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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4DAB8C it is the complementary color #B25473. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4DAB8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4DAB8C shade: #52AB87, #63BD9A, #74CFAD, #85E1C0 and #96F3D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4DAB8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4DAB8C shade: #4DAB8C, #3C9979, #2B8766, #1A7553 and #096340

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4DAB8C shade: #4DAC8D, #4DAC73, #4DAC59, #5AAC4D and #74AC4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4DAB8C shade: #4DAC8D, #4DACA6, #4D98AC, #4D7EAC and #4D65AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4DAB8C shade matches the following richer shades: #4DAC8D, #39C093, #25D49A and #10E9A1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4DAB8C shade: #4DAC8D, #619886, #75837F, #8A6F78 and #9E5B71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4DAB8C shade: #4DAC5A, #4DAC73, #4DAC8C, #4DACA6 and #4D99AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4DAB8C shade: #33735E, #408F75, #4DAC8D, #67BB9F and #84C7B1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4DAB8C shade: #4DAB8C, #4D5AAC and #AC664D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4DAB8C shade: #4DAB8C, #8C4DAC and #AC8C4D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4DAB8C shade: #4DAB8C, #4D5AAC, #AC4D6D and #AC9F4D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4DAB8C shade: #4DAB8C, #5D4DAC, #AC4D6D and #9CAC4D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 18 / 33

HEX #4DAB8C

RGB 77 171 140

HSL 160.21, 0.38%, 0.49%

LAB 63.83, -35.46, 7.61

 

Complementary color

CMYK 0 / 53 / 35 / 30

HEX #B25473

RGB 178 84 115

HSL 340.21, 0.38%, 0.51%

LAB 48.31, 41.53, 0.69

 

CMYK 52 / 0 / 21 / 33

HEX #52AB87

RGB 82 171 135

HSL 155.73, 0.35%, 0.5%

LAB 63.89, -35.44, 10.49

 

CMYK 48 / 0 / 19 / 26

HEX #63BD9A

RGB 99 189 154

HSL 156.67, 0.41%, 0.56%

LAB 70.44, -35.31, 9.45

 

CMYK 44 / 0 / 16 / 19

HEX #74CFAD

RGB 116 207 173

HSL 157.58, 0.49%, 0.63%

LAB 76.89, -35.13, 8.48

 

CMYK 41 / 0 / 15 / 12

HEX #85E1C0

RGB 133 225 192

HSL 158.48, 0.61%, 0.7%

LAB 83.25, -34.94, 7.59

 

CMYK 38 / 0 / 13 / 5

HEX #96F3D3

RGB 150 243 211

HSL 159.35, 0.79%, 0.77%

LAB 89.53, -34.73, 6.75

 

CMYK 55 / 0 / 18 / 33

HEX #4DAB8C

RGB 77 171 140

HSL 160.21, 0.38%, 0.49%

LAB 63.83, -35.46, 7.61

 

CMYK 61 / 0 / 21 / 40

HEX #3C9979

RGB 60 153 121

HSL 159.35, 0.44%, 0.42%

LAB 57.2, -35.42, 8.74

 

CMYK 68 / 0 / 24 / 47

HEX #2B8766

RGB 43 135 102

HSL 158.48, 0.52%, 0.35%

LAB 50.45, -35.2, 10

 

CMYK 78 / 0 / 29 / 54

HEX #1A7553

RGB 26 117 83

HSL 157.58, 0.64%, 0.28%

LAB 43.61, -34.66, 11.46

 

CMYK 91 / 0 / 35 / 61

HEX #096340

RGB 9 99 64

HSL 156.67, 0.83%, 0.21%

LAB 36.65, -33.56, 13.16

 

CMYK 55 / 0 / 18 / 33

HEX #4DAC8D

RGB 77 172 141

HSL 160.42, 0.38%, 0.49%

LAB 64.17, -35.69, 7.53

 

CMYK 55 / 0 / 33 / 33

HEX #4DAC73

RGB 77 172 115

HSL 144, 0.38%, 0.49%

LAB 63.61, -41.31, 21.05

 

