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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4DD73B it is the complementary color #B228C4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4DD73B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4DD73B shade: #52D736, #63E949, #74FB5C, #85FF6F and #96FF82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4DD73B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4DD73B shade: #4DD73B, #3CC528, #2BB315, #1AA102 and #098F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4DD73B shade: #4ED73C, #78D73C, #A2D73C, #CBD73C and #D7B93C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4DD73B shade: #4ED73C, #3CD754, #3CD77E, #3CD7A8 and #3CD7D1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4DD73B shade matches the following richer shades: #4ED73C, #40EA29 and #31FD16

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4DD73B shade: #4ED73C, #5DC44F, #6BB162, #7A9E75 and #898B88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4DD73B shade: #A1D73C, #78D73C, #4ED73C, #3CD754 and #3CD77D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4DD73B shade: #2FA021, #3AC228, #4ED73C, #6DDE5F and #8CE581

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4DD73B shade: #4DD73B, #3CCAD7 and #D73C8C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4DD73B shade: #4DD73B, #3C4ED7 and #D73C4E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4DD73B shade: #4DD73B, #3CCAD7, #C53CD7 and #D7493C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4DD73B shade: #4DD73B, #3C9CD7, #C53CD7 and #D7783C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 73 / 16

HEX #4DD73B

RGB 77 215 59

HSL 113.08, 0.66%, 0.54%

LAB 76.37, -64.87, 62.32

 

Complementary color

CMYK 9 / 80 / 0 / 23

HEX #B228C4

RGB 178 40 196

HSL 293.08, 0.66%, 0.46%

LAB 45.59, 71.45, -51.71

 

CMYK 62 / 0 / 75 / 16

HEX #52D736

RGB 82 215 54

HSL 109.57, 0.67%, 0.53%

LAB 76.47, -64.14, 64.17

 

CMYK 58 / 0 / 69 / 9

HEX #63E949

RGB 99 233 73

HSL 110.25, 0.78%, 0.6%

LAB 82.6, -64.96, 63.83

 

CMYK 54 / 0 / 63 / 2

HEX #74FB5C

RGB 116 251 92

HSL 110.94, 0.95%, 0.67%

LAB 88.68, -65.48, 63.1

 

CMYK 48 / 0 / 56 / 0

HEX #85FF6F

RGB 133 255 111

HSL 110.83, 1%, 0.72%

LAB 90.62, -60.57, 57.44

 

CMYK 41 / 0 / 49 / 0

HEX #96FF82

RGB 150 255 130

HSL 110.4, 1%, 0.75%

LAB 91.51, -53.52, 50.04

 

CMYK 64 / 0 / 73 / 16

HEX #4DD73B

RGB 77 215 59

HSL 113.08, 0.66%, 0.54%

LAB 76.37, -64.87, 62.32

 

CMYK 70 / 0 / 80 / 23

HEX #3CC528

RGB 60 197 40

HSL 112.36, 0.66%, 0.46%

LAB 70.21, -63.61, 62.3

 

CMYK 76 / 0 / 88 / 30

HEX #2BB315

RGB 43 179 21

HSL 111.65, 0.79%, 0.39%

LAB 64.01, -61.75, 61.28

 

CMYK 84 / 0 / 99 / 37

HEX #1AA102

RGB 26 161 2

HSL 110.94, 0.98%, 0.32%

LAB 57.76, -59.14, 58.94

 

CMYK 94 / 0 / 100 / 44

HEX #098F00

RGB 9 143 0

HSL 116.22, 1%, 0.28%

LAB 51.5, -55.42, 54.15

 

CMYK 64 / 0 / 72 / 16

HEX #4ED73C

RGB 78 215 60

HSL 113.03, 0.66%, 0.54%

LAB 76.4, -64.58, 62

 

CMYK 44 / 0 / 72 / 16

HEX #78D73C

RGB 120 215 60

HSL 96.77, 0.66%, 0.54%

LAB 77.83, -53.5, 63.91

 

