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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4D9ABB it is the complementary color #B26544. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4D9ABB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4D9ABB shade: #529AB6, #63ACC9, #74BEDC, #85D0EF and #96E2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4D9ABB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4D9ABB shade: #4D9ABB, #3C88A8, #2B7695, #1A6482 and #09526F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4D9ABB shade: #4D9ABB, #4D7CBB, #4D5FBB, #594DBB and #774DBB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4D9ABB shade: #4D9ABB, #4D7CBB, #4D5FBB and #4D4DBB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4D9ABB shade matches the following richer shades: #4D9ABB, #39A2CF, #25AAE3 and #12B2F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4D9ABB shade: #4D9ABB, #6192A7, #758A94, #888280 and #9C7A6C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4D9ABB shade: #4DBBA1, #4DB8BB, #4D9ABB, #4D7DBB and #4D5FBB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4D9ABB shade: #326B84, #3D84A2, #4D9ABB, #6BABC7 and #89BCD2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4D9ABB shade: #4D9ABB, #844DBB and #BBB04D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4D9ABB shade: #4D9ABB, #BB4D9A and #9ABB4D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4D9ABB shade: #4D9ABB, #844DBB, #BB6E4D and #84BB4D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4D9ABB shade: #4D9ABB, #A54DBB, #BB6E4D and #63BB4D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 18 / 0 / 27

HEX #4D9ABB

RGB 77 154 187

HSL 198, 0.45%, 0.52%

LAB 60.14, -13.98, -24.28

 

Complementary color

CMYK 0 / 43 / 62 / 30

HEX #B26544

RGB 178 101 68

HSL 18, 0.45%, 0.48%

LAB 50.91, 27.88, 31.93

 

CMYK 55 / 15 / 0 / 29

HEX #529AB6

RGB 82 154 182

HSL 196.8, 0.41%, 0.52%

LAB 60.14, -14.48, -21.44

 

CMYK 51 / 14 / 0 / 21

HEX #63ACC9

RGB 99 172 201

HSL 197.06, 0.49%, 0.59%

LAB 66.81, -14.83, -21.81

 

CMYK 47 / 14 / 0 / 14

HEX #74BEDC

RGB 116 190 220

HSL 197.31, 0.6%, 0.66%

LAB 73.36, -15.09, -22.18

 

CMYK 44 / 13 / 0 / 6

HEX #85D0EF

RGB 133 208 239

HSL 197.55, 0.77%, 0.73%

LAB 79.8, -15.29, -22.53

 

CMYK 41 / 11 / 0 / 0

HEX #96E2FF

RGB 150 226 255

HSL 196.57, 1%, 0.79%

LAB 86.05, -16.22, -21.45

 

CMYK 59 / 18 / 0 / 27

HEX #4D9ABB

RGB 77 154 187

HSL 198, 0.45%, 0.52%

LAB 60.14, -13.98, -24.28

 

CMYK 64 / 19 / 0 / 34

HEX #3C88A8

RGB 60 136 168

HSL 197.78, 0.47%, 0.45%

LAB 53.38, -13.33, -23.91

 

CMYK 71 / 21 / 0 / 42

HEX #2B7695

RGB 43 118 149

HSL 197.55, 0.55%, 0.38%

LAB 46.5, -12.44, -23.49

 

CMYK 80 / 23 / 0 / 49

HEX #1A6482

RGB 26 100 130

HSL 197.31, 0.67%, 0.31%

LAB 39.49, -11.17, -23.02

 

CMYK 92 / 26 / 0 / 56

HEX #09526F

RGB 9 82 111

HSL 197.06, 0.85%, 0.24%

LAB 32.35, -9.32, -22.45

 

CMYK 59 / 18 / 0 / 27

HEX #4D9ABB

RGB 77 154 187

HSL 198, 0.45%, 0.52%

LAB 60.14, -13.98, -24.28

 

CMYK 59 / 34 / 0 / 27

HEX #4D7CBB

RGB 77 124 187

HSL 214.36, 0.45%, 0.52%

LAB 51.36, 3.22, -37.93

 

