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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 46 / 53 / 0 / 69 it is the complementary color CMYK 3 / 0 / 19 / 15. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 46 / 53 / 0 / 69. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 46 / 53 / 0 / 69: CMYK 35 / 50 / 0 / 71, CMYK 30 / 41 / 0 / 64, CMYK 27 / 35 / 0 / 56, CMYK 24 / 31 / 0 / 49 and CMYK 23 / 27 / 0 / 41

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 46 / 53 / 0 / 69. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 46 / 53 / 0 / 69: CMYK 46 / 53 / 0 / 69, CMYK 57 / 68 / 0 / 76, CMYK 78 / 98 / 0 / 84, CMYK 100 / 100 / 0 / 91 and CMYK 100 / 100 / 0 / 99

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 53 / 0 / 69

HEX #2B254F

RGB 43 37 79

HSL 248.57, 0.36%, 0.23%

LAB 17.47, 14.97, -25

 

Complementary color

CMYK 3 / 0 / 19 / 15

HEX #D4DAB0

RGB 212 218 176

HSL 68.57, 0.36%, 0.77%

LAB 85.64, -9.05, 20.03

 

CMYK 35 / 50 / 0 / 71

HEX #30254A

RGB 48 37 74

HSL 257.84, 0.33%, 0.22%

LAB 17.67, 14.9, -21.24

 

CMYK 30 / 41 / 0 / 64

HEX #41375D

RGB 65 55 93

HSL 255.79, 0.26%, 0.29%

LAB 25.7, 13.9, -21.14

 

CMYK 27 / 35 / 0 / 56

HEX #524970

RGB 82 73 112

HSL 253.85, 0.21%, 0.36%

LAB 33.41, 13.1, -21.13

 

CMYK 24 / 31 / 0 / 49

HEX #635B83

RGB 99 91 131

HSL 252, 0.18%, 0.44%

LAB 40.85, 12.45, -21.19

 

CMYK 23 / 27 / 0 / 41

HEX #746D96

RGB 116 109 150

HSL 250.24, 0.16%, 0.51%

LAB 48.07, 11.89, -21.31

 

CMYK 46 / 53 / 0 / 69

HEX #2B254F

RGB 43 37 79

HSL 248.57, 0.36%, 0.23%

LAB 17.47, 14.97, -25

 

CMYK 57 / 68 / 0 / 76

HEX #1A133C

RGB 26 19 60

HSL 250.24, 0.52%, 0.15%

LAB 9.09, 16.56, -25.34

 

CMYK 78 / 98 / 0 / 84

HEX #090129

RGB 9 1 41

HSL 252, 0.95%, 0.08%

LAB 2.17, 12.12, -22.45

 

CMYK 100 / 100 / 0 / 91

HEX #000016

RGB 0 0 22

HSL 240, 1%, 0.04%

LAB 0.52, 3.68, -10.01

 

CMYK 100 / 100 / 0 / 99

HEX #000003

RGB 0 0 3

HSL 240, 1%, 0.01%

LAB 0.06, 0.42, -1.14

 

CMYK 46 / 53 / 0 / 69

HEX #2B254F

RGB 43 37 79

HSL 248.57, 0.36%, 0.23%

LAB 17.47, 14.97, -25

 

CMYK 37 / 53 / 0 / 69

HEX #32254F

RGB 50 37 79

HSL 258.57, 0.36%, 0.23%

LAB 18.21, 17.08, -23.77

 

CMYK 28 / 53 / 0 / 69

HEX #39254F

RGB 57 37 79

HSL 268.57, 0.36%, 0.23%

LAB 19.05, 19.31, -22.4

 

CMYK 19 / 53 / 0 / 69

HEX #40254F

RGB 64 37 79

HSL 278.57, 0.36%, 0.23%

LAB 19.95, 21.62, -20.9

 

CMYK 10 / 53 / 0 / 69

HEX #47254F

RGB 71 37 79

HSL 288.57, 0.36%, 0.23%

LAB 20.93, 23.96, -19.29

 

