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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #74FB5C it is the complementary color #8B04A3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #74FB5C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #74FB5C shade: #79FB57, #8AFF6A, #9BFF7D, #ACFF90 and #BDFFA3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #74FB5C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #74FB5C shade: #74FB5C, #63E949, #52D736, #41C523 and #30B310

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #74FB5C shade: #73FB5B, #9EFB5B, #C9FB5B, #F4FB5B and #FBD65B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #74FB5C shade: #73FB5B, #5BFB6E, #5BFB99, #5BFBC4 and #5BFBEF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #74FB5C shade matches the following richer shades: #73FB5B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #74FB5C shade: #73FB5B, #7DED69, #86E076, #90D284 and #99C491

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #74FB5C shade: #CBFB5B, #A0FB5B, #76FB5B, #5BFB6B and #5BFB96

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #74FB5C shade: #2EF90A, #51FA33, #73FB5B, #95FC83 and #B8FDAB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #74FB5C shade: #74FB5C, #5BF5FB and #FB5BB6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #74FB5C shade: #74FB5C, #5B76FB and #FB5B76

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #74FB5C shade: #74FB5C, #5BF5FB, #E05BFB and #FB605B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #74FB5C shade: #74FB5C, #5BC5FB, #E05BFB and #FB905B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 63 / 2

HEX #74FB5C

RGB 116 251 92

HSL 110.94, 0.95%, 0.67%

LAB 88.68, -65.48, 63.1

 

Complementary color

CMYK 15 / 98 / 0 / 36

HEX #8B04A3

RGB 139 4 163

HSL 290.94, 0.95%, 0.33%

LAB 34.44, 65.97, -50.47

 

CMYK 52 / 0 / 65 / 2

HEX #79FB57

RGB 121 251 87

HSL 107.56, 0.95%, 0.66%

LAB 88.8, -64.65, 65.28

 

CMYK 46 / 0 / 58 / 0

HEX #8AFF6A

RGB 138 255 106

HSL 107.11, 1%, 0.71%

LAB 90.76, -59.7, 59.82

 

CMYK 39 / 0 / 51 / 0

HEX #9BFF7D

RGB 155 255 125

HSL 106.15, 1%, 0.75%

LAB 91.67, -52.61, 52.61

 

CMYK 33 / 0 / 44 / 0

HEX #ACFF90

RGB 172 255 144

HSL 104.86, 1%, 0.78%

LAB 92.71, -44.95, 45.12

 

CMYK 26 / 0 / 36 / 0

HEX #BDFFA3

RGB 189 255 163

HSL 103.04, 1%, 0.82%

LAB 93.88, -36.83, 37.53

 

CMYK 54 / 0 / 63 / 2

HEX #74FB5C

RGB 116 251 92

HSL 110.94, 0.95%, 0.67%

LAB 88.68, -65.48, 63.1

 

CMYK 58 / 0 / 69 / 9

HEX #63E949

RGB 99 233 73

HSL 110.25, 0.78%, 0.6%

LAB 82.6, -64.96, 63.83

 

CMYK 62 / 0 / 75 / 16

HEX #52D736

RGB 82 215 54

HSL 109.57, 0.67%, 0.53%

LAB 76.47, -64.14, 64.17

 

CMYK 67 / 0 / 82 / 23

HEX #41C523

RGB 65 197 35

HSL 108.89, 0.7%, 0.45%

LAB 70.3, -62.91, 63.81

 

CMYK 73 / 0 / 91 / 30

HEX #30B310

RGB 48 179 16

HSL 108.22, 0.84%, 0.38%

LAB 64.08, -61.11, 62.3

 

CMYK 54 / 0 / 64 / 2

HEX #73FB5B

RGB 115 251 91

HSL 111, 0.95%, 0.67%

LAB 88.64, -65.83, 63.45

 

