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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4D0CCD it is the complementary color #B2F332. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4D0CCD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4D0CCD shade: #520CC8, #631EDB, #7430EE, #8542FF and #9654FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4D0CCD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4D0CCD shade: #4D0CCD, #3C00BA, #2B00A7, #1A0094 and #090081

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4D0CCD shade: #4E0CCF, #820CCF, #B70CCF, #CF0CB3 and #CF0C7E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4D0CCD shade: #4E0CCF, #190CCF and #0C0CCF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4D0CCD shade matches the following richer shades: #4E0CCF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4D0CCD shade: #4E0CCF, #541EBD, #5930AC, #5F419A and #655388

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4D0CCD shade: #0C33CF, #190CCF, #4D0CCF, #810CCF and #B50CCF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4D0CCD shade: #310881, #3F0AA8, #4E0CCF, #5E13F1 and #793AF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4D0CCD shade: #4D0CCD, #CF0C67 and #19CF0C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4D0CCD shade: #4D0CCD, #CF4D0C and #0CCF4D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4D0CCD shade: #4D0CCD, #CF0C67, #8ECF0C and #0CCF74

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4D0CCD shade: #4D0CCD, #CF0C2D, #8ECF0C and #0CCFAF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 94 / 0 / 20

HEX #4D0CCD

RGB 77 12 205

HSL 260.21, 0.89%, 0.43%

LAB 30.03, 66.97, -82.96

 

Complementary color

CMYK 27 / 0 / 79 / 5

HEX #B2F332

RGB 178 243 50

HSL 80.21, 0.89%, 0.57%

LAB 88.83, -45.57, 78.43

 

CMYK 59 / 94 / 0 / 22

HEX #520CC8

RGB 82 12 200

HSL 262.34, 0.89%, 0.42%

LAB 29.98, 66.11, -80.11

 

CMYK 55 / 86 / 0 / 14

HEX #631EDB

RGB 99 30 219

HSL 261.9, 0.76%, 0.49%

LAB 35.39, 67.71, -82.12

 

CMYK 51 / 80 / 0 / 7

HEX #7430EE

RGB 116 48 238

HSL 261.47, 0.85%, 0.56%

LAB 41.22, 68.05, -83.28

 

CMYK 48 / 74 / 0 / 0

HEX #8542FF

RGB 133 66 255

HSL 261.27, 1%, 0.63%

LAB 47.11, 67.16, -83.07

 

CMYK 41 / 67 / 0 / 0

HEX #9654FF

RGB 150 84 255

HSL 263.16, 1%, 0.66%

LAB 51.89, 61.61, -75.19

 

CMYK 62 / 94 / 0 / 20

HEX #4D0CCD

RGB 77 12 205

HSL 260.21, 0.89%, 0.43%

LAB 30.03, 66.97, -82.96

 

CMYK 68 / 100 / 0 / 27

HEX #3C00BA

RGB 60 0 186

HSL 259.35, 1%, 0.36%

LAB 25.28, 63.7, -79.72

 

CMYK 74 / 100 / 0 / 35

HEX #2B00A7

RGB 43 0 167

HSL 255.45, 1%, 0.33%

LAB 21.22, 58.43, -75.11

 

CMYK 82 / 100 / 0 / 42

HEX #1A0094

RGB 26 0 148

HSL 250.54, 1%, 0.29%

LAB 17.26, 53.15, -70.09

 

CMYK 93 / 100 / 0 / 49

HEX #090081

RGB 9 0 129

HSL 244.19, 1%, 0.25%

LAB 13.49, 47.89, -64.47

 

CMYK 62 / 94 / 0 / 19

HEX #4E0CCF

RGB 78 12 207

HSL 260.31, 0.89%, 0.43%

LAB 30.37, 67.51, -83.56

 

CMYK 37 / 94 / 0 / 19

HEX #820CCF

RGB 130 12 207

HSL 276.31, 0.89%, 0.43%

LAB 36.96, 72.08, -72.47

 

CMYK 12 / 94 / 0 / 19

HEX #B70CCF

RGB 183 12 207

HSL 292.62, 0.89%, 0.43%

LAB 45.41, 79.2, -58.33

 

CMYK 0 / 94 / 14 / 19

HEX #CF0CB3

RGB 207 12 179

HSL 308.62, 0.89%, 0.43%

LAB 47.99, 79.14, -37.65

 

CMYK 0 / 94 / 39 / 19

HEX #CF0C7E

RGB 207 12 126

HSL 324.92, 0.89%, 0.43%

LAB 45.68, 73.16, -9.35

 

CMYK 62 / 94 / 0 / 19

HEX #4E0CCF

RGB 78 12 207

HSL 260.31, 0.89%, 0.43%

LAB 30.37, 67.51, -83.56

 

CMYK 88 / 94 / 0 / 19

HEX #190CCF

RGB 25 12 207

HSL 244, 0.89%, 0.43%

LAB 26.66, 65.51, -89.84

 

CMYK 94 / 94 / 0 / 19

HEX #0C0CCF

RGB 12 12 207

HSL 240, 0.89%, 0.43%

LAB 26.29, 65.33, -90.47

 

CMYK 62 / 94 / 0 / 19

HEX #4E0CCF

RGB 78 12 207

HSL 260.31, 0.89%, 0.43%

LAB 30.37, 67.51, -83.56

 

CMYK 62 / 94 / 0 / 19

HEX #4E0CCF

RGB 78 12 207

HSL 260.31, 0.89%, 0.43%

LAB 30.37, 67.51, -83.56

 

