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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #434860 it is the complementary color #BCB79F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #434860. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #434860 shade: #48485B, #595A6E, #6A6C81, #7B7E94 and #8C90A7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #434860. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #434860 shade: #434860, #32364D, #21243A, #101227 and #000014

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #434860 shade: #434860, #464360, #4E4360, #564360 and #5E4360

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #434860 shade: #434860 and #434360

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #434860 shade matches the following richer shades: #434860, #363F6D, #29377B, #1B2E88 and #0E2595

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #434860 shade: #434860, #505153, #5D5946, #6B6239 and #786B2B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #434860 shade: #435860, #435060, #434860, #454360 and #4D4360

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #434860 shade: #212430, #323648, #434860, #545A79 and #656C91

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #434860 shade: #434860, #604360 and #546043

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #434860 shade: #434860, #604348 and #486043

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #434860 shade: #434860, #604360, #605B43 and #436043

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #434860 shade: #434860, #604357, #605B43 and #43604C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 25 / 0 / 62

HEX #434860

RGB 67 72 96

HSL 229.66, 0.18%, 0.32%

LAB 31.05, 4.19, -14.77

 

Complementary color

CMYK 0 / 3 / 15 / 26

HEX #BCB79F

RGB 188 183 159

HSL 49.66, 0.18%, 0.68%

LAB 74.23, -2.33, 12.84

 

CMYK 21 / 21 / 0 / 64

HEX #48485B

RGB 72 72 91

HSL 240, 0.12%, 0.32%

LAB 31.27, 4.6, -11.19

 

CMYK 19 / 18 / 0 / 57

HEX #595A6E

RGB 89 90 110

HSL 237.14, 0.11%, 0.39%

LAB 38.83, 4.25, -11.51

 

CMYK 18 / 16 / 0 / 49

HEX #6A6C81

RGB 106 108 129

HSL 234.78, 0.1%, 0.46%

LAB 46.14, 3.95, -11.85

 

CMYK 17 / 15 / 0 / 42

HEX #7B7E94

RGB 123 126 148

HSL 232.8, 0.1%, 0.53%

LAB 53.24, 3.68, -12.21

 

CMYK 16 / 14 / 0 / 35

HEX #8C90A7

RGB 140 144 167

HSL 231.11, 0.13%, 0.6%

LAB 60.17, 3.44, -12.58

 

CMYK 30 / 25 / 0 / 62

HEX #434860

RGB 67 72 96

HSL 229.66, 0.18%, 0.32%

LAB 31.05, 4.19, -14.77

 

CMYK 35 / 30 / 0 / 70

HEX #32364D

RGB 50 54 77

HSL 231.11, 0.21%, 0.25%

LAB 23.18, 4.68, -14.64

 

CMYK 43 / 38 / 0 / 77

HEX #21243A

RGB 33 36 58

HSL 232.8, 0.27%, 0.18%

LAB 14.9, 5.34, -14.62

 

CMYK 59 / 54 / 0 / 85

HEX #101227

RGB 16 18 39

HSL 234.78, 0.42%, 0.11%

LAB 6.23, 5.78, -14.54

 

CMYK 100 / 100 / 0 / 92

HEX #000014

RGB 0 0 20

HSL 240, 1%, 0.04%

LAB 0.46, 3.21, -8.72

 

CMYK 30 / 25 / 0 / 62

HEX #434860

RGB 67 72 96

HSL 229.66, 0.18%, 0.32%

LAB 31.05, 4.19, -14.77

 

CMYK 27 / 30 / 0 / 62

HEX #464360

RGB 70 67 96

HSL 246.21, 0.18%, 0.32%

LAB 29.81, 8.49, -16.65

 

CMYK 19 / 30 / 0 / 62

HEX #4E4360

RGB 78 67 96

HSL 262.76, 0.18%, 0.32%

LAB 30.59, 11.34, -15.39

 

CMYK 10 / 30 / 0 / 62

HEX #564360

RGB 86 67 96

HSL 279.31, 0.18%, 0.32%

LAB 31.43, 14.27, -14.02

 

CMYK 2 / 30 / 0 / 62

HEX #5E4360

RGB 94 67 96

HSL 295.86, 0.18%, 0.32%

LAB 32.34, 17.26, -12.55

 

CMYK 30 / 25 / 0 / 62

HEX #434860

RGB 67 72 96

HSL 229.66, 0.18%, 0.32%

LAB 31.05, 4.19, -14.77

 

CMYK 30 / 30 / 0 / 62

HEX #434360

RGB 67 67 96

HSL 240, 0.18%, 0.32%

LAB 29.54, 7.46, -17.09

 

CMYK 30 / 25 / 0 / 62

HEX #434860

RGB 67 72 96

HSL 229.66, 0.18%, 0.32%

LAB 31.05, 4.19, -14.77

 

CMYK 50 / 42 / 0 / 57

HEX #363F6D

RGB 54 63 109

HSL 230.18, 0.34%, 0.32%

LAB 27.96, 10.24, -27.95

 

CMYK 67 / 55 / 0 / 52

HEX #29377B

RGB 41 55 123

HSL 229.76, 0.5%, 0.32%

LAB 25.67, 17.89, -40.56

 

CMYK 80 / 66 / 0 / 47

HEX #1B2E88

RGB 27 46 136

HSL 229.54, 0.67%, 0.32%

LAB 23.55, 27.18, -52.19

 

CMYK 91 / 75 / 0 / 42

HEX #0E2595

RGB 14 37 149

HSL 229.78, 0.83%, 0.32%

LAB 22.25, 37.11, -62.42

 