CMYK 37 / 0 / 64 / 2

HEX #9EFB5B

RGB 158 251 91

HSL 94.88, 0.95%, 0.67%

LAB 90.33, -53.39, 65.79

 

CMYK 20 / 0 / 64 / 2

HEX #C9FB5B

RGB 201 251 91

HSL 78.75, 0.95%, 0.67%

LAB 92.65, -38.27, 68.96

 

CMYK 3 / 0 / 64 / 2

HEX #F4FB5B

RGB 244 251 91

HSL 62.63, 0.95%, 0.67%

LAB 95.57, -21.58, 72.93

 

CMYK 0 / 15 / 64 / 2

HEX #FBD65B

RGB 251 214 91

HSL 46.13, 0.95%, 0.67%

LAB 86.68, -0.46, 63.69

 

CMYK 54 / 0 / 64 / 2

HEX #73FB5B

RGB 115 251 91

HSL 111, 0.95%, 0.67%

LAB 88.64, -65.83, 63.45

 

CMYK 64 / 0 / 56 / 2

HEX #5BFB6E

RGB 91 251 110

HSL 127.13, 0.95%, 0.67%

LAB 88.13, -69.15, 54.64

 

CMYK 64 / 0 / 39 / 2

HEX #5BFB99

RGB 91 251 153

HSL 143.25, 0.95%, 0.67%

LAB 88.69, -62.84, 34.94

 

CMYK 64 / 0 / 22 / 2

HEX #5BFBC4

RGB 91 251 196

HSL 159.38, 0.95%, 0.67%

LAB 89.49, -54.39, 14.19

 

CMYK 64 / 0 / 5 / 2

HEX #5BFBEF

RGB 91 251 239

HSL 175.5, 0.95%, 0.67%

LAB 90.53, -44.06, -6.59

 

CMYK 54 / 0 / 64 / 2

HEX #73FB5B

RGB 115 251 91

HSL 111, 0.95%, 0.67%

LAB 88.64, -65.83, 63.45

 

CMYK 54 / 0 / 64 / 2

HEX #73FB5B

RGB 115 251 91

HSL 111, 0.95%, 0.67%

LAB 88.64, -65.83, 63.45

 

CMYK 47 / 0 / 56 / 7

HEX #7DED69

RGB 125 237 105

HSL 110.91, 0.79%, 0.67%

LAB 84.97, -56.53, 53.41

 

CMYK 40 / 0 / 47 / 12

HEX #86E076

RGB 134 224 118

HSL 110.94, 0.63%, 0.67%

LAB 81.67, -47.05, 43.42

 

CMYK 31 / 0 / 37 / 18

HEX #90D284

RGB 144 210 132

HSL 110.77, 0.46%, 0.67%

LAB 78.28, -35.75, 32.19

 

CMYK 22 / 0 / 26 / 23

HEX #99C491

RGB 153 196 145

HSL 110.59, 0.3%, 0.67%

LAB 75.01, -23.99, 21.09

 

CMYK 19 / 0 / 64 / 2

HEX #CBFB5B

RGB 203 251 91

HSL 78, 0.95%, 0.67%

LAB 92.77, -37.52, 69.13

 

CMYK 36 / 0 / 64 / 2

HEX #A0FB5B

RGB 160 251 91

HSL 94.13, 0.95%, 0.67%

LAB 90.42, -52.74, 65.92

 

CMYK 53 / 0 / 64 / 2

HEX #76FB5B

RGB 118 251 91

HSL 109.88, 0.95%, 0.67%

LAB 88.73, -65.07, 63.59

 

CMYK 64 / 0 / 57 / 2

HEX #5BFB6B

RGB 91 251 107

HSL 126, 0.95%, 0.67%

LAB 88.1, -69.51, 55.93

 

CMYK 64 / 0 / 40 / 2

HEX #5BFB96

RGB 91 251 150

HSL 142.13, 0.95%, 0.67%

LAB 88.65, -63.35, 36.37

 