CMYK 56 / 84 / 0 / 26

HEX #541EBD

RGB 84 30 189

HSL 260.38, 0.73%, 0.43%

LAB 30.61, 58.71, -72.58

 

CMYK 48 / 72 / 0 / 33

HEX #5930AC

RGB 89 48 172

HSL 259.84, 0.56%, 0.43%

LAB 32.29, 46.94, -59.68

 

CMYK 38 / 58 / 0 / 40

HEX #5F419A

RGB 95 65 154

HSL 260.22, 0.41%, 0.43%

LAB 35.1, 33.64, -44.27

 

CMYK 26 / 39 / 0 / 47

HEX #655388

RGB 101 83 136

HSL 260.38, 0.24%, 0.43%

LAB 39.12, 19.38, -26.91

 

CMYK 94 / 75 / 0 / 19

HEX #0C33CF

RGB 12 51 207

HSL 228, 0.89%, 0.43%

LAB 31.69, 49.35, -81.47

 

CMYK 88 / 94 / 0 / 19

HEX #190CCF

RGB 25 12 207

HSL 244, 0.89%, 0.43%

LAB 26.66, 65.51, -89.84

 

CMYK 63 / 94 / 0 / 19

HEX #4D0CCF

RGB 77 12 207

HSL 260, 0.89%, 0.43%

LAB 30.27, 67.45, -83.73

 

CMYK 38 / 94 / 0 / 19

HEX #810CCF

RGB 129 12 207

HSL 276, 0.89%, 0.43%

LAB 36.81, 71.97, -72.71

 

CMYK 13 / 94 / 0 / 19

HEX #B50CCF

RGB 181 12 207

HSL 292, 0.89%, 0.43%

LAB 45.07, 78.89, -58.9

 

CMYK 62 / 94 / 0 / 49

HEX #310881

RGB 49 8 129

HSL 260.33, 0.88%, 0.27%

LAB 17.51, 46.76, -57.69

 

CMYK 63 / 94 / 0 / 34

HEX #3F0AA8

RGB 63 10 168

HSL 260.13, 0.89%, 0.35%

LAB 24, 57.37, -71.04

 

CMYK 62 / 94 / 0 / 19

HEX #4E0CCF

RGB 78 12 207

HSL 260.31, 0.89%, 0.43%

LAB 30.37, 67.51, -83.56

 

CMYK 61 / 92 / 0 / 5

HEX #5E13F1

RGB 94 19 241

HSL 260.27, 0.89%, 0.51%

LAB 36.36, 75.26, -93.08

 

CMYK 50 / 76 / 0 / 4

HEX #793AF4

RGB 121 58 244

HSL 260.32, 0.89%, 0.59%

LAB 43.69, 66.17, -82.58

 

CMYK 62 / 94 / 0 / 20

HEX #4D0CCD

RGB 77 12 205

HSL 260.21, 0.89%, 0.43%

LAB 30.03, 66.97, -82.96

 

CMYK 0 / 94 / 50 / 19

HEX #CF0C67

RGB 207 12 103

HSL 332, 0.89%, 0.43%

LAB 44.95, 71.2, 3.81

 

CMYK 88 / 0 / 94 / 19

HEX #19CF0C

RGB 25 207 12

HSL 116, 0.89%, 0.43%

LAB 72.8, -72.17, 70.02

 

CMYK 62 / 94 / 0 / 20

HEX #4D0CCD

RGB 77 12 205

HSL 260.21, 0.89%, 0.43%

LAB 30.03, 66.97, -82.96

 

CMYK 0 / 63 / 94 / 19

HEX #CF4D0C

RGB 207 77 12

HSL 20, 0.89%, 0.43%

LAB 50.22, 49.06, 57.79

 

CMYK 94 / 0 / 63 / 19

HEX #0CCF4D

RGB 12 207 77

HSL 140, 0.89%, 0.43%

LAB 73.05, -68.67, 51.4

 

CMYK 62 / 94 / 0 / 20

HEX #4D0CCD

RGB 77 12 205

HSL 260.21, 0.89%, 0.43%

LAB 30.03, 66.97, -82.96

 

CMYK 0 / 94 / 50 / 19

HEX #CF0C67

RGB 207 12 103

HSL 332, 0.89%, 0.43%

LAB 44.95, 71.2, 3.81

 

CMYK 31 / 0 / 94 / 19

HEX #8ECF0C

RGB 142 207 12

HSL 80, 0.89%, 0.43%

LAB 76.32, -44.6, 74.33

 

CMYK 94 / 0 / 44 / 19

HEX #0CCF74

RGB 12 207 116

HSL 152, 0.89%, 0.43%

LAB 73.52, -62.9, 33.46

 

CMYK 62 / 94 / 0 / 20

HEX #4D0CCD

RGB 77 12 205

HSL 260.21, 0.89%, 0.43%

LAB 30.03, 66.97, -82.96

 

CMYK 0 / 94 / 78 / 19

HEX #CF0C2D

RGB 207 12 45

HSL 349.85, 0.89%, 0.43%

LAB 43.83, 68.1, 38.12

 

CMYK 31 / 0 / 94 / 19

HEX #8ECF0C

RGB 142 207 12

HSL 80, 0.89%, 0.43%

LAB 76.32, -44.6, 74.33

 

CMYK 94 / 0 / 15 / 19

HEX #0CCFAF

RGB 12 207 175

HSL 170.15, 0.89%, 0.43%

LAB 74.7, -49.74, 3.96

 

Description

Color code: HEX #4D0CCD | qconv.com Color code: HEX #4D0CCD | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 12 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 12 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 94 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 94% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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