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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4D5EBC it is the complementary color #B2A143. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4D5EBC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4D5EBC shade: #525EB7, #6370CA, #7482DD, #8594F0 and #96A6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4D5EBC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4D5EBC shade: #4D5EBC, #3C4CA9, #2B3A96, #1A2883 and #091670

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4D5EBC shade: #4E5EBC, #5A4EBC, #784EBC, #964EBC and #B34EBC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4D5EBC shade: #4E5EBC and #4E4EBC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4D5EBC shade matches the following richer shades: #4E5EBC, #3A51CF, #2643E3 and #1235F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4D5EBC shade: #4E5EBC, #616CA8, #757A94, #898880 and #9D956C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4D5EBC shade: #4E9BBC, #4E7DBC, #4E60BC, #594EBC and #764EBC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4D5EBC shade: #323F84, #3E4DA2, #4E5EBC, #6B79C7 and #8995D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4D5EBC shade: #4D5EBC, #BC4EB8 and #8CBC4E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4D5EBC shade: #4D5EBC, #BC4E60 and #60BC4E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4D5EBC shade: #4D5EBC, #BC4EB8, #BCA94E and #4EBC51

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4D5EBC shade: #4D5EBC, #BC4E97, #BCA94E and #4EBC72

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 50 / 0 / 26

HEX #4D5EBC

RGB 77 94 188

HSL 230.81, 0.45%, 0.52%

LAB 43.08, 22.21, -51.68

 

Complementary color

CMYK 0 / 10 / 62 / 30

HEX #B2A143

RGB 178 161 67

HSL 50.81, 0.45%, 0.48%

LAB 66.03, -5.31, 49.88

 

CMYK 55 / 49 / 0 / 28

HEX #525EB7

RGB 82 94 183

HSL 232.87, 0.41%, 0.52%

LAB 43.09, 21.55, -48.74

 

CMYK 51 / 45 / 0 / 21

HEX #6370CA

RGB 99 112 202

HSL 232.43, 0.49%, 0.59%

LAB 50.1, 20.2, -48.44

 

CMYK 48 / 41 / 0 / 13

HEX #7482DD

RGB 116 130 221

HSL 232, 0.61%, 0.66%

LAB 56.98, 19.07, -48.2

 

CMYK 45 / 38 / 0 / 6

HEX #8594F0

RGB 133 148 240

HSL 231.59, 0.78%, 0.73%

LAB 63.72, 18.12, -48

 

CMYK 41 / 35 / 0 / 0

HEX #96A6FF

RGB 150 166 255

HSL 230.86, 1%, 0.79%

LAB 70.16, 16.18, -45.97

 

CMYK 59 / 50 / 0 / 26

HEX #4D5EBC

RGB 77 94 188

HSL 230.81, 0.45%, 0.52%

LAB 43.08, 22.21, -51.68

 

CMYK 64 / 55 / 0 / 34

HEX #3C4CA9

RGB 60 76 169

HSL 231.19, 0.48%, 0.45%

LAB 35.97, 24.06, -52.01

 

CMYK 71 / 61 / 0 / 41

HEX #2B3A96

RGB 43 58 150

HSL 231.59, 0.55%, 0.38%

LAB 28.75, 26.36, -52.32

 

CMYK 80 / 69 / 0 / 49

HEX #1A2883

RGB 26 40 131

HSL 232, 0.67%, 0.31%

LAB 21.49, 29.2, -52.45

 

CMYK 92 / 80 / 0 / 56

HEX #091670

RGB 9 22 112

HSL 232.43, 0.85%, 0.24%

LAB 14.41, 32.43, -52

 

CMYK 59 / 50 / 0 / 26

HEX #4E5EBC

RGB 78 94 188

HSL 231.27, 0.45%, 0.52%

LAB 43.15, 22.41, -51.58

 