CMYK 46 / 53 / 0 / 69

HEX #2B254F

RGB 43 37 79

HSL 248.57, 0.36%, 0.23%

LAB 17.47, 14.97, -25

 

CMYK 45 / 53 / 0 / 49

HEX #473D82

RGB 71 61 130

HSL 248.7, 0.36%, 0.37%

LAB 30.13, 22.96, -37.64

 

CMYK 45 / 53 / 0 / 29

HEX #6355B5

RGB 99 85 181

HSL 248.75, 0.39%, 0.52%

LAB 41.98, 30.33, -49.28

 

CMYK 46 / 53 / 0 / 9

HEX #7E6DE8

RGB 126 109 232

HSL 248.29, 0.73%, 0.67%

LAB 53.17, 37.07, -60.41

 

CMYK 46 / 54 / 0 / 89

HEX #0F0D1C

RGB 15 13 28

HSL 248, 0.37%, 0.08%

LAB 4.27, 4.13, -9.06

 

CMYK 46 / 53 / 0 / 69

HEX #2B254F

RGB 43 37 79

HSL 248.57, 0.36%, 0.23%

LAB 17.47, 14.97, -25

 

CMYK 0 / 53 / 18 / 69

HEX #4F2541

RGB 79 37 65

HSL 320, 0.36%, 0.23%

LAB 21.46, 23.87, -8.88

 

CMYK 39 / 0 / 53 / 69

HEX #304F25

RGB 48 79 37

HSL 104.29, 0.36%, 0.23%

LAB 30.29, -20.69, 21.15

 

CMYK 46 / 53 / 0 / 69

HEX #2B254F

RGB 43 37 79

HSL 248.57, 0.36%, 0.23%

LAB 17.47, 14.97, -25

 

CMYK 0 / 46 / 53 / 69

HEX #4F2B25

RGB 79 43 37

HSL 8.57, 0.36%, 0.23%

LAB 22.03, 15.91, 11.12

 

CMYK 53 / 0 / 46 / 69

HEX #254F2B

RGB 37 79 43

HSL 128.57, 0.36%, 0.23%

LAB 29.81, -23.62, 16.86

 

CMYK 46 / 53 / 0 / 69

HEX #2B254F

RGB 43 37 79

HSL 248.57, 0.36%, 0.23%

LAB 17.47, 14.97, -25

 

CMYK 0 / 53 / 18 / 69

HEX #4F2541

RGB 79 37 65

HSL 320, 0.36%, 0.23%

LAB 21.46, 23.87, -8.88

 

CMYK 6 / 0 / 53 / 69

HEX #4A4F25

RGB 74 79 37

HSL 67.14, 0.36%, 0.23%

LAB 32.22, -9.25, 23.94

 

CMYK 53 / 0 / 35 / 69

HEX #254F33

RGB 37 79 51

HSL 140, 0.36%, 0.23%

LAB 29.97, -22, 12.15

 

CMYK 46 / 53 / 0 / 69

HEX #2B254F

RGB 43 37 79

HSL 248.57, 0.36%, 0.23%

LAB 17.47, 14.97, -25

 

CMYK 0 / 53 / 33 / 69

HEX #4F2535

RGB 79 37 53

HSL 337.14, 0.36%, 0.23%

LAB 20.99, 21.83, -1.33

 

CMYK 6 / 0 / 53 / 69

HEX #4A4F25

RGB 74 79 37

HSL 67.14, 0.36%, 0.23%

LAB 32.22, -9.25, 23.94

 

CMYK 53 / 0 / 19 / 69

HEX #254F40

RGB 37 79 64

HSL 158.57, 0.36%, 0.23%

LAB 30.29, -18.86, 4.39

 

Description

Color code: CMYK 46 / 53 / 0 / 69 | qconv.com Color code: CMYK 46 / 53 / 0 / 69 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 37 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 37 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 53 magenta, none yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 53% 0% 69% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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