CMYK 30 / 25 / 0 / 62

HEX #434860

RGB 67 72 96

HSL 229.66, 0.18%, 0.32%

LAB 31.05, 4.19, -14.77

 

CMYK 4 / 2 / 0 / 67

HEX #505153

RGB 80 81 83

HSL 220, 0.02%, 0.32%

LAB 34.43, 0.04, -1.32

 

CMYK 0 / 4 / 25 / 64

HEX #5D5946

RGB 93 89 70

HSL 49.57, 0.14%, 0.32%

LAB 37.69, -1.91, 11.6

 

CMYK 0 / 8 / 47 / 58

HEX #6B6239

RGB 107 98 57

HSL 49.2, 0.3%, 0.32%

LAB 41.46, -2.78, 24.57

 

CMYK 0 / 11 / 64 / 53

HEX #786B2B

RGB 120 107 43

HSL 49.87, 0.47%, 0.32%

LAB 45.2, -3.29, 36.82

 

CMYK 30 / 8 / 0 / 62

HEX #435860

RGB 67 88 96

HSL 196.55, 0.18%, 0.32%

LAB 36.02, -5.86, -7.23

 

CMYK 30 / 17 / 0 / 62

HEX #435060

RGB 67 80 96

HSL 213.1, 0.18%, 0.32%

LAB 33.51, -0.92, -11.01

 

CMYK 30 / 25 / 0 / 62

HEX #434860

RGB 67 72 96

HSL 229.66, 0.18%, 0.32%

LAB 31.05, 4.19, -14.77

 

CMYK 28 / 30 / 0 / 62

HEX #454360

RGB 69 67 96

HSL 244.14, 0.18%, 0.32%

LAB 29.72, 8.15, -16.79

 

CMYK 20 / 30 / 0 / 62

HEX #4D4360

RGB 77 67 96

HSL 260.69, 0.18%, 0.32%

LAB 30.49, 10.97, -15.55

 

CMYK 31 / 25 / 0 / 81

HEX #212430

RGB 33 36 48

HSL 228, 0.19%, 0.16%

LAB 14.39, 2.07, -8.33

 

CMYK 31 / 25 / 0 / 72

HEX #323648

RGB 50 54 72

HSL 229.09, 0.18%, 0.24%

LAB 22.95, 3.17, -11.66

 

CMYK 30 / 25 / 0 / 62

HEX #434860

RGB 67 72 96

HSL 229.66, 0.18%, 0.32%

LAB 31.05, 4.19, -14.77

 

CMYK 31 / 26 / 0 / 53

HEX #545A79

RGB 84 90 121

HSL 230.27, 0.18%, 0.4%

LAB 38.86, 5.44, -18.27

 

CMYK 30 / 26 / 0 / 43

HEX #656C91

RGB 101 108 145

HSL 230.45, 0.18%, 0.48%

LAB 46.36, 6.36, -21.09

 

CMYK 30 / 25 / 0 / 62

HEX #434860

RGB 67 72 96

HSL 229.66, 0.18%, 0.32%

LAB 31.05, 4.19, -14.77

 

CMYK 0 / 30 / 0 / 62

HEX #604360

RGB 96 67 96

HSL 300, 0.18%, 0.32%

LAB 32.58, 18.01, -12.16

 

CMYK 13 / 0 / 30 / 62

HEX #546043

RGB 84 96 67

HSL 84.83, 0.18%, 0.32%

LAB 38.99, -10.4, 15.08

 

CMYK 30 / 25 / 0 / 62

HEX #434860

RGB 67 72 96

HSL 229.66, 0.18%, 0.32%

LAB 31.05, 4.19, -14.77

 

CMYK 0 / 30 / 25 / 62

HEX #604348

RGB 96 67 72

HSL 349.66, 0.18%, 0.32%

LAB 31.74, 13.37, 1.98

 

CMYK 25 / 0 / 30 / 62

HEX #486043

RGB 72 96 67

HSL 109.66, 0.18%, 0.32%

LAB 38.11, -15.31, 13.73

 

CMYK 30 / 25 / 0 / 62

HEX #434860

RGB 67 72 96

HSL 229.66, 0.18%, 0.32%

LAB 31.05, 4.19, -14.77

 

CMYK 0 / 30 / 0 / 62

HEX #604360

RGB 96 67 96

HSL 300, 0.18%, 0.32%

LAB 32.58, 18.01, -12.16

 

CMYK 0 / 5 / 30 / 62

HEX #605B43

RGB 96 91 67

HSL 49.66, 0.18%, 0.32%

LAB 38.51, -2.26, 14.6

 

CMYK 30 / 0 / 30 / 62

HEX #436043

RGB 67 96 67

HSL 120, 0.18%, 0.32%

LAB 37.78, -17.24, 13.23

 

CMYK 30 / 25 / 0 / 62

HEX #434860

RGB 67 72 96

HSL 229.66, 0.18%, 0.32%

LAB 31.05, 4.19, -14.77

 

CMYK 0 / 30 / 9 / 62

HEX #604357

RGB 96 67 87

HSL 318.62, 0.18%, 0.32%

LAB 32.23, 16.14, -6.93

 

CMYK 0 / 5 / 30 / 62

HEX #605B43

RGB 96 91 67

HSL 49.66, 0.18%, 0.32%

LAB 38.51, -2.26, 14.6

 

CMYK 30 / 0 / 21 / 62

HEX #43604C

RGB 67 96 76

HSL 138.62, 0.18%, 0.32%

LAB 37.99, -15.4, 8.04

 

Description

Color code: HEX #434860 | qconv.com Color code: HEX #434860 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 72 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 72 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 25 magenta, none yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 25% 0% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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