CMYK 52 / 59 / 0 / 26

HEX #5A4EBC

RGB 90 78 188

HSL 246.55, 0.45%, 0.52%

LAB 40, 34.78, -56.61

 

CMYK 36 / 59 / 0 / 26

HEX #784EBC

RGB 120 78 188

HSL 262.91, 0.45%, 0.52%

LAB 42.87, 41.37, -51.83

 

CMYK 20 / 59 / 0 / 26

HEX #964EBC

RGB 150 78 188

HSL 279.27, 0.45%, 0.52%

LAB 46.4, 48.73, -45.99

 

CMYK 5 / 59 / 0 / 26

HEX #B34EBC

RGB 179 78 188

HSL 295.09, 0.45%, 0.52%

LAB 50.29, 56.17, -39.57

 

CMYK 59 / 50 / 0 / 26

HEX #4E5EBC

RGB 78 94 188

HSL 231.27, 0.45%, 0.52%

LAB 43.15, 22.41, -51.58

 

CMYK 59 / 59 / 0 / 26

HEX #4E4EBC

RGB 78 78 188

HSL 240, 0.45%, 0.52%

LAB 39.07, 32.49, -58.17

 

CMYK 59 / 50 / 0 / 26

HEX #4E5EBC

RGB 78 94 188

HSL 231.27, 0.45%, 0.52%

LAB 43.15, 22.41, -51.58

 

CMYK 72 / 61 / 0 / 19

HEX #3A51CF

RGB 58 81 207

HSL 230.74, 0.61%, 0.52%

LAB 40.06, 34.13, -67.64

 

CMYK 83 / 70 / 0 / 11

HEX #2643E3

RGB 38 67 227

HSL 230.79, 0.77%, 0.52%

LAB 37.79, 48.02, -82.87

 

CMYK 93 / 79 / 0 / 3

HEX #1235F7

RGB 18 53 247

HSL 230.83, 0.93%, 0.52%

LAB 36.72, 61.51, -95.98

 

CMYK 59 / 50 / 0 / 26

HEX #4E5EBC

RGB 78 94 188

HSL 231.27, 0.45%, 0.52%

LAB 43.15, 22.41, -51.58

 

CMYK 42 / 36 / 0 / 34

HEX #616CA8

RGB 97 108 168

HSL 230.7, 0.29%, 0.52%

LAB 47.1, 11.72, -33.54

 

CMYK 21 / 18 / 0 / 42

HEX #757A94

RGB 117 122 148

HSL 230.32, 0.13%, 0.52%

LAB 51.65, 3.99, -14.66

 

CMYK 0 / 1 / 7 / 46

HEX #898880

RGB 137 136 128

HSL 53.33, 0.04%, 0.52%

LAB 56.57, -1.15, 4.42

 

CMYK 0 / 5 / 31 / 38

HEX #9D956C

RGB 157 149 108

HSL 50.2, 0.2%, 0.52%

LAB 61.43, -3.63, 22.76

 

CMYK 59 / 18 / 0 / 26

HEX #4E9BBC

RGB 78 155 188

HSL 198, 0.45%, 0.52%

LAB 60.51, -14.02, -24.27

 

CMYK 59 / 34 / 0 / 26

HEX #4E7DBC

RGB 78 125 188

HSL 214.36, 0.45%, 0.52%

LAB 51.74, 3.16, -37.9

 

CMYK 59 / 49 / 0 / 26

HEX #4E60BC

RGB 78 96 188

HSL 230.18, 0.45%, 0.52%

LAB 43.68, 21.14, -50.73

 

CMYK 53 / 59 / 0 / 26

HEX #594EBC

RGB 89 78 188

HSL 246, 0.45%, 0.52%

LAB 39.92, 34.58, -56.74

 

CMYK 37 / 59 / 0 / 26

HEX #764EBC

RGB 118 78 188

HSL 261.82, 0.45%, 0.52%

LAB 42.66, 40.9, -52.19

 

