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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4E43E0 it is the complementary color #B1BC1F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4E43E0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #4E43E0: #5343DB, #6455EE, #7567FF, #8679FF and #978BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4E43E0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #4E43E0: #4E43E0, #3D31CD, #2C1FBA, #1B0DA7 and #0A0094

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 70 / 0 / 12

HEX #4E43E0

RGB 78 67 224

HSL 244.2, 0.72%, 0.57%

LAB 39.61, 50.62, -78.1

 

Complementary color

CMYK 6 / 0 / 84 / 26

HEX #B1BC1F

RGB 177 188 31

HSL 64.2, 0.72%, 0.43%

LAB 73.16, -21.35, 69.46

 

CMYK 62 / 69 / 0 / 14

HEX #5343DB

RGB 83 67 219

HSL 246.32, 0.68%, 0.56%

LAB 39.53, 49.7, -75.36

 

CMYK 58 / 64 / 0 / 7

HEX #6455EE

RGB 100 85 238

HSL 245.88, 0.82%, 0.63%

LAB 46.15, 47.87, -75.25

 

CMYK 54 / 60 / 0 / 0

HEX #7567FF

RGB 117 103 255

HSL 245.53, 1%, 0.7%

LAB 52.62, 45.54, -74.13

 

CMYK 47 / 53 / 0 / 0

HEX #8679FF

RGB 134 121 255

HSL 245.82, 1%, 0.74%

LAB 58, 38.45, -65.37

 

CMYK 41 / 45 / 0 / 0

HEX #978BFF

RGB 151 139 255

HSL 246.21, 1%, 0.77%

LAB 63.56, 31.9, -56.4

 

CMYK 65 / 70 / 0 / 12

HEX #4E43E0

RGB 78 67 224

HSL 244.2, 0.72%, 0.57%

LAB 39.61, 50.62, -78.1

 

CMYK 70 / 76 / 0 / 20

HEX #3D31CD

RGB 61 49 205

HSL 244.62, 0.61%, 0.5%

LAB 33.13, 52.56, -77.87

 

CMYK 76 / 83 / 0 / 27

HEX #2C1FBA

RGB 44 31 186

HSL 245.03, 0.71%, 0.43%

LAB 26.91, 54.14, -77.05

 

CMYK 84 / 92 / 0 / 35

HEX #1B0DA7

RGB 27 13 167

HSL 245.45, 0.86%, 0.35%

LAB 21.25, 54.58, -75.09

 

CMYK 93 / 100 / 0 / 42

HEX #0A0094

RGB 10 0 148

HSL 244.05, 1%, 0.29%

LAB 16.52, 52.89, -71.35

 

CMYK 65 / 70 / 0 / 12

HEX #4E43E0

RGB 78 67 224

HSL 244.2, 0.72%, 0.57%

LAB 39.61, 50.62, -78.1

 

CMYK 54 / 71 / 0 / 12

HEX #6742E0

RGB 103 66 224

HSL 254.05, 0.72%, 0.57%

LAB 41.47, 54.53, -74.96

 

CMYK 42 / 71 / 0 / 12

HEX #8142E0

RGB 129 66 224

HSL 263.92, 0.72%, 0.57%

LAB 44.15, 58.73, -70.47

 

CMYK 31 / 71 / 0 / 12

HEX #9B42E0

RGB 155 66 224

HSL 273.8, 0.72%, 0.57%

LAB 47.3, 63.47, -65.22

 

CMYK 19 / 71 / 0 / 12

HEX #B642E0

RGB 182 66 224

HSL 284.05, 0.72%, 0.57%

LAB 50.95, 68.77, -59.14

 

CMYK 65 / 70 / 0 / 12

HEX #4E43E0

RGB 78 67 224

HSL 244.2, 0.72%, 0.57%

LAB 39.61, 50.62, -78.1

 

CMYK 65 / 70 / 0 / 92

HEX #070614

RGB 7 6 20

HSL 244.29, 0.54%, 0.05%

LAB 2.04, 2.63, -6.36

 

CMYK 65 / 70 / 0 / 72

HEX #191547

RGB 25 21 71

HSL 244.8, 0.54%, 0.18%

LAB 10.54, 19.03, -30.75

 

CMYK 66 / 70 / 0 / 52

HEX #2A247A

RGB 42 36 122

HSL 244.19, 0.54%, 0.31%

LAB 20.67, 30.51, -48.05

 

CMYK 65 / 70 / 0 / 32

HEX #3C34AD

RGB 60 52 173

HSL 243.97, 0.54%, 0.44%

LAB 30.48, 40.58, -63.36

 

CMYK 65 / 70 / 0 / 12

HEX #4E43E0

RGB 78 67 224

HSL 244.2, 0.72%, 0.57%

LAB 39.61, 50.62, -78.1

 

CMYK 0 / 71 / 19 / 12

HEX #E042B6

RGB 224 66 182

HSL 315.95, 0.72%, 0.57%

LAB 55.2, 71.31, -27.91

 

CMYK 47 / 0 / 71 / 12

HEX #77E042

RGB 119 224 66

HSL 99.87, 0.72%, 0.57%

LAB 80.53, -56.86, 64.49

 

CMYK 65 / 70 / 0 / 12

HEX #4E43E0

RGB 78 67 224

HSL 244.2, 0.72%, 0.57%

LAB 39.61, 50.62, -78.1

 

CMYK 0 / 66 / 71 / 12

HEX #E04C42

RGB 224 76 66

HSL 3.8, 0.72%, 0.57%

LAB 53.39, 56.89, 37.74

 

CMYK 71 / 0 / 66 / 12

HEX #42E04C

RGB 66 224 76

HSL 123.8, 0.72%, 0.57%

LAB 79.04, -68.43, 58.62

 

CMYK 65 / 70 / 0 / 12

HEX #4E43E0

RGB 78 67 224

HSL 244.2, 0.72%, 0.57%

LAB 39.61, 50.62, -78.1

 

CMYK 0 / 71 / 19 / 12

HEX #E042B6

RGB 224 66 182

HSL 315.95, 0.72%, 0.57%

LAB 55.2, 71.31, -27.91

 

CMYK 5 / 0 / 71 / 12

HEX #D5E042

RGB 213 224 66

HSL 64.18, 0.72%, 0.57%

LAB 85.93, -22.5, 71.66

 

CMYK 71 / 0 / 52 / 12

HEX #42E06C

RGB 66 224 108

HSL 135.95, 0.72%, 0.57%

LAB 79.36, -64.61, 44.88

 

CMYK 65 / 70 / 0 / 12

HEX #4E43E0

RGB 78 67 224

HSL 244.2, 0.72%, 0.57%

LAB 39.61, 50.62, -78.1

 

CMYK 0 / 71 / 40 / 12

HEX #E04286

RGB 224 66 134

HSL 334.18, 0.72%, 0.57%

LAB 53.45, 65.68, -2.31

 

CMYK 5 / 0 / 71 / 12

HEX #D5E042

RGB 213 224 66

HSL 64.18, 0.72%, 0.57%

LAB 85.93, -22.5, 71.66

 

CMYK 71 / 0 / 31 / 12

HEX #42E09B

RGB 66 224 155

HSL 153.8, 0.72%, 0.57%

LAB 80.09, -56.41, 22.25

 

Description

Color code: HEX #4E43E0 | qconv.com Color code: HEX #4E43E0 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 67 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 67 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, 70 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 70% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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