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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4D4975 it is the complementary color #B2B68A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4D4975. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4D4975 shade: #524970, #635B83, #746D96, #857FA9 and #9691BC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4D4975. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4D4975 shade: #4D4975, #3C3762, #2B254F, #1A133C and #090129

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4D4975 shade: #4D4974, #584974, #644974, #704974 and #74496D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4D4975 shade: #4D4974 and #494974

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4D4975 shade matches the following richer shades: #4D4974, #403983, #342A93, #271BA2 and #1B0CB1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4D4975 shade: #4D4974, #595865, #666756, #727646 and #7F8637

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4D4975 shade: #495C74, #495174, #4C4974, #584974 and #634974

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4D4975 shade: #2B2941, #3C395B, #4D4974, #5D598D and #716CA3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4D4975 shade: #4D4975, #744968 and #567449

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4D4975 shade: #4D4975, #744C49 and #49744C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4D4975 shade: #4D4975, #744968, #707449 and #497455

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4D4975 shade: #4D4975, #74495B, #707449 and #497462

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 38 / 0 / 54

HEX #4D4975

RGB 77 73 117

HSL 245.45, 0.23%, 0.37%

LAB 33.19, 12.89, -24.63

 

Complementary color

CMYK 2 / 0 / 24 / 29

HEX #B2B68A

RGB 178 182 138

HSL 65.45, 0.23%, 0.63%

LAB 72.73, -8.78, 21.99

 

CMYK 27 / 35 / 0 / 56

HEX #524970

RGB 82 73 112

HSL 253.85, 0.21%, 0.36%

LAB 33.41, 13.1, -21.13

 

CMYK 24 / 31 / 0 / 49

HEX #635B83

RGB 99 91 131

HSL 252, 0.18%, 0.44%

LAB 40.85, 12.45, -21.19

 

CMYK 23 / 27 / 0 / 41

HEX #746D96

RGB 116 109 150

HSL 250.24, 0.16%, 0.51%

LAB 48.07, 11.89, -21.31

 

CMYK 21 / 25 / 0 / 34

HEX #857FA9

RGB 133 127 169

HSL 248.57, 0.2%, 0.58%

LAB 55.1, 11.4, -21.47

 

CMYK 20 / 23 / 0 / 26

HEX #9691BC

RGB 150 145 188

HSL 246.98, 0.24%, 0.65%

LAB 61.97, 10.97, -21.66

 

CMYK 34 / 38 / 0 / 54

HEX #4D4975

RGB 77 73 117

HSL 245.45, 0.23%, 0.37%

LAB 33.19, 12.89, -24.63

 

CMYK 39 / 44 / 0 / 62

HEX #3C3762

RGB 60 55 98

HSL 246.98, 0.28%, 0.3%

LAB 25.49, 13.8, -24.76

 

CMYK 46 / 53 / 0 / 69

HEX #2B254F

RGB 43 37 79

HSL 248.57, 0.36%, 0.23%

LAB 17.47, 14.97, -25

 

CMYK 57 / 68 / 0 / 76

HEX #1A133C

RGB 26 19 60

HSL 250.24, 0.52%, 0.15%

LAB 9.09, 16.56, -25.34

 

CMYK 78 / 98 / 0 / 84

HEX #090129

RGB 9 1 41

HSL 252, 0.95%, 0.08%

LAB 2.17, 12.12, -22.45

 

CMYK 34 / 37 / 0 / 55

HEX #4D4974

RGB 77 73 116

HSL 245.58, 0.23%, 0.37%

LAB 33.14, 12.6, -24.09

 

CMYK 24 / 37 / 0 / 55

HEX #584974

RGB 88 73 116

HSL 260.93, 0.23%, 0.37%

LAB 34.19, 16.18, -22.37

 

CMYK 14 / 37 / 0 / 55

HEX #644974

RGB 100 73 116

HSL 277.67, 0.23%, 0.37%

LAB 35.47, 20.25, -20.29

 

CMYK 3 / 37 / 0 / 55

HEX #704974

RGB 112 73 116

HSL 294.42, 0.23%, 0.37%

LAB 36.88, 24.42, -18

 

CMYK 0 / 37 / 6 / 55

HEX #74496D

RGB 116 73 109

HSL 309.77, 0.23%, 0.37%

LAB 37.08, 24.41, -13.28

 

CMYK 34 / 37 / 0 / 55

HEX #4D4974

RGB 77 73 116

HSL 245.58, 0.23%, 0.37%

LAB 33.14, 12.6, -24.09

 

CMYK 37 / 37 / 0 / 55

HEX #494974

RGB 73 73 116

HSL 240, 0.23%, 0.37%

LAB 32.79, 11.35, -24.66

 

CMYK 34 / 37 / 0 / 55

HEX #4D4974

RGB 77 73 116

HSL 245.58, 0.23%, 0.37%

LAB 33.14, 12.6, -24.09

 

CMYK 51 / 56 / 0 / 49

HEX #403983

RGB 64 57 131

HSL 245.68, 0.39%, 0.37%

LAB 28.52, 24.19, -40.88

 

CMYK 65 / 71 / 0 / 42

HEX #342A93

RGB 52 42 147

HSL 245.71, 0.56%, 0.37%

LAB 25.24, 36.81, -56.2

 

CMYK 76 / 83 / 0 / 36

HEX #271BA2

RGB 39 27 162

HSL 245.33, 0.71%, 0.37%

LAB 23.08, 48.37, -68.98

 

CMYK 85 / 93 / 0 / 31

HEX #1B0CB1

RGB 27 12 177

HSL 245.45, 0.87%, 0.37%

LAB 22.55, 57.6, -78.95

 