CMYK 25 / 0 / 72 / 16

HEX #A2D73C

RGB 162 215 60

HSL 80.52, 0.66%, 0.54%

LAB 79.96, -38.87, 66.73

 

CMYK 6 / 0 / 72 / 16

HEX #CBD73C

RGB 203 215 60

HSL 64.65, 0.66%, 0.54%

LAB 82.71, -22.55, 70.35

 

CMYK 0 / 14 / 72 / 16

HEX #D7B93C

RGB 215 185 60

HSL 48.39, 0.66%, 0.54%

LAB 75.74, -2.35, 63.94

 

CMYK 64 / 0 / 72 / 16

HEX #4ED73C

RGB 78 215 60

HSL 113.03, 0.66%, 0.54%

LAB 76.4, -64.58, 62

 

CMYK 72 / 0 / 61 / 16

HEX #3CD754

RGB 60 215 84

HSL 129.29, 0.66%, 0.54%

LAB 76.19, -65.63, 52.08

 

CMYK 72 / 0 / 41 / 16

HEX #3CD77E

RGB 60 215 126

HSL 145.55, 0.66%, 0.54%

LAB 76.72, -59.49, 32.65

 

CMYK 72 / 0 / 22 / 16

HEX #3CD7A8

RGB 60 215 168

HSL 161.81, 0.66%, 0.54%

LAB 77.51, -50.83, 11.81

 

CMYK 72 / 0 / 3 / 16

HEX #3CD7D1

RGB 60 215 209

HSL 177.68, 0.66%, 0.54%

LAB 78.56, -40.3, -8.58

 

CMYK 64 / 0 / 72 / 16

HEX #4ED73C

RGB 78 215 60

HSL 113.03, 0.66%, 0.54%

LAB 76.4, -64.58, 62

 

CMYK 73 / 0 / 82 / 8

HEX #40EA29

RGB 64 234 41

HSL 112.85, 0.82%, 0.54%

LAB 81.89, -74.33, 72.85

 

CMYK 81 / 0 / 91 / 1

HEX #31FD16

RGB 49 253 22

HSL 112.99, 0.98%, 0.54%

LAB 87.47, -82.42, 81.11

 

CMYK 64 / 0 / 72 / 16

HEX #4ED73C

RGB 78 215 60

HSL 113.03, 0.66%, 0.54%

LAB 76.4, -64.58, 62

 

CMYK 53 / 0 / 60 / 23

HEX #5DC44F

RGB 93 196 79

HSL 112.82, 0.5%, 0.54%

LAB 71.13, -52.37, 48.74

 

CMYK 40 / 0 / 45 / 31

HEX #6BB162

RGB 107 177 98

HSL 113.16, 0.34%, 0.54%

LAB 66.1, -37.89, 33.57

 

CMYK 23 / 0 / 26 / 38

HEX #7A9E75

RGB 122 158 117

HSL 112.68, 0.17%, 0.54%

LAB 61.55, -20.6, 17.49

 

CMYK 1 / 0 / 2 / 45

HEX #898B88

RGB 137 139 136

HSL 100, 0.01%, 0.54%

LAB 57.62, -1.32, 1.34

 

CMYK 25 / 0 / 72 / 16

HEX #A1D73C

RGB 161 215 60

HSL 80.9, 0.66%, 0.54%

LAB 79.9, -39.25, 66.65

 

CMYK 44 / 0 / 72 / 16

HEX #78D73C

RGB 120 215 60

HSL 96.77, 0.66%, 0.54%

LAB 77.83, -53.5, 63.91

 

CMYK 64 / 0 / 72 / 16

HEX #4ED73C

RGB 78 215 60

HSL 113.03, 0.66%, 0.54%

LAB 76.4, -64.58, 62

 

CMYK 72 / 0 / 61 / 16

HEX #3CD754

RGB 60 215 84

HSL 129.29, 0.66%, 0.54%

LAB 76.19, -65.63, 52.08

 

CMYK 72 / 0 / 42 / 16

HEX #3CD77D

RGB 60 215 125

HSL 145.16, 0.66%, 0.54%

LAB 76.7, -59.67, 33.14

 

