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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4D0FFB it is the complementary color #B2F004. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4D0FFB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4D0FFB shade: #520FF6, #6321FF, #7433FF, #8545FF and #9657FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4D0FFB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4D0FFB shade: #4D0FFB, #3C00E8, #2B00D5, #1A00C2 and #0900AF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4D0FFB shade: #4C0DFB, #8C0DFB, #CC0DFB, #FB0DEA and #FB0DAA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4D0FFB shade: #4C0DFB and #0D0DFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4D0FFB shade matches the following richer shades: #4C0DFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4D0FFB shade: #4C0DFB, #5521E7, #5F35D3, #6849BF and #715DAC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4D0FFB shade: #0D51FB, #0D11FB, #490DFB, #880DFB and #C70DFB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4D0FFB shade: #3102B3, #3C03DC, #4C0DFB, #6A36FB and #885FFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4D0FFB shade: #4D0FFB, #FB0D90 and #31FB0D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4D0FFB shade: #4D0FFB, #FB490D and #0DFB49

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4D0FFB shade: #4D0FFB, #FB0D90, #BFFB0D and #0DFB78

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4D0FFB shade: #4D0FFB, #FB0D49, #BFFB0D and #0DFBBF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 94 / 0 / 2

HEX #4D0FFB

RGB 77 15 251

HSL 255.76, 0.97%, 0.52%

LAB 35.76, 77.45, -99.76

 

Complementary color

CMYK 26 / 0 / 98 / 6

HEX #B2F004

RGB 178 240 4

HSL 75.76, 0.97%, 0.48%

LAB 87.87, -45.32, 84.93

 

CMYK 67 / 94 / 0 / 4

HEX #520FF6

RGB 82 15 246

HSL 257.4, 0.93%, 0.51%

LAB 35.58, 76.49, -97.24

 

CMYK 61 / 87 / 0 / 0

HEX #6321FF

RGB 99 33 255

HSL 257.84, 1%, 0.56%

LAB 39.51, 75.6, -95.71

 

CMYK 55 / 80 / 0 / 0

HEX #7433FF

RGB 116 51 255

HSL 259.12, 1%, 0.6%

LAB 43.21, 71.15, -89.54

 

CMYK 48 / 73 / 0 / 0

HEX #8545FF

RGB 133 69 255

HSL 260.65, 1%, 0.64%

LAB 47.58, 65.83, -82.31

 

CMYK 41 / 66 / 0 / 0

HEX #9657FF

RGB 150 87 255

HSL 262.5, 1%, 0.67%

LAB 52.42, 60.14, -74.33

 

CMYK 69 / 94 / 0 / 2

HEX #4D0FFB

RGB 77 15 251

HSL 255.76, 0.97%, 0.52%

LAB 35.76, 77.45, -99.76

 

CMYK 74 / 100 / 0 / 9

HEX #3C00E8

RGB 60 0 232

HSL 255.52, 1%, 0.45%

LAB 31.32, 74.57, -96.44

 

CMYK 80 / 100 / 0 / 16

HEX #2B00D5

RGB 43 0 213

HSL 252.11, 1%, 0.42%

LAB 27.62, 69.64, -91.7

 

CMYK 87 / 100 / 0 / 24

HEX #1A00C2

RGB 26 0 194

HSL 248.04, 1%, 0.38%

LAB 24.05, 64.71, -86.58

 

CMYK 95 / 100 / 0 / 31

HEX #0900AF

RGB 9 0 175

HSL 243.09, 1%, 0.34%

LAB 20.65, 59.79, -80.95

 

CMYK 70 / 95 / 0 / 2

HEX #4C0DFB

RGB 76 13 251

HSL 255.88, 0.97%, 0.52%

LAB 35.58, 77.72, -100.07

 

CMYK 44 / 95 / 0 / 2

HEX #8C0DFB

RGB 140 13 251

HSL 272.02, 0.97%, 0.52%

LAB 42.5, 81.99, -88.38

 

CMYK 19 / 95 / 0 / 2

HEX #CC0DFB

RGB 204 13 251

HSL 288.15, 0.97%, 0.52%

LAB 51.94, 89.38, -72.56

 

CMYK 0 / 95 / 7 / 2

HEX #FB0DEA

RGB 251 13 234

HSL 304.29, 0.97%, 0.52%

LAB 58.73, 93.98, -51.71

 

CMYK 0 / 95 / 32 / 2

HEX #FB0DAA

RGB 251 13 170

HSL 320.42, 0.97%, 0.52%

LAB 55.79, 86.48, -19.61

 

CMYK 70 / 95 / 0 / 2

HEX #4C0DFB

RGB 76 13 251

HSL 255.88, 0.97%, 0.52%

LAB 35.58, 77.72, -100.07

 

CMYK 95 / 95 / 0 / 2

HEX #0D0DFB

RGB 13 13 251

HSL 240, 0.97%, 0.52%

LAB 32.57, 76.32, -105.17

 

CMYK 70 / 95 / 0 / 2

HEX #4C0DFB

RGB 76 13 251

HSL 255.88, 0.97%, 0.52%

LAB 35.58, 77.72, -100.07

 

CMYK 70 / 95 / 0 / 2

HEX #4C0DFB

RGB 76 13 251

HSL 255.88, 0.97%, 0.52%

LAB 35.58, 77.72, -100.07

 

CMYK 63 / 86 / 0 / 9

HEX #5521E7

RGB 85 33 231

HSL 255.76, 0.8%, 0.52%

LAB 35.57, 68.58, -88.73

 

