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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4D7C74 it is the complementary color #B2838B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4D7C74. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #4D7C74: #527C6F, #638E82, #74A095, #85B2A8 and #96C4BB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4D7C74. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #4D7C74: #4D7C74, #3C6A61, #2B584E, #1A463B and #093428

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 6 / 51

HEX #4D7C74

RGB 77 124 116

HSL 169.79, 0.23%, 0.39%

LAB 48.58, -17.99, -0.71

 

Complementary color

CMYK 0 / 26 / 22 / 30

HEX #B2838B

RGB 178 131 139

HSL 349.79, 0.23%, 0.61%

LAB 59.49, 19.29, 2.81

 

CMYK 34 / 0 / 10 / 51

HEX #527C6F

RGB 82 124 111

HSL 161.43, 0.2%, 0.4%

LAB 48.71, -17.67, 2.46

 

CMYK 30 / 0 / 8 / 44

HEX #638E82

RGB 99 142 130

HSL 163.26, 0.18%, 0.47%

LAB 55.7, -17.46, 1.66

 

CMYK 28 / 0 / 7 / 37

HEX #74A095

RGB 116 160 149

HSL 165, 0.19%, 0.54%

LAB 62.53, -17.28, 0.92

 

CMYK 25 / 0 / 6 / 30

HEX #85B2A8

RGB 133 178 168

HSL 166.67, 0.23%, 0.61%

LAB 69.22, -17.12, 0.23

 

CMYK 23 / 0 / 5 / 23

HEX #96C4BB

RGB 150 196 187

HSL 168.26, 0.28%, 0.68%

LAB 75.79, -16.99, -0.44

 

CMYK 38 / 0 / 6 / 51

HEX #4D7C74

RGB 77 124 116

HSL 169.79, 0.23%, 0.39%

LAB 48.58, -17.99, -0.71

 

CMYK 43 / 0 / 8 / 58

HEX #3C6A61

RGB 60 106 97

HSL 168.26, 0.28%, 0.33%

LAB 41.42, -18.15, 0.11

 

CMYK 51 / 0 / 11 / 65

HEX #2B584E

RGB 43 88 78

HSL 166.67, 0.34%, 0.26%

LAB 34.07, -18.29, 1.02

 

CMYK 63 / 0 / 16 / 73

HEX #1A463B

RGB 26 70 59

HSL 165, 0.46%, 0.19%

LAB 26.49, -18.32, 2.09

 

CMYK 83 / 0 / 23 / 80

HEX #093428

RGB 9 52 40

HSL 163.26, 0.7%, 0.12%

LAB 18.66, -18.03, 3.44

 

CMYK 38 / 0 / 6 / 51

HEX #4D7C74

RGB 77 124 116

HSL 169.79, 0.23%, 0.39%

LAB 48.58, -17.99, -0.71

 

CMYK 38 / 0 / 1 / 52

HEX #4C7A79

RGB 76 122 121

HSL 178.7, 0.23%, 0.39%

LAB 48.05, -15.92, -4.44

 

CMYK 38 / 6 / 0 / 52

HEX #4C737A

RGB 76 115 122

HSL 189.13, 0.23%, 0.39%

LAB 45.91, -11.75, -8.22

 

CMYK 38 / 12 / 0 / 52

HEX #4C6B7A

RGB 76 107 122

HSL 199.57, 0.23%, 0.39%

LAB 43.44, -7.14, -11.93

 

CMYK 38 / 18 / 0 / 52

HEX #4C647A

RGB 76 100 122

HSL 208.7, 0.23%, 0.39%

LAB 41.3, -2.97, -15.18

 

CMYK 38 / 0 / 6 / 51

HEX #4D7C74

RGB 77 124 116

HSL 169.79, 0.23%, 0.39%

LAB 48.58, -17.99, -0.71

 

CMYK 38 / 0 / 6 / 31

HEX #6DAFA4

RGB 109 175 164

HSL 170, 0.29%, 0.56%

LAB 66.97, -23.6, -1.01

 

CMYK 38 / 0 / 7 / 11

HEX #8CE2D3

RGB 140 226 211

HSL 169.53, 0.6%, 0.72%

LAB 84.31, -29.38, -0.87

 

CMYK 36 / 0 / 5 / 91

HEX #0E1615

RGB 14 22 21

HSL 172.5, 0.22%, 0.07%

LAB 6.52, -3.37, -0.45

 

CMYK 38 / 0 / 7 / 71

HEX #2D4944

RGB 45 73 68

HSL 169.29, 0.24%, 0.23%

LAB 28.75, -11.89, -0.36

 

CMYK 38 / 0 / 6 / 51

HEX #4D7C74

RGB 77 124 116

HSL 169.79, 0.23%, 0.39%

LAB 48.58, -17.99, -0.71

 

CMYK 37 / 38 / 0 / 52

HEX #4D4C7A

RGB 77 76 122

HSL 241.3, 0.23%, 0.39%

LAB 34.3, 12.42, -26.02

 

CMYK 0 / 22 / 38 / 52

HEX #7A5F4C

RGB 122 95 76

HSL 24.78, 0.23%, 0.39%

LAB 42.53, 8.11, 15.07

 

CMYK 38 / 0 / 6 / 51

HEX #4D7C74

RGB 77 124 116

HSL 169.79, 0.23%, 0.39%

LAB 48.58, -17.99, -0.71

 

CMYK 7 / 38 / 0 / 52

HEX #714C7A

RGB 113 76 122

HSL 288.26, 0.23%, 0.39%

LAB 37.99, 24.27, -19.98

 

CMYK 0 / 7 / 38 / 52

HEX #7A714C

RGB 122 113 76

HSL 48.26, 0.23%, 0.39%

LAB 47.58, -2.46, 21.82

 

CMYK 38 / 0 / 6 / 51

HEX #4D7C74

RGB 77 124 116

HSL 169.79, 0.23%, 0.39%

LAB 48.58, -17.99, -0.71

 

CMYK 37 / 38 / 0 / 52

HEX #4D4C7A

RGB 77 76 122

HSL 241.3, 0.23%, 0.39%

LAB 34.3, 12.42, -26.02

 

CMYK 0 / 38 / 31 / 52

HEX #7A4C54

RGB 122 76 84

HSL 349.57, 0.23%, 0.39%

LAB 37.75, 20.63, 3.45

 

CMYK 1 / 0 / 38 / 52

HEX #797A4C

RGB 121 122 76

HSL 61.3, 0.23%, 0.39%

LAB 50.1, -8, 25.09

 

CMYK 38 / 0 / 6 / 51

HEX #4D7C74

RGB 77 124 116

HSL 169.79, 0.23%, 0.39%

LAB 48.58, -17.99, -0.71

 

CMYK 25 / 38 / 0 / 52

HEX #5B4C7A

RGB 91 76 122

HSL 259.57, 0.23%, 0.39%

LAB 35.59, 16.86, -23.9

 

CMYK 0 / 38 / 31 / 52

HEX #7A4C54

RGB 122 76 84

HSL 349.57, 0.23%, 0.39%

LAB 37.75, 20.63, 3.45

 

CMYK 12 / 0 / 38 / 52

HEX #6B7A4C

RGB 107 122 76

HSL 79.57, 0.23%, 0.39%

LAB 48.97, -13.93, 23.39

 

Description

Color code: HEX #4D7C74 | qconv.com Color code: HEX #4D7C74 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 124 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 124 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 6 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 6% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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