.98, 0.86%, 0.27%

LAB 15.29, 42.5, -61.46

 

CMYK 62 / 58 / 0 / 20

HEX #4E56CD

RGB 78 86 205

HSL 236.22, 0.56%, 0.55%

LAB 42.28, 33.17, -62.83

 

CMYK 57 / 63 / 0 / 20

HEX #584BCC

RGB 88 75 204

HSL 246.05, 0.56%, 0.55%

LAB 40.36, 41.21, -65.35

 

CMYK 46 / 63 / 0 / 20

HEX #6E4BCC

RGB 110 75 204

HSL 256.28, 0.56%, 0.55%

LAB 42.32, 45.26, -62.07

 

CMYK 36 / 63 / 0 / 20

HEX #834BCC

RGB 131 75 204

HSL 266.05, 0.56%, 0.55%

LAB 44.54, 49.6, -58.36

 

CMYK 25 / 63 / 0 / 20

HEX #994BCC

RGB 153 75 204

HSL 276.28, 0.56%, 0.55%

LAB 47.19, 54.49, -53.97

 

CMYK 62 / 58 / 0 / 20

HEX #4E56CD

RGB 78 86 205

HSL 236.22, 0.56%, 0.55%

LAB 42.28, 33.17, -62.83

 

CMYK 100 / 100 / 0 / 100

HEX #000001

RGB 0 0 1

HSL 240, 1%, 0%

LAB 0.02, 0.14, -0.38

 

CMYK 62 / 58 / 0 / 80

HEX #141634

RGB 20 22 52

HSL 236.25, 0.44%, 0.14%

LAB 8.74, 9.62, -20.15

 

CMYK 62 / 58 / 0 / 60

HEX #272B67

RGB 39 43 103

HSL 236.25, 0.45%, 0.28%

LAB 20.59, 18.33, -35.95

 

CMYK 62 / 58 / 0 / 40

HEX #3B419A

RGB 59 65 154

HSL 236.21, 0.45%, 0.42%

LAB 31.91, 25.77, -49.58

 

CMYK 62 / 58 / 0 / 20

HEX #4E56CD

RGB 78 86 205

HSL 236.22, 0.56%, 0.55%

LAB 42.28, 33.17, -62.83

 

CMYK 0 / 63 / 8 / 20

HEX #CC4BBB

RGB 204 75 187

HSL 307.91, 0.56%, 0.55%

LAB 53.45, 63.72, -33.78

 

CMYK 34 / 0 / 63 / 20

HEX #87CC4B

RGB 135 204 75

HSL 92.09, 0.56%, 0.55%

LAB 75.35, -42.87, 55.72

 

CMYK 62 / 58 / 0 / 20

HEX #4E56CD

RGB 78 86 205

HSL 236.22, 0.56%, 0.55%

LAB 42.28, 33.17, -62.83

 

CMYK 0 / 63 / 59 / 20

HEX #CC4B54

RGB 204 75 84

HSL 355.81, 0.56%, 0.55%

LAB 50.11, 51.73, 22.47

 

CMYK 59 / 0 / 63 / 20

HEX #54CC4B

RGB 84 204 75

HSL 115.81, 0.56%, 0.55%

LAB 73.27, -58.07, 52.84

 

CMYK 62 / 58 / 0 / 20

HEX #4E56CD

RGB 78 86 205

HSL 236.22, 0.56%, 0.55%

LAB 42.28, 33.17, -62.83

 

CMYK 0 / 63 / 8 / 20

HEX #CC4BBB

RGB 204 75 187

HSL 307.91, 0.56%, 0.55%

LAB 53.45, 63.72, -33.78

 

CMYK 0 / 4 / 63 / 20

HEX #CCC34B

RGB 204 195 75

HSL 55.81, 0.56%, 0.55%

LAB 77.5, -11.37, 59.42

 

CMYK 63 / 0 / 54 / 20

HEX #4BCC5D

RGB 75 204 93

HSL 128.37, 0.56%, 0.55%

LAB 73.2, -57.97, 44.57

 

CMYK 62 / 58 / 0 / 20

HEX #4E56CD

RGB 78 86 205

HSL 236.22, 0.56%, 0.55%

LAB 42.28, 33.17, -62.83

 

CMYK 0 / 63 / 27 / 20

HEX #CC4B94

RGB 204 75 148

HSL 326.05, 0.56%, 0.55%

LAB 51.85, 58.14, -13.39

 

CMYK 0 / 4 / 63 / 20

HEX #CCC34B

RGB 204 195 75

HSL 55.81, 0.56%, 0.55%

LAB 77.5, -11.37, 59.42

 

CMYK 63 / 0 / 36 / 20

HEX #4BCC83

RGB 75 204 131

HSL 146.05, 0.56%, 0.55%

LAB 73.75, -51.85, 26.21

 

Description

Color code: HEX #4E56CD | qconv.com Color code: HEX #4E56CD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 86 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 86 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 58 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 58% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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