CMYK 71 / 0 / 79 / 37

HEX #2FA021

RGB 47 160 33

HSL 113.39, 0.66%, 0.38%

LAB 57.9, -54.36, 52.64

 

CMYK 70 / 0 / 79 / 24

HEX #3AC228

RGB 58 194 40

HSL 112.99, 0.66%, 0.46%

LAB 69.21, -63.01, 61.34

 

CMYK 64 / 0 / 72 / 16

HEX #4ED73C

RGB 78 215 60

HSL 113.03, 0.66%, 0.54%

LAB 76.4, -64.58, 62

 

CMYK 51 / 0 / 57 / 13

HEX #6DDE5F

RGB 109 222 95

HSL 113.39, 0.66%, 0.62%

LAB 79.8, -56.27, 51.7

 

CMYK 39 / 0 / 44 / 10

HEX #8CE581

RGB 140 229 129

HSL 113.4, 0.66%, 0.7%

LAB 83.55, -45.85, 40.47

 

CMYK 64 / 0 / 73 / 16

HEX #4DD73B

RGB 77 215 59

HSL 113.08, 0.66%, 0.54%

LAB 76.37, -64.87, 62.32

 

CMYK 72 / 6 / 0 / 16

HEX #3CCAD7

RGB 60 202 215

HSL 185.03, 0.66%, 0.54%

LAB 74.89, -32.55, -17.3

 

CMYK 0 / 72 / 35 / 16

HEX #D73C8C

RGB 215 60 140

HSL 329.03, 0.66%, 0.54%

LAB 51.35, 65.93, -9.18

 

CMYK 64 / 0 / 73 / 16

HEX #4DD73B

RGB 77 215 59

HSL 113.08, 0.66%, 0.54%

LAB 76.37, -64.87, 62.32

 

CMYK 72 / 64 / 0 / 16

HEX #3C4ED7

RGB 60 78 215

HSL 233.03, 0.66%, 0.54%

LAB 40.11, 39.06, -72.17

 

CMYK 0 / 72 / 64 / 16

HEX #D73C4E

RGB 215 60 78

HSL 353.03, 0.66%, 0.54%

LAB 49.77, 60.73, 25.99

 

CMYK 64 / 0 / 73 / 16

HEX #4DD73B

RGB 77 215 59

HSL 113.08, 0.66%, 0.54%

LAB 76.37, -64.87, 62.32

 

CMYK 72 / 6 / 0 / 16

HEX #3CCAD7

RGB 60 202 215

HSL 185.03, 0.66%, 0.54%

LAB 74.89, -32.55, -17.3

 

CMYK 8 / 72 / 0 / 16

HEX #C53CD7

RGB 197 60 215

HSL 293.03, 0.66%, 0.54%

LAB 51.85, 72.34, -52.46

 

CMYK 0 / 66 / 72 / 16

HEX #D7493C

RGB 215 73 60

HSL 5.03, 0.66%, 0.54%

LAB 51.31, 54.86, 38.29

 

CMYK 64 / 0 / 73 / 16

HEX #4DD73B

RGB 77 215 59

HSL 113.08, 0.66%, 0.54%

LAB 76.37, -64.87, 62.32

 

CMYK 72 / 27 / 0 / 16

HEX #3C9CD7

RGB 60 156 215

HSL 202.84, 0.66%, 0.54%

LAB 61.35, -8.74, -38.13

 

CMYK 8 / 72 / 0 / 16

HEX #C53CD7

RGB 197 60 215

HSL 293.03, 0.66%, 0.54%

LAB 51.85, 72.34, -52.46

 

CMYK 0 / 44 / 72 / 16

HEX #D7783C

RGB 215 120 60

HSL 23.23, 0.66%, 0.54%

LAB 60.07, 32.36, 47.94

 

Description

Color code: HEX #4DD73B | qconv.com Color code: HEX #4DD73B | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 215 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 215 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 73 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 73% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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