CMYK 62 / 52 / 0 / 48

HEX #323F84

RGB 50 63 132

HSL 230.49, 0.45%, 0.36%

LAB 29.16, 17.49, -40.54

 

CMYK 62 / 52 / 0 / 36

HEX #3E4DA2

RGB 62 77 162

HSL 231, 0.45%, 0.44%

LAB 35.87, 21.28, -47.99

 

CMYK 59 / 50 / 0 / 26

HEX #4E5EBC

RGB 78 94 188

HSL 231.27, 0.45%, 0.52%

LAB 43.15, 22.41, -51.58

 

CMYK 46 / 39 / 0 / 22

HEX #6B79C7

RGB 107 121 199

HSL 230.87, 0.45%, 0.6%

LAB 52.87, 15.68, -42.31

 

CMYK 35 / 29 / 0 / 18

HEX #8995D2

RGB 137 149 210

HSL 230.14, 0.45%, 0.68%

LAB 62.9, 10.26, -32.65

 

CMYK 59 / 50 / 0 / 26

HEX #4D5EBC

RGB 77 94 188

HSL 230.81, 0.45%, 0.52%

LAB 43.08, 22.21, -51.68

 

CMYK 0 / 59 / 2 / 26

HEX #BC4EB8

RGB 188 78 184

HSL 302.18, 0.45%, 0.52%

LAB 51.38, 57.81, -35.44

 

CMYK 26 / 0 / 59 / 26

HEX #8CBC4E

RGB 140 188 78

HSL 86.18, 0.45%, 0.52%

LAB 70.93, -33.63, 49.57

 

CMYK 59 / 50 / 0 / 26

HEX #4D5EBC

RGB 77 94 188

HSL 230.81, 0.45%, 0.52%

LAB 43.08, 22.21, -51.68

 

CMYK 0 / 59 / 49 / 26

HEX #BC4E60

RGB 188 78 96

HSL 350.18, 0.45%, 0.52%

LAB 48.24, 45.9, 12.29

 

CMYK 49 / 0 / 59 / 26

HEX #60BC4E

RGB 96 188 78

HSL 110.18, 0.45%, 0.52%

LAB 68.75, -48.49, 46.49

 

CMYK 59 / 50 / 0 / 26

HEX #4D5EBC

RGB 77 94 188

HSL 230.81, 0.45%, 0.52%

LAB 43.08, 22.21, -51.68

 

CMYK 0 / 59 / 2 / 26

HEX #BC4EB8

RGB 188 78 184

HSL 302.18, 0.45%, 0.52%

LAB 51.38, 57.81, -35.44

 

CMYK 0 / 10 / 59 / 26

HEX #BCA94E

RGB 188 169 78

HSL 49.64, 0.45%, 0.52%

LAB 69.2, -4.45, 48.56

 

CMYK 59 / 0 / 57 / 26

HEX #4EBC51

RGB 78 188 81

HSL 121.64, 0.45%, 0.52%

LAB 68.15, -52.92, 44.24

 

CMYK 59 / 50 / 0 / 26

HEX #4D5EBC

RGB 77 94 188

HSL 230.81, 0.45%, 0.52%

LAB 43.08, 22.21, -51.68

 

CMYK 0 / 59 / 20 / 26

HEX #BC4E97

RGB 188 78 151

HSL 320.18, 0.45%, 0.52%

LAB 49.95, 52.54, -18.28

 

CMYK 0 / 10 / 59 / 26

HEX #BCA94E

RGB 188 169 78

HSL 49.64, 0.45%, 0.52%

LAB 69.2, -4.45, 48.56

 

CMYK 59 / 0 / 39 / 26

HEX #4EBC72

RGB 78 188 114

HSL 139.64, 0.45%, 0.52%

LAB 68.61, -47.94, 28.27

 

Description

Color code: HEX #4D5EBC | qconv.com Color code: HEX #4D5EBC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 94 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 94 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 50 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 50% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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