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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4D425F it is the complementary color #B2BDA0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4D425F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4D425F shade: #52425A, #63546D, #746680, #857893 and #968AA6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4D425F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4D425F shade: #4D425F, #3C304C, #2B1E39, #1A0C26 and #090013

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4D425F shade: #4E4360, #564360, #5E4360, #60435B and #604353

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4D425F shade: #4E4360, #464360 and #434360

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4D425F shade matches the following richer shades: #4E4360, #4B366D, #48297B, #441B88 and #410E95

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4D425F shade: #4E4360, #515053, #545D46, #586B39 and #5B782B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4D425F shade: #434860, #464360, #4E4360, #564360 and #5D4360

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4D425F shade: #272130, #3A3248, #4E4360, #625479 and #766591

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4D425F shade: #4D425F, #604350 and #446043

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4D425F shade: #4D425F, #604E43 and #43604E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4D425F shade: #4D425F, #604350, #566043 and #436054

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4D425F shade: #4D425F, #604347, #566043 and #43605C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 31 / 0 / 63

HEX #4D425F

RGB 77 66 95

HSL 262.76, 0.18%, 0.32%

LAB 30.16, 11.37, -15.42

 

Complementary color

CMYK 6 / 0 / 15 / 26

HEX #B2BDA0

RGB 178 189 160

HSL 82.76, 0.18%, 0.68%

LAB 75.08, -9.02, 13.38

 

CMYK 9 / 27 / 0 / 65

HEX #52425A

RGB 82 66 90

HSL 280, 0.15%, 0.31%

LAB 30.47, 11.98, -11.68

 

CMYK 9 / 23 / 0 / 57

HEX #63546D

RGB 99 84 109

HSL 276, 0.13%, 0.38%

LAB 38.02, 11.39, -12.04

 

CMYK 9 / 20 / 0 / 50

HEX #746680

RGB 116 102 128

HSL 272.31, 0.11%, 0.45%

LAB 45.32, 10.89, -12.4

 

CMYK 10 / 18 / 0 / 42

HEX #857893

RGB 133 120 147

HSL 268.89, 0.11%, 0.52%

LAB 52.43, 10.44, -12.78

 

CMYK 10 / 17 / 0 / 35

HEX #968AA6

RGB 150 138 166

HSL 265.71, 0.14%, 0.6%

LAB 59.36, 10.04, -13.15

 

CMYK 19 / 31 / 0 / 63

HEX #4D425F

RGB 77 66 95

HSL 262.76, 0.18%, 0.32%

LAB 30.16, 11.37, -15.42

 

CMYK 21 / 37 / 0 / 70

HEX #3C304C

RGB 60 48 76

HSL 265.71, 0.23%, 0.24%

LAB 22.29, 12.08, -15.27

 

CMYK 25 / 47 / 0 / 78

HEX #2B1E39

RGB 43 30 57

HSL 268.89, 0.31%, 0.17%

LAB 14.04, 12.97, -15.18

 

CMYK 32 / 68 / 0 / 85

HEX #1A0C26

RGB 26 12 38

HSL 272.31, 0.52%, 0.1%

LAB 5.62, 12.86, -14.65

 

CMYK 53 / 100 / 0 / 93

HEX #090013

RGB 9 0 19

HSL 268.42, 1%, 0.04%

LAB 0.95, 5.34, -7.29

 

CMYK 19 / 30 / 0 / 62

HEX #4E4360

RGB 78 67 96

HSL 262.76, 0.18%, 0.32%

LAB 30.59, 11.34, -15.39

 

CMYK 10 / 30 / 0 / 62

HEX #564360

RGB 86 67 96

HSL 279.31, 0.18%, 0.32%

LAB 31.43, 14.27, -14.02

 

CMYK 2 / 30 / 0 / 62

HEX #5E4360

RGB 94 67 96

HSL 295.86, 0.18%, 0.32%

LAB 32.34, 17.26, -12.55

 

