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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 61 / 87 / 0 / 0 it is the complementary color CMYK 30 / 0 / 100 / 13. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 61 / 87 / 0 / 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 61 / 87 / 0 / 0: CMYK 58 / 87 / 0 / 2, CMYK 53 / 80 / 0 / 0, CMYK 46 / 73 / 0 / 0, CMYK 39 / 66 / 0 / 0 and CMYK 33 / 59 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 61 / 87 / 0 / 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 61 / 87 / 0 / 0: CMYK 61 / 87 / 0 / 0, CMYK 65 / 94 / 0 / 7, CMYK 70 / 100 / 0 / 15, CMYK 76 / 100 / 0 / 22 and CMYK 83 / 100 / 0 / 30

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 87 / 0 / 0

HEX #6321FF

RGB 99 33 255

HSL 257.84, 1%, 0.56%

LAB 39.51, 75.6, -95.71

 

Complementary color

CMYK 30 / 0 / 100 / 13

HEX #9CDE00

RGB 156 222 0

HSL 77.84, 1%, 0.44%

LAB 81.46, -45.93, 79.81

 

CMYK 58 / 87 / 0 / 2

HEX #6821FA

RGB 104 33 250

HSL 259.63, 0.96%, 0.55%

LAB 39.47, 74.77, -92.97

 

CMYK 53 / 80 / 0 / 0

HEX #7933FF

RGB 121 51 255

HSL 260.59, 1%, 0.6%

LAB 43.73, 71.71, -88.67

 

CMYK 46 / 73 / 0 / 0

HEX #8A45FF

RGB 138 69 255

HSL 262.26, 1%, 0.64%

LAB 48.11, 66.58, -81.41

 

CMYK 39 / 66 / 0 / 0

HEX #9B57FF

RGB 155 87 255

HSL 264.29, 1%, 0.67%

LAB 52.95, 61.08, -73.43

 

CMYK 33 / 59 / 0 / 0

HEX #AC69FF

RGB 172 105 255

HSL 266.8, 1%, 0.71%

LAB 58.13, 55.54, -64.99

 

CMYK 61 / 87 / 0 / 0

HEX #6321FF

RGB 99 33 255

HSL 257.84, 1%, 0.56%

LAB 39.51, 75.6, -95.71

 

CMYK 65 / 94 / 0 / 7

HEX #520FEC

RGB 82 15 236

HSL 258.19, 0.88%, 0.49%

LAB 34.38, 74.13, -93.57

 

CMYK 70 / 100 / 0 / 15

HEX #4100D9

RGB 65 0 217

HSL 257.97, 1%, 0.43%

LAB 29.75, 71.23, -90.43

 

CMYK 76 / 100 / 0 / 22

HEX #3000C6

RGB 48 0 198

HSL 254.55, 1%, 0.39%

LAB 25.88, 66.15, -85.84

 

CMYK 83 / 100 / 0 / 30

HEX #1F00B3

RGB 31 0 179

HSL 250.39, 1%, 0.35%

LAB 22.11, 61.08, -80.88

 

CMYK 61 / 87 / 0 / 0

HEX #6321FF

RGB 99 33 255

HSL 257.84, 1%, 0.56%

LAB 39.51, 75.6, -95.71

 

CMYK 49 / 88 / 0 / 0

HEX #831EFF

RGB 131 30 255

HSL 266.93, 1%, 0.56%

LAB 42.72, 79.07, -90.29

 

CMYK 34 / 88 / 0 / 0

HEX #A81EFF

RGB 168 30 255

HSL 276.8, 1%, 0.56%

LAB 47.59, 83.13, -82.12

 

CMYK 19 / 88 / 0 / 0

HEX #CE1EFF

RGB 206 30 255

HSL 286.93, 1%, 0.56%

LAB 53.24, 88.23, -72.66

 

CMYK 5 / 88 / 0 / 0

HEX #F31EFF

RGB 243 30 255

HSL 296.8, 1%, 0.56%

LAB 59.16, 93.88, -62.81

 

