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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4D8CA9 it is the complementary color #B27356. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4D8CA9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #4D8CA9: #528CA4, #639EB7, #74B0CA, #85C2DD and #96D4F0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4D8CA9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #4D8CA9: #4D8CA9, #3C7A96, #2B6883, #1A5670 and #09445D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 17 / 0 / 34

HEX #4D8CA9

RGB 77 140 169

HSL 198.91, 0.37%, 0.48%

LAB 55.28, -11.83, -21.51

 

Complementary color

CMYK 0 / 35 / 52 / 30

HEX #B27356

RGB 178 115 86

HSL 18.91, 0.37%, 0.52%

LAB 54.45, 21.63, 26.25

 

CMYK 50 / 15 / 0 / 36

HEX #528CA4

RGB 82 140 164

HSL 197.56, 0.33%, 0.48%

LAB 55.31, -12.17, -18.57

 

CMYK 46 / 14 / 0 / 28

HEX #639EB7

RGB 99 158 183

HSL 197.86, 0.37%, 0.55%

LAB 62.1, -12.42, -18.94

 

CMYK 43 / 13 / 0 / 21

HEX #74B0CA

RGB 116 176 202

HSL 198.14, 0.45%, 0.62%

LAB 68.77, -12.6, -19.3

 

CMYK 40 / 12 / 0 / 13

HEX #85C2DD

RGB 133 194 221

HSL 198.41, 0.56%, 0.69%

LAB 75.32, -12.74, -19.66

 

CMYK 38 / 12 / 0 / 6

HEX #96D4F0

RGB 150 212 240

HSL 198.67, 0.75%, 0.76%

LAB 81.76, -12.85, -20.01

 

CMYK 54 / 17 / 0 / 34

HEX #4D8CA9

RGB 77 140 169

HSL 198.91, 0.37%, 0.48%

LAB 55.28, -11.83, -21.51

 

CMYK 60 / 19 / 0 / 41

HEX #3C7A96

RGB 60 122 150

HSL 198.67, 0.43%, 0.41%

LAB 48.36, -11.32, -21.16

 

CMYK 67 / 21 / 0 / 49

HEX #2B6883

RGB 43 104 131

HSL 198.41, 0.51%, 0.34%

LAB 41.3, -10.6, -20.78

 

CMYK 77 / 23 / 0 / 56

HEX #1A5670

RGB 26 86 112

HSL 198.14, 0.62%, 0.27%

LAB 34.08, -9.52, -20.35

 

CMYK 90 / 27 / 0 / 64

HEX #09445D

RGB 9 68 93

HSL 197.86, 0.82%, 0.2%

LAB 26.69, -7.84, -19.83

 

CMYK 54 / 17 / 0 / 34

HEX #4D8CA9

RGB 77 140 169

HSL 198.91, 0.37%, 0.48%

LAB 55.28, -11.83, -21.51

 

CMYK 54 / 25 / 0 / 35

HEX #4D7DA7

RGB 77 125 167

HSL 208, 0.37%, 0.48%

LAB 50.73, -3.88, -27.37

 

CMYK 54 / 34 / 0 / 35

HEX #4D6EA7

RGB 77 110 167

HSL 218, 0.37%, 0.48%

LAB 46.34, 5.13, -34.23

 

CMYK 54 / 43 / 0 / 35

HEX #4D5FA7

RGB 77 95 167

HSL 228, 0.37%, 0.48%

LAB 42.08, 14.51, -40.96

 

CMYK 54 / 52 / 0 / 35

HEX #4D50A7

RGB 77 80 167

HSL 238, 0.37%, 0.48%

LAB 38.03, 24.09, -47.44

 

CMYK 54 / 17 / 0 / 34

HEX #4D8CA9

RGB 77 140 169

HSL 198.91, 0.37%, 0.48%

LAB 55.28, -11.83, -21.51

 

CMYK 55 / 17 / 0 / 14

HEX #64B6DC

RGB 100 182 220

HSL 199, 0.63%, 0.63%

LAB 70.41, -14.4, -26.74

 

CMYK 56 / 19 / 0 / 94

HEX #070D10

RGB 7 13 16

HSL 200, 0.39%, 0.05%

LAB 3.35, -1.11, -2.02

 

CMYK 54 / 16 / 0 / 74

HEX #1F3843

RGB 31 56 67

HSL 198.33, 0.37%, 0.19%

LAB 22.03, -6.06, -9.82

 

CMYK 54 / 17 / 0 / 54

HEX #366276

RGB 54 98 118

HSL 198.75, 0.37%, 0.34%

LAB 39.29, -9.08, -15.94

 

CMYK 54 / 17 / 0 / 34

HEX #4D8CA9

RGB 77 140 169

HSL 198.91, 0.37%, 0.48%

LAB 55.28, -11.83, -21.51

 

CMYK 27 / 54 / 0 / 35

HEX #7A4DA7

RGB 122 77 167

HSL 270, 0.37%, 0.48%

LAB 41.59, 37.06, -41.51

 

CMYK 0 / 5 / 54 / 35

HEX #A79E4D

RGB 167 158 77

HSL 54, 0.37%, 0.48%

LAB 64.33, -7.69, 42.94

 

CMYK 54 / 17 / 0 / 34

HEX #4D8CA9

RGB 77 140 169

HSL 198.91, 0.37%, 0.48%

LAB 55.28, -11.83, -21.51

 

CMYK 0 / 54 / 16 / 35

HEX #A74D8C

RGB 167 77 140

HSL 318, 0.37%, 0.48%

LAB 46.2, 44.93, -17.72

 

CMYK 16 / 0 / 54 / 35

HEX #8CA74D

RGB 140 167 77

HSL 78, 0.37%, 0.48%

LAB 64.76, -23.65, 42.92

 

CMYK 54 / 17 / 0 / 34

HEX #4D8CA9

RGB 77 140 169

HSL 198.91, 0.37%, 0.48%

LAB 55.28, -11.83, -21.51

 

CMYK 27 / 54 / 0 / 35

HEX #7A4DA7

RGB 122 77 167

HSL 270, 0.37%, 0.48%

LAB 41.59, 37.06, -41.51

 

CMYK 0 / 38 / 54 / 35

HEX #A7684D

RGB 167 104 77

HSL 18, 0.37%, 0.48%

LAB 50.28, 22.36, 25.72

 

CMYK 27 / 0 / 54 / 35

HEX #7AA74D

RGB 122 167 77

HSL 90, 0.37%, 0.48%

LAB 63.6, -30.69, 41.25

 

CMYK 54 / 17 / 0 / 34

HEX #4D8CA9

RGB 77 140 169

HSL 198.91, 0.37%, 0.48%

LAB 55.28, -11.83, -21.51

 

CMYK 11 / 54 / 0 / 35

HEX #954DA7

RGB 149 77 167

HSL 288, 0.37%, 0.48%

LAB 44.92, 44.5, -36.01

 

CMYK 0 / 38 / 54 / 35

HEX #A7684D

RGB 167 104 77

HSL 18, 0.37%, 0.48%

LAB 50.28, 22.36, 25.72

 

CMYK 43 / 0 / 54 / 35

HEX #5FA74D

RGB 95 167 77

HSL 108, 0.37%, 0.48%

LAB 62.17, -40.17, 39.21

 

Description

Color code: HEX #4D8CA9 | qconv.com Color code: HEX #4D8CA9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 140 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 140 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 17 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 17% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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