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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4DDC86 it is the complementary color #B22379. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4DDC86. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #4DDC86: #52DC81, #63EE94, #74FFA7, #85FFBA and #96FFCD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4DDC86. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #4DDC86: #4DDC86, #3CCA73, #2BB860, #1AA64D and #09943A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 39 / 14

HEX #4DDC86

RGB 77 220 134

HSL 143.92, 0.67%, 0.58%

LAB 78.74, -57.11, 31.31

 

Complementary color

CMYK 0 / 80 / 32 / 30

HEX #B22379

RGB 178 35 121

HSL 323.92, 0.67%, 0.42%

LAB 41.29, 61.95, -13.44

 

CMYK 63 / 0 / 41 / 14

HEX #52DC81

RGB 82 220 129

HSL 140.43, 0.66%, 0.59%

LAB 78.79, -57.03, 33.93

 

CMYK 58 / 0 / 38 / 7

HEX #63EE94

RGB 99 238 148

HSL 141.15, 0.8%, 0.66%

LAB 84.97, -57.21, 32.55

 

CMYK 55 / 0 / 35 / 0

HEX #74FFA7

RGB 116 255 167

HSL 142.01, 1%, 0.73%

LAB 90.79, -56.84, 30.87

 

CMYK 48 / 0 / 27 / 0

HEX #85FFBA

RGB 133 255 186

HSL 146.07, 1%, 0.76%

LAB 91.71, -49.39, 22.61

 

CMYK 41 / 0 / 20 / 0

HEX #96FFCD

RGB 150 255 205

HSL 151.43, 1%, 0.79%

LAB 92.76, -41.4, 14.46

 

CMYK 65 / 0 / 39 / 14

HEX #4DDC86

RGB 77 220 134

HSL 143.92, 0.67%, 0.58%

LAB 78.74, -57.11, 31.31

 

CMYK 70 / 0 / 43 / 21

HEX #3CCA73

RGB 60 202 115

HSL 143.24, 0.57%, 0.51%

LAB 72.52, -56.66, 32.79

 

CMYK 77 / 0 / 48 / 28

HEX #2BB860

RGB 43 184 96

HSL 142.55, 0.62%, 0.45%

LAB 66.24, -55.88, 34.36

 

CMYK 84 / 0 / 54 / 35

HEX #1AA64D

RGB 26 166 77

HSL 141.86, 0.73%, 0.38%

LAB 59.91, -54.62, 36.02

 

CMYK 94 / 0 / 61 / 42

HEX #09943A

RGB 9 148 58

HSL 141.15, 0.89%, 0.31%

LAB 53.54, -52.68, 37.7

 

CMYK 65 / 0 / 39 / 14

HEX #4DDC86

RGB 77 220 134

HSL 143.92, 0.67%, 0.58%

LAB 78.74, -57.11, 31.31

 

CMYK 65 / 0 / 29 / 14

HEX #4CDB9B

RGB 76 219 155

HSL 153.15, 0.67%, 0.58%

LAB 78.79, -52.85, 20.51

 

CMYK 65 / 0 / 19 / 14

HEX #4CDBB2

RGB 76 219 178

HSL 162.8, 0.67%, 0.58%

LAB 79.28, -47.76, 9.05

 

CMYK 65 / 0 / 8 / 14

HEX #4CDBCA

RGB 76 219 202

HSL 172.87, 0.67%, 0.58%

LAB 79.88, -41.8, -2.86

 

CMYK 65 / 3 / 0 / 14

HEX #4CD4DB

RGB 76 212 219

HSL 182.94, 0.67%, 0.58%

LAB 78.31, -33.98, -14.28

 

CMYK 65 / 0 / 39 / 14

HEX #4DDC86

RGB 77 220 134

HSL 143.92, 0.67%, 0.58%

LAB 78.74, -57.11, 31.31

 

CMYK 63 / 0 / 38 / 94

HEX #06100A

RGB 6 16 10

HSL 144, 0.45%, 0.04%

LAB 3.9, -3.88, 1.66

 

CMYK 66 / 0 / 39 / 74

HEX #174329

RGB 23 67 41

HSL 144.55, 0.49%, 0.18%

LAB 24.82, -22.24, 11.39

 

CMYK 65 / 0 / 39 / 54

HEX #297648

RGB 41 118 72

HSL 144.16, 0.48%, 0.31%

LAB 44.08, -34.84, 18.58

 

CMYK 65 / 0 / 39 / 34

HEX #3BA967

RGB 59 169 103

HSL 144, 0.48%, 0.45%

LAB 61.9, -46.32, 25.14

 

CMYK 65 / 0 / 39 / 14

HEX #4DDC86

RGB 77 220 134

HSL 143.92, 0.67%, 0.58%

LAB 78.74, -57.11, 31.31

 

CMYK 65 / 38 / 0 / 14

HEX #4C87DB

RGB 76 135 219

HSL 215.24, 0.67%, 0.58%

LAB 56.07, 7.28, -48.66

 

CMYK 0 / 65 / 64 / 14

HEX #DB4C4E

RGB 219 76 78

HSL 359.16, 0.67%, 0.58%

LAB 52.71, 55.88, 29.85

 

CMYK 65 / 0 / 39 / 14

HEX #4DDC86

RGB 77 220 134

HSL 143.92, 0.67%, 0.58%

LAB 78.74, -57.11, 31.31

 

CMYK 40 / 65 / 0 / 14

HEX #834CDB

RGB 131 76 219

HSL 263.08, 0.67%, 0.58%

LAB 45.78, 52.9, -64.96

 

CMYK 0 / 40 / 65 / 14

HEX #DB834C

RGB 219 131 76

HSL 23.08, 0.67%, 0.58%

LAB 63.19, 29.05, 43.55

 

CMYK 65 / 0 / 39 / 14

HEX #4DDC86

RGB 77 220 134

HSL 143.92, 0.67%, 0.58%

LAB 78.74, -57.11, 31.31

 

CMYK 65 / 38 / 0 / 14

HEX #4C87DB

RGB 76 135 219

HSL 215.24, 0.67%, 0.58%

LAB 56.07, 7.28, -48.66

 

CMYK 0 / 65 / 25 / 14

HEX #DB4CA4

RGB 219 76 164

HSL 323.08, 0.67%, 0.58%

LAB 54.98, 64, -17.83

 

CMYK 0 / 27 / 65 / 14

HEX #DB9F4C

RGB 219 159 76

HSL 34.83, 0.67%, 0.58%

LAB 69.74, 14.03, 50.96

 

CMYK 65 / 0 / 39 / 14

HEX #4DDC86

RGB 77 220 134

HSL 143.92, 0.67%, 0.58%

LAB 78.74, -57.11, 31.31

 

CMYK 65 / 58 / 0 / 14

HEX #4C5CDB

RGB 76 92 219

HSL 233.29, 0.67%, 0.58%

LAB 44.67, 33.87, -66.98

 

CMYK 0 / 65 / 25 / 14

HEX #DB4CA4

RGB 219 76 164

HSL 323.08, 0.67%, 0.58%

LAB 54.98, 64, -17.83

 

CMYK 0 / 8 / 65 / 14

HEX #DBCA4C

RGB 219 202 76

HSL 52.87, 0.67%, 0.58%

LAB 80.64, -8.56, 62.7

 

Description

Color code: HEX #4DDC86 | qconv.com Color code: HEX #4DDC86 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 220 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 220 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 39 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 39% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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