CMYK 34 / 37 / 0 / 55

HEX #4D4974

RGB 77 73 116

HSL 245.58, 0.23%, 0.37%

LAB 33.14, 12.6, -24.09

 

CMYK 12 / 13 / 0 / 60

HEX #595865

RGB 89 88 101

HSL 244.62, 0.07%, 0.37%

LAB 37.92, 3.31, -7.32

 

CMYK 1 / 0 / 17 / 60

HEX #666756

RGB 102 103 86

HSL 63.53, 0.09%, 0.37%

LAB 43.06, -3.67, 9.48

 

CMYK 3 / 0 / 41 / 54

HEX #727646

RGB 114 118 70

HSL 65, 0.26%, 0.37%

LAB 48.23, -9.55, 25.92

 

CMYK 5 / 0 / 59 / 47

HEX #7F8637

RGB 127 134 55

HSL 65.32, 0.42%, 0.37%

LAB 53.85, -14.14, 40.77

 

CMYK 37 / 21 / 0 / 55

HEX #495C74

RGB 73 92 116

HSL 213.49, 0.23%, 0.37%

LAB 38.43, -0.74, -15.93

 

CMYK 37 / 30 / 0 / 55

HEX #495174

RGB 73 81 116

HSL 228.84, 0.23%, 0.37%

LAB 35.13, 6.18, -21.02

 

CMYK 34 / 37 / 0 / 55

HEX #4C4974

RGB 76 73 116

HSL 244.19, 0.23%, 0.37%

LAB 33.05, 12.29, -24.23

 

CMYK 24 / 37 / 0 / 55

HEX #584974

RGB 88 73 116

HSL 260.93, 0.23%, 0.37%

LAB 34.19, 16.18, -22.37

 

CMYK 15 / 37 / 0 / 55

HEX #634974

RGB 99 73 116

HSL 276.28, 0.23%, 0.37%

LAB 35.36, 19.91, -20.47

 

CMYK 34 / 37 / 0 / 75

HEX #2B2941

RGB 43 41 65

HSL 245, 0.23%, 0.21%

LAB 17.83, 7.54, -14.85

 

CMYK 34 / 37 / 0 / 64

HEX #3C395B

RGB 60 57 91

HSL 245.29, 0.23%, 0.29%

LAB 25.69, 10.29, -19.89

 

CMYK 34 / 37 / 0 / 55

HEX #4D4974

RGB 77 73 116

HSL 245.58, 0.23%, 0.37%

LAB 33.14, 12.6, -24.09

 

CMYK 34 / 37 / 0 / 45

HEX #5D598D

RGB 93 89 141

HSL 244.62, 0.23%, 0.45%

LAB 40.24, 14.51, -28.25

 

CMYK 31 / 34 / 0 / 36

HEX #716CA3

RGB 113 108 163

HSL 245.45, 0.23%, 0.53%

LAB 48.11, 14.91, -28.93

 

CMYK 34 / 38 / 0 / 54

HEX #4D4975

RGB 77 73 117

HSL 245.45, 0.23%, 0.37%

LAB 33.19, 12.89, -24.63

 

CMYK 0 / 37 / 10 / 55

HEX #744968

RGB 116 73 104

HSL 316.74, 0.23%, 0.37%

LAB 36.89, 23.45, -10.45

 

CMYK 26 / 0 / 37 / 55

HEX #567449

RGB 86 116 73

HSL 101.86, 0.23%, 0.37%

LAB 45.57, -19.62, 20.36

 

CMYK 34 / 38 / 0 / 54

HEX #4D4975

RGB 77 73 117

HSL 245.45, 0.23%, 0.37%

LAB 33.19, 12.89, -24.63

 

CMYK 0 / 34 / 37 / 55

HEX #744C49

RGB 116 76 73

HSL 4.19, 0.23%, 0.37%

LAB 36.67, 16.54, 8.72

 

CMYK 37 / 0 / 34 / 55

HEX #49744C

RGB 73 116 76

HSL 124.19, 0.23%, 0.37%

LAB 44.84, -23.89, 17.52

 

CMYK 34 / 38 / 0 / 54

HEX #4D4975

RGB 77 73 117

HSL 245.45, 0.23%, 0.37%

LAB 33.19, 12.89, -24.63

 

CMYK 0 / 37 / 10 / 55

HEX #744968

RGB 116 73 104

HSL 316.74, 0.23%, 0.37%

LAB 36.89, 23.45, -10.45

 

CMYK 3 / 0 / 37 / 55

HEX #707449

RGB 112 116 73

HSL 65.58, 0.23%, 0.37%

LAB 47.52, -8.9, 23.28

 

CMYK 37 / 0 / 27 / 55

HEX #497455

RGB 73 116 85

HSL 136.74, 0.23%, 0.37%

LAB 45.03, -22.14, 12.52

 

CMYK 34 / 38 / 0 / 54

HEX #4D4975

RGB 77 73 117

HSL 245.45, 0.23%, 0.37%

LAB 33.19, 12.89, -24.63

 

CMYK 0 / 37 / 22 / 55

HEX #74495B

RGB 116 73 91

HSL 334.88, 0.23%, 0.37%

LAB 36.43, 21.12, -2.96

 

CMYK 3 / 0 / 37 / 55

HEX #707449

RGB 112 116 73

HSL 65.58, 0.23%, 0.37%

LAB 47.52, -8.9, 23.28

 

CMYK 37 / 0 / 16 / 55

HEX #497462

RGB 73 116 98

HSL 154.88, 0.23%, 0.37%

LAB 45.34, -19.3, 5.26

 

Description

Color code: HEX #4D4975 | qconv.com Color code: HEX #4D4975 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 73 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 73 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 38 magenta, none yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 38% 0% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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