CMYK 82 / 0 / 96 / 2

HEX #2EF90A

RGB 46 249 10

HSL 110.96, 0.95%, 0.51%

LAB 86.18, -81.87, 81.28

 

CMYK 68 / 0 / 80 / 2

HEX #51FA33

RGB 81 250 51

HSL 110.95, 0.95%, 0.59%

LAB 87.17, -75.8, 75.28

 

CMYK 54 / 0 / 64 / 2

HEX #73FB5B

RGB 115 251 91

HSL 111, 0.95%, 0.67%

LAB 88.64, -65.83, 63.45

 

CMYK 41 / 0 / 48 / 1

HEX #95FC83

RGB 149 252 131

HSL 111.07, 0.95%, 0.75%

LAB 90.62, -52.47, 48.46

 

CMYK 27 / 0 / 32 / 1

HEX #B8FDAB

RGB 184 253 171

HSL 110.49, 0.95%, 0.83%

LAB 93.18, -36.41, 32.57

 

CMYK 54 / 0 / 63 / 2

HEX #74FB5C

RGB 116 251 92

HSL 110.94, 0.95%, 0.67%

LAB 88.68, -65.48, 63.1

 

CMYK 64 / 2 / 0 / 2

HEX #5BF5FB

RGB 91 245 251

HSL 182.25, 0.95%, 0.67%

LAB 89.16, -38.17, -14.89

 

CMYK 0 / 64 / 27 / 2

HEX #FB5BB6

RGB 251 91 182

HSL 325.88, 0.95%, 0.67%

LAB 62.82, 69.12, -15.87

 

CMYK 54 / 0 / 63 / 2

HEX #74FB5C

RGB 116 251 92

HSL 110.94, 0.95%, 0.67%

LAB 88.68, -65.48, 63.1

 

CMYK 64 / 53 / 0 / 2

HEX #5B76FB

RGB 91 118 251

HSL 229.88, 0.95%, 0.67%

LAB 54.18, 31, -69.47

 

CMYK 0 / 64 / 53 / 2

HEX #FB5B76

RGB 251 91 118

HSL 349.88, 0.95%, 0.67%

LAB 61.04, 62.72, 18.53

 

CMYK 54 / 0 / 63 / 2

HEX #74FB5C

RGB 116 251 92

HSL 110.94, 0.95%, 0.67%

LAB 88.68, -65.48, 63.1

 

CMYK 64 / 2 / 0 / 2

HEX #5BF5FB

RGB 91 245 251

HSL 182.25, 0.95%, 0.67%

LAB 89.16, -38.17, -14.89

 

CMYK 11 / 64 / 0 / 2

HEX #E05BFB

RGB 224 91 251

HSL 289.88, 0.95%, 0.67%

LAB 61.91, 72.85, -56.37

 

CMYK 0 / 62 / 64 / 2

HEX #FB605B

RGB 251 96 91

HSL 1.88, 0.95%, 0.67%

LAB 61.33, 58.81, 34.35

 

CMYK 54 / 0 / 63 / 2

HEX #74FB5C

RGB 116 251 92

HSL 110.94, 0.95%, 0.67%

LAB 88.68, -65.48, 63.1

 

CMYK 64 / 22 / 0 / 2

HEX #5BC5FB

RGB 91 197 251

HSL 200.25, 0.95%, 0.67%

LAB 75.53, -14.6, -35.66

 

CMYK 11 / 64 / 0 / 2

HEX #E05BFB

RGB 224 91 251

HSL 289.88, 0.95%, 0.67%

LAB 61.91, 72.85, -56.37

 

CMYK 0 / 43 / 64 / 2

HEX #FB905B

RGB 251 144 91

HSL 19.88, 0.95%, 0.67%

LAB 70.32, 35.92, 45.24

 

Description

Color code: HEX #74FB5C | qconv.com Color code: HEX #74FB5C | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 251 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 251 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 63 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 63% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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