CMYK 61 / 87 / 0 / 0

HEX #6321FF

RGB 99 33 255

HSL 257.84, 1%, 0.56%

LAB 39.51, 75.6, -95.71

 

CMYK 61 / 86 / 0 / 80

HEX #140733

RGB 20 7 51

HSL 257.73, 0.76%, 0.11%

LAB 4.88, 18.18, -25.63

 

CMYK 61 / 87 / 0 / 60

HEX #280D66

RGB 40 13 102

HSL 258.2, 0.77%, 0.23%

LAB 13.82, 36.5, -46.36

 

CMYK 61 / 87 / 0 / 40

HEX #3B1499

RGB 59 20 153

HSL 257.59, 0.77%, 0.34%

LAB 22.76, 50.25, -63.96

 

CMYK 61 / 87 / 0 / 20

HEX #4F1ACC

RGB 79 26 204

HSL 257.87, 0.77%, 0.45%

LAB 31.26, 63.43, -80.34

 

CMYK 61 / 87 / 0 / 0

HEX #6321FF

RGB 99 33 255

HSL 257.84, 1%, 0.56%

LAB 39.51, 75.6, -95.71

 

CMYK 0 / 88 / 43 / 0

HEX #FF1E92

RGB 255 30 146

HSL 329.07, 1%, 0.56%

LAB 56.35, 83.23, -4.53

 

CMYK 78 / 0 / 88 / 0

HEX #38FF1E

RGB 56 255 30

HSL 113.07, 1%, 0.56%

LAB 88.19, -81.95, 80.57

 

CMYK 61 / 87 / 0 / 0

HEX #6321FF

RGB 99 33 255

HSL 257.84, 1%, 0.56%

LAB 39.51, 75.6, -95.71

 

CMYK 0 / 63 / 88 / 0

HEX #FF5E1E

RGB 255 94 30

HSL 17.07, 1%, 0.56%

LAB 61.1, 58.75, 63.79

 

CMYK 88 / 0 / 63 / 0

HEX #1EFF5E

RGB 30 255 94

HSL 137.07, 1%, 0.56%

LAB 88.26, -80.03, 61.37

 

CMYK 61 / 87 / 0 / 0

HEX #6321FF

RGB 99 33 255

HSL 257.84, 1%, 0.56%

LAB 39.51, 75.6, -95.71

 

CMYK 0 / 88 / 43 / 0

HEX #FF1E92

RGB 255 30 146

HSL 329.07, 1%, 0.56%

LAB 56.35, 83.23, -4.53

 

CMYK 25 / 0 / 88 / 0

HEX #BFFF1E

RGB 191 255 30

HSL 77.07, 1%, 0.56%

LAB 92.88, -46.48, 86.39

 

CMYK 88 / 0 / 45 / 0

HEX #1EFF8B

RGB 30 255 139

HSL 149.07, 1%, 0.56%

LAB 88.76, -73.9, 41.71

 

CMYK 61 / 87 / 0 / 0

HEX #6321FF

RGB 99 33 255

HSL 257.84, 1%, 0.56%

LAB 39.51, 75.6, -95.71

 

CMYK 0 / 88 / 69 / 0

HEX #FF1E4F

RGB 255 30 79

HSL 346.93, 1%, 0.56%

LAB 54.82, 78.93, 33.34

 

CMYK 25 / 0 / 88 / 0

HEX #BFFF1E

RGB 191 255 30

HSL 77.07, 1%, 0.56%

LAB 92.88, -46.48, 86.39

 

CMYK 88 / 0 / 19 / 0

HEX #1EFFCE

RGB 30 255 206

HSL 166.93, 1%, 0.56%

LAB 89.98, -60.19, 9.6

 

Description

Color code: CMYK 61 / 87 / 0 / 0 | qconv.com Color code: CMYK 61 / 87 / 0 / 0 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 33 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 33 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 87 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 87% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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