CMYK 59 / 49 / 0 / 27

HEX #4D5FBB

RGB 77 95 187

HSL 230.18, 0.45%, 0.52%

LAB 43.29, 21.24, -50.78

 

CMYK 52 / 59 / 0 / 27

HEX #594DBB

RGB 89 77 187

HSL 246.55, 0.45%, 0.52%

LAB 39.61, 34.88, -56.66

 

CMYK 36 / 59 / 0 / 27

HEX #774DBB

RGB 119 77 187

HSL 262.91, 0.45%, 0.52%

LAB 42.49, 41.44, -51.87

 

CMYK 59 / 18 / 0 / 27

HEX #4D9ABB

RGB 77 154 187

HSL 198, 0.45%, 0.52%

LAB 60.14, -13.98, -24.28

 

CMYK 59 / 34 / 0 / 27

HEX #4D7CBB

RGB 77 124 187

HSL 214.36, 0.45%, 0.52%

LAB 51.36, 3.22, -37.93

 

CMYK 59 / 49 / 0 / 27

HEX #4D5FBB

RGB 77 95 187

HSL 230.18, 0.45%, 0.52%

LAB 43.29, 21.24, -50.78

 

CMYK 59 / 59 / 0 / 27

HEX #4D4DBB

RGB 77 77 187

HSL 240, 0.45%, 0.52%

LAB 38.68, 32.61, -58.22

 

CMYK 59 / 18 / 0 / 27

HEX #4D9ABB

RGB 77 154 187

HSL 198, 0.45%, 0.52%

LAB 60.14, -13.98, -24.28

 

CMYK 72 / 22 / 0 / 19

HEX #39A2CF

RGB 57 162 207

HSL 198, 0.61%, 0.52%

LAB 62.69, -15.14, -31.6

 

CMYK 84 / 25 / 0 / 11

HEX #25AAE3

RGB 37 170 227

HSL 198, 0.77%, 0.52%

LAB 65.51, -14.7, -38.3

 

CMYK 93 / 28 / 0 / 3

HEX #12B2F7

RGB 18 178 247

HSL 198.08, 0.93%, 0.52%

LAB 68.52, -13.05, -44.52

 

CMYK 59 / 18 / 0 / 27

HEX #4D9ABB

RGB 77 154 187

HSL 198, 0.45%, 0.52%

LAB 60.14, -13.98, -24.28

 

CMYK 42 / 13 / 0 / 35

HEX #6192A7

RGB 97 146 167

HSL 198, 0.28%, 0.52%

LAB 57.93, -10.82, -16.23

 

CMYK 21 / 7 / 0 / 42

HEX #758A94

RGB 117 138 148

HSL 199.35, 0.13%, 0.52%

LAB 56.18, -5.22, -7.85

 

CMYK 0 / 4 / 6 / 47

HEX #888280

RGB 136 130 128

HSL 15, 0.03%, 0.52%

LAB 54.82, 1.88, 1.88

 

CMYK 0 / 22 / 31 / 39

HEX #9C7A6C

RGB 156 122 108

HSL 17.5, 0.2%, 0.52%

LAB 54.1, 11.11, 12.72

 

CMYK 59 / 0 / 14 / 27

HEX #4DBBA1

RGB 77 187 161

HSL 165.82, 0.45%, 0.52%

LAB 69.25, -37.7, 3.81

 

CMYK 59 / 2 / 0 / 27

HEX #4DB8BB

RGB 77 184 187

HSL 181.64, 0.45%, 0.52%

LAB 69.07, -29.43, -10.74

 

CMYK 59 / 18 / 0 / 27

HEX #4D9ABB

RGB 77 154 187

HSL 198, 0.45%, 0.52%

LAB 60.14, -13.98, -24.28

 

CMYK 59 / 33 / 0 / 27

HEX #4D7DBB

RGB 77 125 187

HSL 213.82, 0.45%, 0.52%

LAB 51.65, 2.62, -37.48

 