CMYK 55 / 0 / 48 / 33

HEX #4DAC59

RGB 77 172 89

HSL 127.58, 0.38%, 0.49%

LAB 63.18, -45.82, 34.25

 

CMYK 48 / 0 / 55 / 33

HEX #5AAC4D

RGB 90 172 77

HSL 111.79, 0.38%, 0.49%

LAB 63.52, -43.84, 40.77

 

CMYK 33 / 0 / 55 / 33

HEX #74AC4D

RGB 116 172 77

HSL 95.37, 0.38%, 0.49%

LAB 64.77, -35.23, 42.55

 

CMYK 55 / 0 / 18 / 33

HEX #4DAC8D

RGB 77 172 141

HSL 160.42, 0.38%, 0.49%

LAB 64.17, -35.69, 7.53

 

CMYK 55 / 0 / 3 / 33

HEX #4DACA6

RGB 77 172 166

HSL 176.21, 0.38%, 0.49%

LAB 64.83, -29.36, -5.42

 

CMYK 55 / 12 / 0 / 33

HEX #4D98AC

RGB 77 152 172

HSL 192.63, 0.38%, 0.49%

LAB 58.99, -17.46, -17.56

 

CMYK 55 / 27 / 0 / 33

HEX #4D7EAC

RGB 77 126 172

HSL 209.05, 0.38%, 0.49%

LAB 51.24, -2.88, -29.47

 

CMYK 55 / 41 / 0 / 33

HEX #4D65AC

RGB 77 101 172

HSL 224.84, 0.38%, 0.49%

LAB 44.04, 12.38, -40.8

 

CMYK 55 / 0 / 18 / 33

HEX #4DAC8D

RGB 77 172 141

HSL 160.42, 0.38%, 0.49%

LAB 64.17, -35.69, 7.53

 

CMYK 70 / 0 / 23 / 25

HEX #39C093

RGB 57 192 147

HSL 160, 0.54%, 0.49%

LAB 69.95, -46.71, 12.37

 

CMYK 83 / 0 / 27 / 17

HEX #25D49A

RGB 37 212 154

HSL 160.11, 0.7%, 0.49%

LAB 75.95, -55.4, 17

 

CMYK 93 / 0 / 31 / 9

HEX #10E9A1

RGB 16 233 161

HSL 160.09, 0.87%, 0.49%

LAB 82.36, -62.91, 22.17

 

CMYK 55 / 0 / 18 / 33

HEX #4DAC8D

RGB 77 172 141

HSL 160.42, 0.38%, 0.49%

LAB 64.17, -35.69, 7.53

 

CMYK 36 / 0 / 12 / 40

HEX #619886

RGB 97 152 134

HSL 160.36, 0.22%, 0.49%

LAB 58.71, -22.38, 3.74

 

CMYK 11 / 0 / 3 / 49

HEX #75837F

RGB 117 131 127

HSL 162.86, 0.06%, 0.49%

LAB 53.54, -5.95, 0.41

 

CMYK 0 / 20 / 13 / 46

HEX #8A6F78

RGB 138 111 120

HSL 340, 0.11%, 0.49%

LAB 49.65, 12.2, -0.95

 

CMYK 0 / 42 / 28 / 38

HEX #9E5B71

RGB 158 91 113

HSL 340.3, 0.27%, 0.49%

LAB 46.9, 30.29, -0.5

 

CMYK 55 / 0 / 48 / 33

HEX #4DAC5A

RGB 77 172 90

HSL 128.21, 0.38%, 0.49%

LAB 63.19, -45.66, 33.76

 

CMYK 55 / 0 / 33 / 33

HEX #4DAC73

RGB 77 172 115

HSL 144, 0.38%, 0.49%

LAB 63.61, -41.31, 21.05

 

CMYK 55 / 0 / 19 / 33

HEX #4DAC8C

RGB 77 172 140

HSL 159.79, 0.38%, 0.49%

LAB 64.14, -35.92, 8.05

 

CMYK 55 / 0 / 3 / 33

HEX #4DACA6

RGB 77 172 166

HSL 176.21, 0.38%, 0.49%

LAB 64.83, -29.36, -5.42

 