CMYK 0 / 30 / 5 / 62

HEX #60435B

RGB 96 67 91

HSL 310.34, 0.18%, 0.32%

LAB 32.38, 16.95, -9.27

 

CMYK 0 / 30 / 14 / 62

HEX #604353

RGB 96 67 83

HSL 326.9, 0.18%, 0.32%

LAB 32.09, 15.36, -4.58

 

CMYK 19 / 30 / 0 / 62

HEX #4E4360

RGB 78 67 96

HSL 262.76, 0.18%, 0.32%

LAB 30.59, 11.34, -15.39

 

CMYK 27 / 30 / 0 / 62

HEX #464360

RGB 70 67 96

HSL 246.21, 0.18%, 0.32%

LAB 29.81, 8.49, -16.65

 

CMYK 30 / 30 / 0 / 62

HEX #434360

RGB 67 67 96

HSL 240, 0.18%, 0.32%

LAB 29.54, 7.46, -17.09

 

CMYK 19 / 30 / 0 / 62

HEX #4E4360

RGB 78 67 96

HSL 262.76, 0.18%, 0.32%

LAB 30.59, 11.34, -15.39

 

CMYK 31 / 50 / 0 / 57

HEX #4B366D

RGB 75 54 109

HSL 262.91, 0.34%, 0.32%

LAB 27.4, 22.31, -28.72

 

CMYK 41 / 67 / 0 / 52

HEX #48297B

RGB 72 41 123

HSL 262.68, 0.5%, 0.32%

LAB 24.93, 33.55, -41.61

 

CMYK 50 / 80 / 0 / 47

HEX #441B88

RGB 68 27 136

HSL 262.57, 0.67%, 0.32%

LAB 22.97, 43.8, -53.03

 

CMYK 56 / 91 / 0 / 42

HEX #410E95

RGB 65 14 149

HSL 262.67, 0.83%, 0.32%

LAB 22.33, 51.71, -62.18

 

CMYK 19 / 30 / 0 / 62

HEX #4E4360

RGB 78 67 96

HSL 262.76, 0.18%, 0.32%

LAB 30.59, 11.34, -15.39

 

CMYK 2 / 4 / 0 / 67

HEX #515053

RGB 81 80 83

HSL 260, 0.02%, 0.32%

LAB 34.21, 1.06, -1.62

 

CMYK 10 / 0 / 25 / 64

HEX #545D46

RGB 84 93 70

HSL 83.48, 0.14%, 0.32%

LAB 38.12, -8.15, 12.07

 

CMYK 18 / 0 / 47 / 58

HEX #586B39

RGB 88 107 57

HSL 82.8, 0.3%, 0.32%

LAB 42.59, -16.34, 25.64

 

CMYK 24 / 0 / 64 / 53

HEX #5B782B

RGB 91 120 43

HSL 82.6, 0.47%, 0.32%

LAB 46.75, -23.42, 37.85

 

CMYK 30 / 25 / 0 / 62

HEX #434860

RGB 67 72 96

HSL 229.66, 0.18%, 0.32%

LAB 31.05, 4.19, -14.77

 

CMYK 27 / 30 / 0 / 62

HEX #464360

RGB 70 67 96

HSL 246.21, 0.18%, 0.32%

LAB 29.81, 8.49, -16.65

 

CMYK 19 / 30 / 0 / 62

HEX #4E4360

RGB 78 67 96

HSL 262.76, 0.18%, 0.32%

LAB 30.59, 11.34, -15.39

 

CMYK 10 / 30 / 0 / 62

HEX #564360

RGB 86 67 96

HSL 279.31, 0.18%, 0.32%

LAB 31.43, 14.27, -14.02

 

CMYK 3 / 30 / 0 / 62

HEX #5D4360

RGB 93 67 96

HSL 293.79, 0.18%, 0.32%

LAB 32.23, 16.88, -12.74

 