CMYK 59 / 49 / 0 / 27

HEX #4D5FBB

RGB 77 95 187

HSL 230.18, 0.45%, 0.52%

LAB 43.29, 21.24, -50.78

 

CMYK 62 / 19 / 0 / 48

HEX #326B84

RGB 50 107 132

HSL 198.29, 0.45%, 0.36%

LAB 42.55, -10.66, -19.44

 

CMYK 62 / 19 / 0 / 36

HEX #3D84A2

RGB 61 132 162

HSL 197.82, 0.45%, 0.44%

LAB 51.95, -12.87, -22.63

 

CMYK 59 / 18 / 0 / 27

HEX #4D9ABB

RGB 77 154 187

HSL 198, 0.45%, 0.52%

LAB 60.14, -13.98, -24.28

 

CMYK 46 / 14 / 0 / 22

HEX #6BABC7

RGB 107 171 199

HSL 198.26, 0.45%, 0.6%

LAB 66.81, -12.99, -20.67

 

CMYK 35 / 10 / 0 / 18

HEX #89BCD2

RGB 137 188 210

HSL 198.08, 0.45%, 0.68%

LAB 73.51, -11.31, -16.41

 

CMYK 59 / 18 / 0 / 27

HEX #4D9ABB

RGB 77 154 187

HSL 198, 0.45%, 0.52%

LAB 60.14, -13.98, -24.28

 

CMYK 29 / 59 / 0 / 27

HEX #844DBB

RGB 132 77 187

HSL 270, 0.45%, 0.52%

LAB 43.95, 44.55, -49.45

 

CMYK 0 / 6 / 59 / 27

HEX #BBB04D

RGB 187 176 77

HSL 54, 0.45%, 0.52%

LAB 70.98, -8.64, 51

 

CMYK 59 / 18 / 0 / 27

HEX #4D9ABB

RGB 77 154 187

HSL 198, 0.45%, 0.52%

LAB 60.14, -13.98, -24.28

 

CMYK 0 / 59 / 18 / 27

HEX #BB4D9A

RGB 187 77 154

HSL 318, 0.45%, 0.52%

LAB 49.74, 53.15, -20.39

 

CMYK 18 / 0 / 59 / 27

HEX #9ABB4D

RGB 154 187 77

HSL 78, 0.45%, 0.52%

LAB 71.52, -27.83, 50.92

 

CMYK 59 / 18 / 0 / 27

HEX #4D9ABB

RGB 77 154 187

HSL 198, 0.45%, 0.52%

LAB 60.14, -13.98, -24.28

 

CMYK 29 / 59 / 0 / 27

HEX #844DBB

RGB 132 77 187

HSL 270, 0.45%, 0.52%

LAB 43.95, 44.55, -49.45

 

CMYK 0 / 41 / 59 / 27

HEX #BB6E4D

RGB 187 110 77

HSL 18, 0.45%, 0.52%

LAB 54.29, 27.34, 31.35

 

CMYK 29 / 0 / 59 / 27

HEX #84BB4D

RGB 132 187 77

HSL 90, 0.45%, 0.52%

LAB 70.16, -36.24, 49.02

 

CMYK 59 / 18 / 0 / 27

HEX #4D9ABB

RGB 77 154 187

HSL 198, 0.45%, 0.52%

LAB 60.14, -13.98, -24.28

 

CMYK 12 / 59 / 0 / 27

HEX #A54DBB

RGB 165 77 187

HSL 288, 0.45%, 0.52%

LAB 48.13, 52.84, -42.54

 

CMYK 0 / 41 / 59 / 27

HEX #BB6E4D

RGB 187 110 77

HSL 18, 0.45%, 0.52%

LAB 54.29, 27.34, 31.35

 

CMYK 47 / 0 / 59 / 27

HEX #63BB4D

RGB 99 187 77

HSL 108, 0.45%, 0.52%

LAB 68.55, -47.31, 46.75

 

Description

Color code: HEX #4D9ABB | qconv.com Color code: HEX #4D9ABB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 154 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 154 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 18 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 18% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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