CMYK 55 / 11 / 0 / 33

HEX #4D99AC

RGB 77 153 172

HSL 192, 0.38%, 0.49%

LAB 59.29, -17.99, -17.1

 

CMYK 56 / 0 / 18 / 55

HEX #33735E

RGB 51 115 94

HSL 160.31, 0.39%, 0.33%

LAB 43.91, -26.04, 5.45

 

CMYK 55 / 0 / 18 / 44

HEX #408F75

RGB 64 143 117

HSL 160.25, 0.38%, 0.41%

LAB 54.05, -30.84, 6.55

 

CMYK 55 / 0 / 18 / 33

HEX #4DAC8D

RGB 77 172 141

HSL 160.42, 0.38%, 0.49%

LAB 64.17, -35.69, 7.53

 

CMYK 45 / 0 / 15 / 27

HEX #67BB9F

RGB 103 187 159

HSL 160, 0.38%, 0.57%

LAB 70.13, -32.23, 6.29

 

CMYK 34 / 0 / 11 / 22

HEX #84C7B1

RGB 132 199 177

HSL 160.3, 0.37%, 0.65%

LAB 75.41, -26.05, 4.29

 

CMYK 55 / 0 / 18 / 33

HEX #4DAB8C

RGB 77 171 140

HSL 160.21, 0.38%, 0.49%

LAB 63.83, -35.46, 7.61

 

CMYK 55 / 48 / 0 / 33

HEX #4D5AAC

RGB 77 90 172

HSL 231.79, 0.38%, 0.49%

LAB 41.01, 19.36, -45.63

 

CMYK 0 / 41 / 55 / 33

HEX #AC664D

RGB 172 102 77

HSL 15.79, 0.38%, 0.49%

LAB 50.46, 25.57, 26.09

 

CMYK 55 / 0 / 18 / 33

HEX #4DAB8C

RGB 77 171 140

HSL 160.21, 0.38%, 0.49%

LAB 63.83, -35.46, 7.61

 

CMYK 19 / 55 / 0 / 33

HEX #8C4DAC

RGB 140 77 172

HSL 279.79, 0.38%, 0.49%

LAB 44.03, 43.1, -40.45

 

CMYK 0 / 19 / 55 / 33

HEX #AC8C4D

RGB 172 140 77

HSL 39.79, 0.38%, 0.49%

LAB 59.95, 4.27, 37.86

 

CMYK 55 / 0 / 18 / 33

HEX #4DAB8C

RGB 77 171 140

HSL 160.21, 0.38%, 0.49%

LAB 63.83, -35.46, 7.61

 

CMYK 55 / 48 / 0 / 33

HEX #4D5AAC

RGB 77 90 172

HSL 231.79, 0.38%, 0.49%

LAB 41.01, 19.36, -45.63

 

CMYK 0 / 55 / 37 / 33

HEX #AC4D6D

RGB 172 77 109

HSL 339.79, 0.38%, 0.49%

LAB 45.88, 42.23, 0.68

 

CMYK 0 / 8 / 55 / 33

HEX #AC9F4D

RGB 172 159 77

HSL 51.79, 0.38%, 0.49%

LAB 65.04, -6.08, 43.89

 

CMYK 55 / 0 / 18 / 33

HEX #4DAB8C

RGB 77 171 140

HSL 160.21, 0.38%, 0.49%

LAB 63.83, -35.46, 7.61

 

CMYK 46 / 55 / 0 / 33

HEX #5D4DAC

RGB 93 77 172

HSL 250.11, 0.38%, 0.49%

LAB 38.92, 31.14, -48.91

 

CMYK 0 / 55 / 37 / 33

HEX #AC4D6D

RGB 172 77 109

HSL 339.79, 0.38%, 0.49%

LAB 45.88, 42.23, 0.68

 

CMYK 9 / 0 / 55 / 33

HEX #9CAC4D

RGB 156 172 77

HSL 70.11, 0.38%, 0.49%

LAB 67.36, -19.62, 46.23

 

Description

Color code: HEX #4DAB8C | qconv.com Color code: HEX #4DAB8C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 171 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 171 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 18 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 18% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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