CMYK 19 / 31 / 0 / 81

HEX #272130

RGB 39 33 48

HSL 264, 0.19%, 0.16%

LAB 14.02, 6.66, -8.86

 

CMYK 19 / 31 / 0 / 72

HEX #3A3248

RGB 58 50 72

HSL 261.82, 0.18%, 0.24%

LAB 22.47, 8.88, -12.31

 

CMYK 19 / 30 / 0 / 62

HEX #4E4360

RGB 78 67 96

HSL 262.76, 0.18%, 0.32%

LAB 30.59, 11.34, -15.39

 

CMYK 19 / 31 / 0 / 53

HEX #625479

RGB 98 84 121

HSL 262.7, 0.18%, 0.4%

LAB 38.41, 13.92, -18.86

 

CMYK 19 / 30 / 0 / 43

HEX #766591

RGB 118 101 145

HSL 263.18, 0.18%, 0.48%

LAB 45.91, 16.15, -21.66

 

CMYK 19 / 31 / 0 / 63

HEX #4D425F

RGB 77 66 95

HSL 262.76, 0.18%, 0.32%

LAB 30.16, 11.37, -15.42

 

CMYK 0 / 30 / 17 / 62

HEX #604350

RGB 96 67 80

HSL 333.1, 0.18%, 0.32%

LAB 31.99, 14.79, -2.8

 

CMYK 29 / 0 / 30 / 62

HEX #446043

RGB 68 96 67

HSL 117.93, 0.18%, 0.32%

LAB 37.84, -16.86, 13.32

 

CMYK 19 / 31 / 0 / 63

HEX #4D425F

RGB 77 66 95

HSL 262.76, 0.18%, 0.32%

LAB 30.16, 11.37, -15.42

 

CMYK 0 / 19 / 30 / 62

HEX #604E43

RGB 96 78 67

HSL 22.76, 0.18%, 0.32%

LAB 34.68, 5.67, 9.34

 

CMYK 30 / 0 / 19 / 62

HEX #43604E

RGB 67 96 78

HSL 142.76, 0.18%, 0.32%

LAB 38.04, -14.97, 6.88

 

CMYK 19 / 31 / 0 / 63

HEX #4D425F

RGB 77 66 95

HSL 262.76, 0.18%, 0.32%

LAB 30.16, 11.37, -15.42

 

CMYK 0 / 30 / 17 / 62

HEX #604350

RGB 96 67 80

HSL 333.1, 0.18%, 0.32%

LAB 31.99, 14.79, -2.8

 

CMYK 10 / 0 / 30 / 62

HEX #566043

RGB 86 96 67

HSL 80.69, 0.18%, 0.32%

LAB 39.16, -9.56, 15.32

 

CMYK 30 / 0 / 13 / 62

HEX #436054

RGB 67 96 84

HSL 155.17, 0.18%, 0.32%

LAB 38.2, -13.6, 3.42

 

CMYK 19 / 31 / 0 / 63

HEX #4D425F

RGB 77 66 95

HSL 262.76, 0.18%, 0.32%

LAB 30.16, 11.37, -15.42

 

CMYK 0 / 30 / 26 / 62

HEX #604347

RGB 96 67 71

HSL 351.72, 0.18%, 0.32%

LAB 31.71, 13.2, 2.58

 

CMYK 10 / 0 / 30 / 62

HEX #566043

RGB 86 96 67

HSL 80.69, 0.18%, 0.32%

LAB 39.16, -9.56, 15.32

 

CMYK 30 / 0 / 4 / 62

HEX #43605C

RGB 67 96 92

HSL 171.72, 0.18%, 0.32%

LAB 38.43, -11.64, -1.17

 

Description

Color code: HEX #4D425F | qconv.com Color code: HEX #4D425F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 66 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 66 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 31 magenta, none yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 31% 0% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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