CMYK 55 / 75 / 0 / 17

HEX #5F35D3

RGB 95 53 211

HSL 255.95, 0.64%, 0.52%

LAB 37.27, 56.2, -74.43

 

CMYK 46 / 62 / 0 / 25

HEX #6849BF

RGB 104 73 191

HSL 255.76, 0.48%, 0.52%

LAB 40.36, 41.49, -57.72

 

CMYK 34 / 46 / 0 / 33

HEX #715DAC

RGB 113 93 172

HSL 255.19, 0.32%, 0.52%

LAB 44.69, 26.46, -39.6

 

CMYK 95 / 68 / 0 / 2

HEX #0D51FB

RGB 13 81 251

HSL 222.86, 0.97%, 0.52%

LAB 42.67, 47.09, -88.4

 

CMYK 95 / 93 / 0 / 2

HEX #0D11FB

RGB 13 17 251

HSL 238.99, 0.97%, 0.52%

LAB 32.81, 75.55, -104.76

 

CMYK 71 / 95 / 0 / 2

HEX #490DFB

RGB 73 13 251

HSL 255.13, 0.97%, 0.52%

LAB 35.34, 77.6, -100.47

 

CMYK 46 / 95 / 0 / 2

HEX #880DFB

RGB 136 13 251

HSL 271.01, 0.97%, 0.52%

LAB 41.98, 81.63, -89.26

 

CMYK 21 / 95 / 0 / 2

HEX #C70DFB

RGB 199 13 251

HSL 286.89, 0.97%, 0.52%

LAB 51.15, 88.7, -73.88

 

CMYK 73 / 99 / 0 / 30

HEX #3102B3

RGB 49 2 179

HSL 255.93, 0.98%, 0.35%

LAB 23.51, 61.13, -78.52

 

CMYK 73 / 99 / 0 / 14

HEX #3C03DC

RGB 60 3 220

HSL 255.76, 0.97%, 0.44%

LAB 29.89, 71.26, -91.93

 

CMYK 70 / 95 / 0 / 2

HEX #4C0DFB

RGB 76 13 251

HSL 255.88, 0.97%, 0.52%

LAB 35.58, 77.72, -100.07

 

CMYK 58 / 78 / 0 / 2

HEX #6A36FB

RGB 106 54 251

HSL 255.84, 0.96%, 0.6%

LAB 42.26, 67.86, -88.91

 

CMYK 46 / 62 / 0 / 1

HEX #885FFC

RGB 136 95 252

HSL 255.67, 0.96%, 0.68%

LAB 52.34, 52.6, -72.86

 

CMYK 69 / 94 / 0 / 2

HEX #4D0FFB

RGB 77 15 251

HSL 255.76, 0.97%, 0.52%

LAB 35.76, 77.45, -99.76

 

CMYK 0 / 95 / 43 / 2

HEX #FB0D90

RGB 251 13 144

HSL 326.97, 0.97%, 0.52%

LAB 54.88, 84.08, -5.61

 

CMYK 80 / 0 / 95 / 2

HEX #31FB0D

RGB 49 251 13

HSL 110.92, 0.97%, 0.52%

LAB 86.84, -82.05, 81.58

 

CMYK 69 / 94 / 0 / 2

HEX #4D0FFB

RGB 77 15 251

HSL 255.76, 0.97%, 0.52%

LAB 35.76, 77.45, -99.76

 

CMYK 0 / 71 / 95 / 2

HEX #FB490D

RGB 251 73 13

HSL 15.13, 0.97%, 0.52%

LAB 57.37, 65.31, 65.84

 

CMYK 95 / 0 / 71 / 2

HEX #0DFB49

RGB 13 251 73

HSL 135.13, 0.97%, 0.52%

LAB 86.78, -81.71, 67.77

 

CMYK 69 / 94 / 0 / 2

HEX #4D0FFB

RGB 77 15 251

HSL 255.76, 0.97%, 0.52%

LAB 35.76, 77.45, -99.76

 

CMYK 0 / 95 / 43 / 2

HEX #FB0D90

RGB 251 13 144

HSL 326.97, 0.97%, 0.52%

LAB 54.88, 84.08, -5.61

 

CMYK 24 / 0 / 95 / 2

HEX #BFFB0D

RGB 191 251 13

HSL 75.13, 0.97%, 0.52%

LAB 91.73, -45.05, 87.54

 

CMYK 95 / 0 / 52 / 2

HEX #0DFB78

RGB 13 251 120

HSL 146.97, 0.97%, 0.52%

LAB 87.21, -76.36, 48.74

 

CMYK 69 / 94 / 0 / 2

HEX #4D0FFB

RGB 77 15 251

HSL 255.76, 0.97%, 0.52%

LAB 35.76, 77.45, -99.76

 

CMYK 0 / 95 / 71 / 2

HEX #FB0D49

RGB 251 13 73

HSL 344.87, 0.97%, 0.52%

LAB 53.25, 79.69, 34.8

 

CMYK 24 / 0 / 95 / 2

HEX #BFFB0D

RGB 191 251 13

HSL 75.13, 0.97%, 0.52%

LAB 91.73, -45.05, 87.54

 

CMYK 95 / 0 / 24 / 2

HEX #0DFBBF

RGB 13 251 191

HSL 164.87, 0.97%, 0.52%

LAB 88.37, -62.89, 15.05

 

Description

Color code: HEX #4D0FFB | qconv.com Color code: HEX #4D0FFB | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 15 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 15 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 94 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 94% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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